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Escaping Servitude: A Documentary History of Runaway Servants in
Eighteenth-Century Virginia is an edited collection of runaway
servant advertisements that appeared in newspapers in
eighteenth-century Virginia. In addition to documenting the
fugitive in the Chesapeake, it adds to our understanding of
indentured servitude and provides valuable insights into an
important chapter in American history. Escaping Servitude's
contribution to scholarship is threefold. First, it calls new
attention to the scant scholarly body of work concerning indentured
servitude; specifically, the work pertaining to fugitive servants.
Highlighting well over one thousand accounts in which bondsmen and
women ran away from their masters in Virginia during the colonial
era, Escaping Servitude complements Abbot Emerson Smith's Colonist
in Bondage: White Servitude and Convict Labor in America,
1607-1776, Edmund Morgan's American, American Freedom, David W.
Galenson's White Servitude in Colonial America, Anthony Parent
Jr.'s Foul Means, Don Jordon and Michael Walsh's White Cargo, and
others studies of American serfdom. Secondly, considering that
there is currently no other documentary history in print for other
colonies in British America, Escaping Servitude hopes to inspire
similar histories for eighteenth-century Maryland, North and South
Carolina, Georgia, and the northern colonies. Less known are the
life stories of indentures who absconded in other parts of British
America. Finally, in its explication of the lives of the unfree,
Escaping Servitude hopes to expand the current academic discourse
regarding the history of slavery and race.
Escaping Servitude: A Documentary History of Runaway Servants in
Eighteenth-Century Virginia is an edited collection of runaway
servant advertisements that appeared in newspapers in
eighteenth-century Virginia. In addition to documenting the
fugitive in the Chesapeake, it adds to our understanding of
indentured servitude and provides valuable insights into an
important chapter in American history. Escaping Servitude's
contribution to scholarship is threefold. First, it calls new
attention to the scant scholarly body of work concerning indentured
servitude; specifically, the work pertaining to fugitive servants.
Highlighting well over one thousand accounts in which bondsmen and
women ran away from their masters in Virginia during the colonial
era, Escaping Servitude complements Abbot Emerson Smith's Colonist
in Bondage: White Servitude and Convict Labor in America,
1607-1776, Edmund Morgan's American, American Freedom, David W.
Galenson's White Servitude in Colonial America, Anthony Parent
Jr.'s Foul Means, Don Jordon and Michael Walsh's White Cargo, and
others studies of American serfdom. Secondly, considering that
there is currently no other documentary history in print for other
colonies in British America, Escaping Servitude hopes to inspire
similar histories for eighteenth-century Maryland, North and South
Carolina, Georgia, and the northern colonies. Less known are the
life stories of indentures who absconded in other parts of British
America. Finally, in its explication of the lives of the unfree,
Escaping Servitude hopes to expand the current academic discourse
regarding the history of slavery and race.
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ARTEMISIA (Hardcover)
Nathalie Ferlut; Illustrated by Tamia Baudouin; Translated by Maelle Doliveux
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R567
Discovery Miles 5 670
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Ships in 9 - 17 working days
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The English-language edition of Nathalie Ferlut and Tamia
Baudouin's stunning biography of Artemisia Gentileschi, the
trailblazing Italian baroque painter, originally published in
French. This full-color graphic novel recounts the remarkable story
of Artemisia, whose life story is told through the lens of
Artemisia's daughter as she questions her mother about their family
history. The ensuing tale spans most of Gentileschi's life,
beginning with her childhood in Rome in her father's painting
studio, to the sexual abuse she experienced at the hands of a tutor
and the arduous trial that followed, as well as the highlights of
her prolific career in which she received commissions from clients
as powerful as the Medici and the English royal family and became
the first woman admitted to the prestigious Academy of Arts in
Florence.
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