This second annual review of international newspaper and periodical history is a further continuation of the Journal of Newspaper and Periodical History. Michael Harris and Tom O'Malley have brought together a broad collection of perspectives about newspaper and periodical reporting from the 17th to 20th centuries. This annual also describes important sources, gives a succinct annual review of newspaper history, and reviews noteworthy new books in newspaper and periodical history. It is an essential source for historians and teachers of media and communications courses. This volume discusses 17th-century newsbooks, Walpole's management of political opinion, publication of the Universal Museum about booksellers, and reports on a treason trial in the 18th century. The annual goes on to analyze how the British press was Americanized from 1830 to 1914, analyzes the Dreyfus case in ^Le Matin as well as newspaper-reading by British forces in World War I. This annual also describes important sources, gives a succinct annual review of newspaper history, and reviews noteworthy new books in newspaper and periodical history. It is an essential source for historians and teachers of media and communications courses.

Bringing together a team of history and media researchers from across Britain and Europe, this volume provides readers with a themed discussion of the range and variety of the media's engagement with history, and a close study of the relationship between media, history and national identity.

Bringing together a team of history and media researchers from across Britain and Europe, this volume provides readers with a themed discussion of the range and variety of the media's engagement with history, and a close study of the relationship between media, history and national identity.

A Journalism Reader is a comprehensive collection of essential writings on journalism history and practice from the eighteenth century to the present day. It brings together the work of journalists, philosophers, historians, newspaper owners, cultural theorists and specialists in public policy and industrial relations to provide a variety of perspectives on the history, status and craft of journalism.
The Journalism Reader is arranged chronologically with an editor's introduction to each section which details the main themes of each chapter. The contributors explore key themes in the history of journalism: crime, gender, class, regulation, ownership and industrial relations.
The Journalism Reader provides an innovative combination of previously published work and influential new thinking. It is an indispensable aid to the study of journalism and media history.

The media have always played a central role in organising the way ideas flow through societies. But what happens when those ideas are disruptive to normal social relations? Bringing together work by scholars in history, media and cultural studies and sociology, this collection explores this role in more depth and with more attention paid to the complexities behind conventional analyses. Attention is paid to morality and regulation; empire and film; the role of women; authoritarianism; wartime and fears of treachery; and fears of cultural contamination. The book begins with essays that contextualise the theoretical and historiographical issues of the relationship between social fears, moral panics and the media. The second section provides case studies which illustrate the ways in which the media has participated in, or been seen as the source of, the creation of threats to society. Finally, the third section then shows how historical research calls into question simple assumptions about the relationship between the media and social disruption.

This book offers fresh research and insights into the complex relationship between the press, war, and society in the 20th century, by examining the role of the newspaper press in the period c.1900- 1960, with a particular focus on the Second World War. During the warfare of the 20th century, the mass media were used to sustain domestic morale and promote combatants' views to an international audience. Topics covered in this book include British newspaper cartoonists' coverage of the Russo- Japanese War, the role of the French press in Anglo- French diplomacy in the 1930s, Irish press coverage of Dunkirk and D- Day, government censorship of the press in wartime Portugal, the reporting of American troops in North Africa, and how the Greek press became the focus of British government propaganda in the 1940s. Particular attention is given to the role of the British press in the Second World War: its coverage of evacuation, popular politics, and D- Day; the war as seen through commercial press advertising; the wartime Daily Mirror; and Fleet Street's role as a 'national' press in wartime. This book explores how- and why- newspapers have presented wars to their readers, and the importance of the press as an agent of social and political power in an age of conflict. This book was originally published as a special issue of Media History.

This book offers fresh research and insights into the complex relationship between the press, war, and society in the 20th century, by examining the role of the newspaper press in the period c.1900- 1960, with a particular focus on the Second World War. During the warfare of the 20th century, the mass media were used to sustain domestic morale and promote combatants' views to an international audience. Topics covered in this book include British newspaper cartoonists' coverage of the Russo- Japanese War, the role of the French press in Anglo- French diplomacy in the 1930s, Irish press coverage of Dunkirk and D- Day, government censorship of the press in wartime Portugal, the reporting of American troops in North Africa, and how the Greek press became the focus of British government propaganda in the 1940s. Particular attention is given to the role of the British press in the Second World War: its coverage of evacuation, popular politics, and D- Day; the war as seen through commercial press advertising; the wartime Daily Mirror; and Fleet Street's role as a 'national' press in wartime. This book explores how- and why- newspapers have presented wars to their readers, and the importance of the press as an agent of social and political power in an age of conflict. This book was originally published as a special issue of Media History.

A free press is the cornerstone of democracy. Does this then give the press the right to print inaccurate material with relative impunity? Should the public have a statutory right of reply to inaccuracy in the press? And how free is the press in a world of converging technologies and crossmedia ownership? Clive Soley and Tom O'Malley set the issues of press regulation in their historical context, focusing on the period after 1945. They specifically look at the history and record of the Press Council and assess the performance of the Press Complaints Commission. The book analyses the arguments surrounding attempts to improve standards by introducing statutory rights for the public, and the reasons for the failure of these initiatives. Focusing on issues of principle such as accuracy, misrepresentation and privacy, the authors re-examine the ways in which debates over press freedom versus regulation illuminate the fundamental conflicts between a fully accountable press and the economic imperatives of the free market economy.

The media have always played a central role in organising the way ideas flow through societies. But what happens when those ideas are disruptive to normal social relations? Bringing together work by scholars in history, media and cultural studies and sociology, this collection explores this role in more depth and with more attention paid to the complexities behind conventional analyses. Attention is paid to morality and regulation; empire and film; the role of women; authoritarianism; wartime and fears of treachery; and fears of cultural contamination.

The book begins with essays that contextualise the theoretical and historiographical issues of the relationship between social fears, moral panics and the media. The second section provides case studies which illustrate the ways in which the media has participated in, or been seen as the source of, the creation of threats to society. Finally, the third section then shows how historical research calls into question simple assumptions about the relationship between the media and social disruption.

In this relatively slim volume Tom O'Malley takes on the formidable task of challenging one of the most powerful institutions known to mankind, namely the Catholic Church. Despite the serious nature of the work, he writes in a style that is direct, lucid and eminently readable. His criticisms of the nature and practice of the Church are, above all, reasonable and accessible to all, even those with little or no knowledge of theology. We have here much more than just a critique of the Catholic Church. We also have an exploration of the nature and influence of love, which makes it universal in its appeal, transcending all religious beliefs, reaching out to those who believe that love and not fear should be the basis of our relationship with God. This book deserves to be read by all those who believe that religion still has meaning for mankind.

A critical history and contemporary overview of the Welsh media, this first work of its kind emphasizes the local impacts of media within the wider context of UK politics and industry. The study explores how media, culture, and communications intersect in everyday Welsh life and what this intersection means to issues of national identity, language, and geography. Media ownership issues are also addressed, along with developments in regional media policy and potential impacts of the National Assembly on Welsh media-related matters.

A Journalism Reader is a comprehensive collection of essential writings on journalism history and practice from the eighteenth century to the present day. It brings together the work of journalists, philosophers, historians, newspaper owners, cultural theorists and specialists in public policy and industrial relations to provide a variety of perspectives on the history, status and craft of journalism.
The Journalism Reader is arranged chronologically with an editor's introduction to each section which details the main themes of each chapter. The contributors explore key themes in the history of journalism: crime, gender, class, regulation, ownership and industrial relations.
The Journalism Reader provides an innovative combination of previously published work and influential new thinking. It is an indispensable aid to the study of journalism and media history.