Two of the most popular, innovative and controversial fields of historical study are cultural history and the history of nationalism. This volume brings these two areas together by addressing a central concern of recent research on the cultural history of Europe: the transition from the cosmopolitan culture of the Enlightenment to the self-consciously national cultures of the nineteenth century. Eleven lively and accessible chapters cover the public sphere, music, the visual arts, political culture, literature, the role of the state, and national languages. Among the many topics discussed are the decline in the degree and importance of patronage by the churches and the nobility; the corresponding expansion in the role played by the anonymous public and the market; the decline of international languages in favour of national vernaculars; the importance of the 'other' in determining a sense of national identity; and the growing appreciation by the state of the significance of the 'fine arts' as being conducive to social harmony, economic prosperity, and political stability.

"History writing at its glorious best."--The New York Times "A triumphant success. [Blanning] brings knowledge, expertise, sound judgment and a colorful narrative style."--The Economist The New York Times bestselling volume in the Penguin History of Europe series Between the end of the Thirty Years' War and the Battle of Waterloo, Europe underwent an extraordinary transformatoin that saw five of the modern world's great revolutions--scientific, industrial, American, French, and romantic. In this much-admired addition to the monumental Penguin History of Europe series, Tim Blanning brilliantly investigates the forces that transformed Europe from a medieval society into a vigorous powerhose of the modern world. Blanning renders this vast subject immediate and absorbing by making fresh connections between the most mundane details of life and the major cultural, political, and technological transformations that birthed the modern age.

'Highly readable and deeply researched' - Andrew Roberts 'Masterful ... brilliantly brings to life one of the most complex characters of modern European history' - Sunday Telegraph 'It is sure to be the standard English-language account for many years. It instructs; it entertains; and it surprises' - Philip Mansel, The Spectator Frederick the Great, King of Prussia, dominated the eighteenth century in the same way that Napoleon dominated the start of the nineteenth. He was a force of nature, a ruthless, brilliant, charismatic military commander, a monarch of exceptional energy and talent, a gifted composer, performer, poet and philosopher, and a discerning patron of artists, architects and writers, most famously Voltaire. From the very start of his reign he was an intensely divisive figure - fascinating even to those who hated him. Tim Blanning's brilliant new biography captures Frederick's vitality, complexity and flawed genius better than any previous writer. He also recreates a remarkable era, the last flowering of the old regime that would be swept away almost immediately after Frederick's death by the French Revolution. Equally at home on the battlefield or in the music room at Frederick's extraordinary miniature palace of Sanssouci, Blanning draws on a lifetime's immersion in the eighteenth century to present him in the round, with new attention paid to his cultural self-fashioning, including his sexuality. Frederick's spectre has hung over Germany ever since, both as inspiration and warning - Blanning at last allows us to understand him in his own time.

'The Penguin History of Europe series ... is one of contemporary publishing's great projects' New Statesman The Pursuit of Glory brings to life one of the most extraordinary periods in European history - from the battered, introvert continent after the Thirty Years War to the dynamic one that experienced the French Revolution and the wars of Napoleon. Tim Blanning depicts the lives of ordinary people and the dominant personalities of the age (Louis XIV, Frederick the Great, Napoleon), and explores an era of almost unprecedented change, growth and cultural, political and technological ferment that shaped the societies and economies of entire countries.

A compelling and persuasive account of how the Romantic Movement permanently changed the way we see things and express ourselves. Three great revolutions rocked the world around 1800. The first two - the French Revolution and the Industrial Revolution - have inspired the greatest volume of literature. But the third - the romantic revolution - was perhaps the most fundamental and far-reaching. From Byron, Wordsworth, Coleridge and Burns, to Beethoven, Wagner, Berlioz, Rossini and Liszt, to Goya, Turner, Delacroix and Blake, the romantics brought about nothing less than a revolution when they tore up the artistic rule book of the old regime. This was the period in which art acquired its modern meaning; for the first time the creator, rather than the created, took centre-stage. Artists became the high priests of a new religion, and as the concert hall and gallery came to take the place of the church, the public found a new subject worthy of veneration in paintings, poetry and music. Tim Blanning's sparkling, wide-ranging survey traces the roots and evolution of a cultural revolution whose reverberations continue to be felt today.

A distinguished historian chronicles the rise of music and musicians in the West from lowly balladeers to masters employed by fickle patrons, to the great composers of genius, to today's rock stars. How, he asks, did music progress from subordinate status to its present position of supremacy among the creative arts? Mozart was literally booted out of the service of the Archbishop of Salzburg "with a kick to my arse," as he expressed it. Yet, less than a hundred years later, Europe's most powerful ruler-Emperor William I of Germany-paid homage to Wagner by traveling to Bayreuth to attend the debut of The Ring. Today Bono, who was touted as the next president of the World Bank in 2006, travels the world, advising politicians-and they seem to listen. The path to fame and independence began when new instruments allowed musicians to showcase their creativity, and music publishing allowed masterworks to be performed widely in concert halls erected to accommodate growing public interest. No longer merely an instrument to celebrate the greater glory of a reigning sovereign or Supreme Being, music was, by the nineteenth century, to be worshipped in its own right. In the twentieth century, new technological, social, and spatial forces combined to make music ever more popular and ubiquitous. In a concluding chapter, Tim Blanning considers music in conjunction with nationalism, race, and sex. Although not always in step, music, society, and politics, he shows, march in the same direction.

Three great revolutions rocked the world around 1800. The first two - the French Revolution and the Industrial Revolution - have inspired the greatest volume of literature. But the third - the romantic revolution - was perhaps the most fundamental and far-reaching. From it derive virtually all the cultural axioms of the modern world: the stress on genius, originality and individual expression; the dominance of music; the obsession with sexuality, dreams and the subconscious; the public as patron; the worship of art and artists. Tim Blanning traces the evolution of romanticism from Rousseau's conversion-experience on the road to Vincennes in 1749. Contrary to received wisdom, Blanning argues that the 18th century was an intensely religious age, but one increasingly dissatisfied with organised religion. Art and artists began to fill this void. By the mid-19th century, realism had made a comeback but fin-de-siecle and post-modernism reasserted the romantic agenda.

"A splendidly pithy and provocative introduction to the culture of Romanticism.""--The Sunday Times"
" Tim Blanning is] in a particularly good position to speak of the arrival of Romanticism on the Euorpean scene, and he does so with a verve, a breadth, and an authority that exceed every expectation."--"National Review"
From the preeminent historian of Europe in the eighteenth and nineteenth centuries comes a superb, concise account of a cultural upheaval that still shapes sensibilities today. A rebellion against the rationality of the Enlightenment, Romanticism was a profound shift in expression that altered the arts and ushered in modernity, even as it championed a return to the intuitive and the primitive. Tim Blanning describes its beginnings in Rousseau's novel "La Nouvelle Heloise, " which placed the artistic creator at the center of aesthetic activity, and reveals how Goethe, Goya, Berlioz, and others began experimenting with themes of artistic madness, the role of sex as a psychological force, and the use of dreamlike imagery. Whether unearthing the origins of "sex appeal" or the celebration of accessible storytelling, "The Romantic Revolution" is a bold and brilliant introduction to an essential time whose influence would far outlast its age.
"Anyone with an interest in cultural history will revel in the book's range and insights. Specialists will savor the anecdotes, casual readers will enjoy the introduction to rich and exciting material. Brilliant artistic output during a time of transformative upheaval never gets old, and this book shows us why."--"The Washington Times"
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"It's a pleasure to read a relatively concise piece of scholarship of so high a caliber, especially expressed as well as in this fine book.""--Library Journal"