The Internship (2013)
Vince Vaughn and Owen Wilson star as two former salesmen who, never having managed to come to grips with the digital age, are left high and dry when their employer suddenly decides to call it a day. Staking everything on one last throw of the dice, the pair, defying all the odds, somehow manage to get themselves accepted onto a coveted internship at tech giants Google. But will they be able to keep up the facade once they take up their positions?

The Watch (2012)
Ben Stiller, Vince Vaughn, Jonah Hill and Richard Ayoade star as a group of friends who form a neighbourhood watch group. While Evan Trautwig, a newcomer to the suburban neighbourhood, may have a legitimate reason for forming a crime watch group following the recent murder of a friend, it is clear that for most of the men ulterior motives are at work. Indeed, Bob Finnerty seems to spend a lot more time examining the dating habits of his daughter, Chelsea, than he does looking for threats. However, when the men stumble across what appears to be an alien plan to destroy humankind, they understand where their responsibilities lie and set out to counter the threat.

This book is intended as a reference guide for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.) where art is bought and sold. Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of fine and decorative artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting fine and decorative arts, respectively; these chapters include highly selective, annotated bibliographies on each topic addressed. Methods for discovering or assigning the value of fine and decorative arts objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly addresses issues related to the history of art and its markets; with this in mind, a chapter on resources for the historian of the art market offers a wide range of both primary and secondary data sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.