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Chivalry, one of Shakespeare's central themes, retains its pertinence and topicality in our rules for international humanitarian law and the conduct of war. Against a background of Medieval and Renaissance sources as well as Shakespeare's historical and dramatic realms, Professor Meron considers the ways in which law, chivalry, morality, conscience, and state necessity are deployed in Shakespeare to promote a society in which soldiers behave humanely and leaders are held to high standards of civilized behavior. In doing so, he illustrates the literary genealogy of contemporary international humanitarian concerns such as the treatment of prisoners and of women and accountability for war crimes.
Theodor Meron is probably the world's most important author on issues of international humanitarian law. This book is a collection of his essays on war crimes and related areas, together with a new concluding chapter, from which the book takes its title, which brings together the themes explored in the essays.
Until recently, and with a few notable exceptions in the wake of World War II, violations of the laws of war and international humanitarian law were addressed primarily as claims between states. However, this approach has changed radically in the last twenty years, as the international community has increasingly accepted the idea of individual criminal responsibility for violations of international humanitarian law. The International Criminal Tribunals for the former Yugoslavia and Rwanda have played a key role in this transformation and, as the trailblazers for a growing number of new international or hybrid criminal courts, in establishing the field of international criminal justice and encouraging the national prosecution of war crimes. Understanding the Tribunals' origins, their ground-breaking jurisprudence, and how they have addressed critical legal and practical challenges is essential to understanding both the revolution that has occurred over the past twenty years and how international criminal law will change and grow in the years ahead. As a leading scholar on humanitarian law, and President of the International Criminal Tribunal for the former Yugoslavia, Theodor Meron has observed and influenced the development of international criminal law as it has evolved from a mostly academic exercise to a cornerstone of the new international legal order. In this collection of speeches delivered during his first decade on the bench, he offers an insightful overview of the foundations of international criminal law as well as a unique insider's perspective on the challenges faced by international criminal tribunals, their creation of a corpus of substantive and procedural law, and the responsibilities of international jurists. Judge Meron's experience in international criminal justice makes this volume as rewarding for experts as it is for the general public.
War is a major theme in Shakespeare's plays. Aside from its
dramatic appeal, it provided him with a context in which his
characters, steeped in the ideals of chivalry, could discuss such
concepts as honor, courage, patriotism, and justice. Well aware of
the decline of chivalry in his own era, Shakespeare gave his
characters lines calling for civilized behavior, mercy,
humanitarian principles, and moral responsibility. In this
remarkable new book, eminent legal scholar Theodor Meron looks at
contemporary international humanitarian law and rules for the
conduct of war through the lens of Shakespeare's plays and discerns
chivalry's influence there.
Shakespeare's "Henry V" has traditionally been acclaimed for its depiction of the psychological and political impact of warfare, and it remains one of the most widely-discussed plays in the cannon. In this study, Professor Meron uses rare medieval ordinances, and other medieval and Renaissance historical and legal sources to provide new contexts for Shakespeare's famous play. The result is an account of how Shakespeare's "Henry V" and other "histories" dramatically articulated complex medieval and Renaissance attitudes to warfare and the conduct of nations and individuals in time of war. The author uses the play and the campaign itself as a frame for the examination of the medieval laws of war, and examines stability and change in attitudes toward aspects of the law of war. This study should be of interest not only to scholars of war, history of law and literature, but also to anyone interested in this important period in the development of international humanitarian laws. Theodore Meron is the author of "Human Rights in International Law", "Human Rights Law-Making in the UN" and "Human Rights and Humanitarian Norms in International Law".
This work aims to consider the influence of human rights and humanitarian law on general international law: the humanization of international law. Although human rights and humanitarian norms are central to the book, it is not a book about human rights and humanitarian law. Rather, it deals with the radiation, or the reforming effect, that human rights and humanitarian law have had on other fields of public international law. Because of the peculiarities of human rights law, this influence cannot be taken for granted. It is sometimes said that the elaboration of human rights norms and institutions has produced no less than a revolution in the system of international law. Is this true and if so in which parts of international law? By examining most areas of public international law, the author attempts to demonstrate that the influence of human rights and humanitarian norms has not remained confined to one sector of international law, but that its influence has spread to many parts, albeit to varying degrees. The Humanization of International Law is a revised and updated version of the General Course on Public International Law delivered by the author at the Hague Academy of International Law in 2003. Also available in hardback.
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