The Greek romance was for the Roman period what epic was for the Archaic period or drama for the Classical: the central literary vehicle for articulating ideas about the relationship between self and community. This book offers a fresh reading of the romance both as a distinctive narrative form (using a range of narrative theories) and as a paradigmatic expression of identity (social, sexual and cultural). At the same time it emphasises the elasticity of romance narrative and its ability to accommodate both conservative and transformative models of identity. This elasticity manifests itself partly in the variation in practice between different romancers, some of whom are traditionally Hellenocentric while others are more challenging. Ultimately, however, it is argued that it reflects a tension in all romance narrative, which characteristically balances centrifugal against centripetal dynamics. This book will interest classicists, historians of the novel and students of narrative theory.

Galen is the most important medical writer in Graeco-Roman antiquity, and also extremely valuable for understanding Graeco-Roman thought and society in the second century AD. This 2009 volume of essays locates him firmly in the intellectual life of his period, and thus aims to make better sense of the medical and philosophical 'world of knowledge' that he tries to create. How did Galen present himself as a reader and an author in comparison with other intellectuals of his day? Above all, how did he fashion himself as a medical practitioner, and how does that self-fashioning relate to the performance culture of second-century Rome? Did he see medicine as taking over some of the traditional roles of philosophy? These and other questions are freshly addressed by leading international experts on Galen and the intellectual life of the period, in a stimulating collection that combines learning with accessibility.

The Romans commanded the largest and most complex empire the world had ever seen, or would see until modern times. The challenges, however, were not just political, economic and military: Rome was also the hub of a vast information network, drawing in worldwide expertise and refashioning it for its own purposes. This groundbreaking collection of essays considers the dialogue between technical literature and imperial society, drawing on, developing and critiquing a range of modern cultural theories (including those of Michel Foucault and Edward Said). How was knowledge shaped into textual forms, and how did those forms encode relationships between emperor and subjects, theory and practice, Roman and Greek, centre and periphery? Ordering Knowledge in the Roman Empire will be required reading for those concerned with the intellectual and cultural history of the Roman Empire, and its lasting legacy in the medieval world and beyond.

The embrace of reception theory has been one of the hallmarks of classical studies over the last 30 years. This volume builds on the critical insights thereby gained to consider reception within Greek antiquity itself. Reception, like 'intertextuality', places the emphasis on the creative agency of the later 'receiver' rather than the unilateral influence of the 'transmitter'. It additionally shines the spotlight on transitions into new cultural contexts, on materiality, on intermediality and on the body. Essays range chronologically from the archaic to the Byzantine periods and address literature (prose and verse; Greek, Roman and Greco-Jewish), philosophy, papyri, inscriptions and dance. Whereas the conventional image of ancient Greek classicism is one of quiet reverence, this book, by contrast, demonstrates how rumbustious, heterogeneous and combative it could be.

How new is atheism? Long before the Enlightenment sowed seeds of disbelief in a deeply Christian Europe, atheism was a matter of serious public debate in the Greek world. But history is written by those who prevail, so the lively free-thinking voices of antiquity were mostly suppressed. Tim Whitmarsh brings to life the origins of the secular values at the heart of the modern state, and reveals how atheism and doubt, far from being modern phenomena, have intrigued the human imagination for thousands of years.

Greek Literature and the Roman Empire uses up-to-date literary and cultural theory to explore the phenomenal rise of interest in literary writing in Greece under the Roman Empire. Greek identity cannot be properly understood without appreciating the brilliant sophistication of the writers of the period, whose texts must be considered in the historical and cultural context of the battles for identity that raged under the vast, multicultural Roman Empire.

This 2010 volume explores the proposition that the absorption of the Greek world into the Roman empire created a new emphasis upon local identities, much as globalisation in the modern world has done. Localism became the focal point for complex debates: in some cases, it was complementary with imperial objectives, but in others tension can be discerned. The volume as a whole seeks to add texture and nuance to the existing literature on Greek identity, which has tended in recent years to emphasise the umbrella category of the Greek, to the detriment of specific polis and regional identities. It also contributes to the growing literature on the Romanisation of provinces, by emphasising the dialogue between a region's self-identification as a distinct space and its self-awareness as a component of the centrally-governed empire.

The Greek Novels have moved from the margins to the centre-stage over recent decades, not just because of their literary qualities and thrilling narratives, but also because they offer revealing insights into the culture of the Greek world of the Roman Empire: sexual mores, the position of women and men, identity, religion. Achilles Tatius' Leucippe and Clitophon, the most influential of the novels in antiquity, remains the favourite of many. With its freewheeling plotline, its setting on the edge of the Greek world (in modern Lebanon), its ironic play with the reader's expectations and its sallies into obscenity, it represents a new, mature, sophisticated stage in the development of the novel as a genre. This is the first commentary in English on Achilles for over 50 years, a period that has seen great strides forward in the understanding of the literary, linguistic and textual interpretation of this brilliant text.

The Greek Novels have moved from the margins to the centre-stage over recent decades, not just because of their literary qualities and thrilling narratives, but also because they offer revealing insights into the culture of the Greek world of the Roman Empire: sexual mores, the position of women and men, identity, religion. Achilles Tatius' Leucippe and Clitophon, the most influential of the novels in antiquity, remains the favourite of many. With its freewheeling plotline, its setting on the edge of the Greek world (in modern Lebanon), its ironic play with the reader's expectations and its sallies into obscenity, it represents a new, mature, sophisticated stage in the development of the novel as a genre. This is the first commentary in English on Achilles for over 50 years, a period that has seen great strides forward in the understanding of the literary, linguistic and textual interpretation of this brilliant text.

The Greek romance was for the Roman period what epic was for the Archaic period or drama for the Classical: the central literary vehicle for articulating ideas about the relationship between self and community. This book offers a reading of the romance both as a distinctive narrative form (using a range of narrative theories) and as a paradigmatic expression of identity (social, sexual and cultural). At the same time it emphasises the elasticity of romance narrative and its ability to accommodate both conservative and transformative models of identity. This elasticity manifests itself partly in the variation in practice between different romancers, some of whom are traditionally Hellenocentric while others are more challenging. Ultimately, however, it is argued that it reflects a tension in all romance narrative, which characteristically balances centrifugal against centripetal dynamics. This book will interest classicists, historians of the novel and students of narrative theory.

The contact zones between the Greco-Roman world and the Near East represent one of the most exciting and fast-moving areas of ancient-world studies. This new collection of essays, by world-renowned experts (and some new voices) in classical, Jewish, Egyptian, Mesopotamian and Persian literature, focuses specifically on prose fiction, or 'the ancient novel'. Twenty chapters either offer fresh readings - from an intercultural perspective - of familiar texts (such as the biblical Esther and Ecclesiastes, Xenophon of Ephesus' Ephesian Story and Dictys of Crete's Journal), or introduce material that may be new to many readers: from demotic Egyptian papyri through old Avestan hymns to a Turkic translation of the Life of Aesop. The volume also considers issues of methodology and the history of scholarship on the topic. A concluding section deals with the question of how narratives, patterns and motifs may have come to be transmitted between cultures.

Galen is the most important medical writer in Graeco-Roman antiquity, and also extremely valuable for understanding Graeco-Roman thought and society in the second century AD. This volume of essays locates him firmly in the intellectual life of his period, and thus aims to make better sense of the medical and philosophical 'world of knowledge' that he tries to create. How did Galen present himself as a reader and an author in comparison with other intellectuals of his day? Above all, how did he fashion himself as a medical practitioner, and how does that self-fashioning relate to the performance culture of second-century Rome? Did he see medicine as taking over some of the traditional roles of philosophy? These and other questions are freshly addressed by leading international experts on Galen and the intellectual life of the period, in a stimulating collection that combines learning with accessibility.

The Romans commanded the largest and most complex empire the world had ever seen, or would see until modern times. The challenges, however, were not just political, economic and military: Rome was also the hub of a vast information network, drawing in worldwide expertise and refashioning it for its own purposes. This fascinating 2007 collection of essays considers the dialogue between technical literature and imperial society, drawing on, developing and critiquing a range of modern cultural theories (including those of Michel Foucault and Edward Said). How was knowledge shaped into textual forms, and how did those forms encode relationships between emperor and subjects, theory and practice, Roman and Greek, centre and periphery? Ordering Knowledge in the Roman Empire will be required reading for those concerned with the intellectual and cultural history of the Roman Empire, and its lasting legacy in the medieval world and beyond.

The Greek and Roman novels of Petronius, Apuleius, Longus, Heliodorus and others have been cherished for millennia, but never more so than now. The Cambridge Companion to the Greek and Roman Novel contains nineteen original essays by an international cast of experts in the field. The emphasis is upon the critical interpretation of the texts within historical settings, both in antiquity and in the later generations that have been and continue to be inspired by them. All the central issues of current scholarship are addressed: sexuality, cultural identity, class, religion, politics, narrative, style, readership and much more. Four sections cover cultural context of the novels, their contents, literary form, and their reception in classical antiquity and beyond. Each chapter includes guidance on further reading. This collection will be essential for scholars and students, as well as for others who want an up-to-date, accessible introduction into this exhilarating material.

The Greek and Roman novels of Petronius, Apuleius, Longus, Heliodorus and others have been cherished for millennia, but never more so than now. The Cambridge Companion to the Greek and Roman Novel contains nineteen original essays by an international cast of experts in the field. The emphasis is upon the critical interpretation of the texts within historical settings, both in antiquity and in the later generations that have been and continue to be inspired by them. All the central issues of current scholarship are addressed: sexuality, cultural identity, class, religion, politics, narrative, style, readership and much more. Four sections cover cultural context of the novels, their contents, literary form, and their reception in classical antiquity and beyond. Each chapter includes guidance on further reading. This collection will be essential for scholars and students, as well as for others who want an up-to-date, accessible introduction into this exhilarating material.

Where does the Greek novel come from? This book argues that whereas much of Greek literature was committed to a form of cultural purism, presenting itself as part of a continuous tradition reaching back to founding fathers within the tradition, the novel revelled in cultural hybridity. The earliest Greek novelistic literature combined Greek and non-Greek traditions (or at least affected to combine them: it is often hard to tell how 'authentic' the non-Greek material is). More than this, however, it also often self-consciously explored its own hybridity by focusing on stories of cultural hybridisation, or what we would now call 'mixed-race' relations. This book is thus not a conventional account of the origins of the Greek novel: it is not an attempt to pinpoint the moment of invention, and to trace its subsequent development in a straight line. Rather, it makes a virtue of the murkiness, or 'dirtiness', of the origins of the novel: there is no single point of creation, no pure tradition, only transgression, transformation and mess. The novel thus emerges as an outlier within the Greek literary corpus: a form of literature written in Greek, but not always committing to Greek cultural identity. Dirty Love focuses particularly on the relationship between Persian, Egyptian, Jewish and Greek literature, and covers such texts as Ctesias' Persica, Joseph and Aseneth, the Alexander Romance and the tale of Ninus and Semiramis. It will appeal to those interested not only in Greek literary history, but also in near-eastern and biblical literature.

The contact zones between the Greco-Roman world and the Near East represent one of the most exciting and fast-moving areas of ancient-world studies. This new collection of essays, by world-renowned experts (and some new voices) in classical, Jewish, Egyptian, Mesopotamian and Persian literature, focuses specifically on prose fiction, or 'the ancient novel'. Twenty chapters either offer fresh readings - from an intercultural perspective - of familiar texts (such as the biblical Esther and Ecclesiastes, Xenophon of Ephesus' Ephesian Story and Dictys of Crete's Journal), or introduce material that may be new to many readers: from demotic Egyptian papyri through old Avestan hymns to a Turkic translation of the Life of Aesop. The volume also considers issues of methodology and the history of scholarship on the topic. A concluding section deals with the question of how narratives, patterns and motifs may have come to be transmitted between cultures.

This 2010 volume explores the proposition that the absorption of the Greek world into the Roman empire created a new emphasis upon local identities, much as globalisation in the modern world has done. Localism became the focal point for complex debates: in some cases, it was complementary with imperial objectives, but in others tension can be discerned. The volume as a whole seeks to add texture and nuance to the existing literature on Greek identity, which has tended in recent years to emphasise the umbrella category of the Greek, to the detriment of specific polis and regional identities. It also contributes to the growing literature on the Romanisation of provinces, by emphasising the dialogue between a region's self-identification as a distinct space and its self-awareness as a component of the centrally-governed empire.

The "Second Sophistic" traditionally refers to a period at the height of the Roman Empire's power that witnessed a flourishing of Greek rhetoric and oratory, and since the 19th century it has often been viewed as a defense of Hellenic civilization against the domination of Rome. This book proposes a very different model. Covering popular fiction, poetry and Greco-Jewish material, it argues for a rich, dynamic, and diverse culture, which cannot be reduced to a simple model of continuity. Shining new light on a series of playful, imaginative texts that are left out of the traditional accounts of Greek literature, Whitmarsh models a more adventurous, exploratory approach to later Greek culture. Beyond the Second Sophistic offers not only a new way of looking at Greek literature from 300 BCE onwards, but also a challenge to the Eurocentric, aristocratic constructions placed on the Greek heritage. Accessible and lively, it will appeal to students and scholars of Greek literature and culture, Hellenistic Judaism, world literature, and cultural theory.

Achilles Tatius' Leucippe and Clitophon is a 'Greek novel' composed in the second century AD. Like the other four novels that survive from this period, it focuses on the mutual love of a boy and a girl and the travails and obstacles that prevent them from consummating that love. What distinguishes Leucippe and Clitophon is its exuberant style and racy content. This new translation (which incorporates detailed notes) aims to capture the variety and vivacity of Achilles Tatius' writing. A substantial introduction sets the text in its historical and literary contexts.

Heliodorus' Aethiopica (Ethiopian Story) is the latest, longest, and greatest of the ancient Greek romances. It was hugely admired in Byzantium, and caused a sensation when it was rediscovered and translated into French in the 16th century: its impact on later European literature (including Shakespeare and Sidney) and art is incalculable. As with all post-classical Greek literature, its popularity dived in the 19th century, thanks to the influence of romanticism. Since the 1980s, however, new generations of readers have rediscovered this extraordinary late-antique tale of adventure, travel, and love. Recent scholars have demonstrated not just the complexity and sophistication of the text's formal aspects, but its daring experiments with the themes of race, gender, and religion. This volume brings together fifteen established experts in the ancient romance from across the world: each explores a passage or section of the text in depth, teasing out its subtleties and illustrating the rewards reaped thanks to slow, patient readings of what was arguably classical antiquity's last classic.

Greek Literature and the Roman Empire uses up-to-date literary and cultural theory to make a major and original contribution to the appreciation of Greek literature written under the Roman Empire during the second century CE (the so-called 'Second Sophistic'). This literature should not be dismissed as unoriginal and mediocre. Rather, its central preoccupations, especially mimesis and paideia, provide significant insights into the definition of Greek identity during the period. Focusing upon a series of key texts by important authors (including Dio Chrysostom, Plutarch, Philostratus, Lucian, Favorinus, and the novelists), Whitmarsh argues that narratives telling of educated Greeks' philosophical advice to empowered Romans (including emperors) offer a crucial point of entry into the complex and often ambivalent relationships between Roman conquerors and Greek subjects. Their authors' rich and complex engagement with the literary past articulates an ingenious and sophisticated response to their present socio-political circumstances.

'Her mouth was like the bloom of a rose, when the rose begins to part the lips of its petals. As soon as I saw, I was done for...All my dreams were of Leucippe.' Achilles Tatius' Leucippe and Clitophon is the most bizarre and risque of the five 'Greek novels' of idealized love between boy and girl that survive from the period of the Roman empire. Stretching the capacity of the genre to its limits, Achilles' narrative covers adultery, violence, evisceration, pederasty, virginity-testing, and (of course) an improbable happy ending. Ingenious and sophisticated in conception, Leucippe and Clitophon is in execution at once subtle, stylish, moving, brash, tasteless, and obscene. This new translation aims to capture Achilles' writing in all its exuberant variety. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The "Second Sophistic" traditionally refers to a period at the height of the Roman Empire's power that witnessed a flourishing of Greek rhetoric and oratory, and since the 19th century it has often been viewed as a defense of Hellenic civilization against the domination of Rome. This book proposes a very different model. Covering popular fiction, poetry and Greco-Jewish material, it argues for a rich, dynamic and diverse culture, which cannot be reduced to a simple model of continuity. Shining new light on a series of playful, imaginative texts that are left out of the traditional accounts of Greek literature, Whitmarsh models a more adventurous, exploratory approach to later Greek culture. Beyond the Second Sophistic offers not only a new way of looking at Greek literature from 300 BCE onwards, but also a challenge to the Eurocentric, aristocratic constructions placed on the Greek heritage. Accessible and lively, it will appeal to students and scholars of Greek literature and culture, Hellenistic Judaism, world literature, and cultural theory.