Jose tomas garcia, cubano, 19 de mayo 1977, Guanajay, La Habana, estudio termo-energ tica en Cuba, su pa?'s natal, graduado del Instituto Polit cnico de su ciudad, emigro a los estados unidos en agosto del 2005, desempe ando varios trabajos en relaci n a su profesi n, escritor de forma autodidacta, su inclinaci n por la poes a de amor, lo lleva a realizar una recopilaci n de poemas escritos a lo largo de muchos a os, algunos en libretas viejas, otros casi perdidos en el tiempo, con el libro, EN EL BAUL DE MI ALMA, pretende llevar a todo el p blico amante de la poes a de amor y desamor, sus mas escondidos sentimientos, plasmados en estos versos.

The book examines the process of symbolic and material alteration of religious images in antiquity, the middle ages and the modern period. The process by which the form and meaning of images are modified and adapted for a new context is defined by a large number of spiritual, religious, artistic, geographical or historical circumstances. This book provides a defined theoretical framework for these symbolic and material alterations based on the concept of iconotropy; that is, the way in which images change and/or alter their meaning. Iconotropy is a key concept in religious history, particularly for periods in which religious changes, often turbulent, took place. In addition, the iconotropic process of appropriating cult images brought with it changes in the materiality of those images. Numerous accounts from antiquity, the middle ages and the modern period detail how cult images were involved in such processes of misinterpretation, both symbolically and materially. The book will be of interest to scholars working in art history, visual culture and religious history.

Jose tomas garcia, cubano, 19 de mayo 1977, Guanajay, La Habana, estudio termo-energ tica en Cuba, su pa?'s natal, graduado del Instituto Polit cnico de su ciudad, emigro a los estados unidos en agosto del 2005, desempe ando varios trabajos en relaci n a su profesi n, escritor de forma autodidacta, su inclinaci n por la poes a de amor, lo lleva a realizar una recopilaci n de poemas escritos a lo largo de muchos a os, algunos en libretas viejas, otros casi perdidos en el tiempo, con el libro, EN EL BAUL DE MI ALMA, pretende llevar a todo el p blico amante de la poes a de amor y desamor, sus mas escondidos sentimientos, plasmados en estos versos.

This publication considers the visual, linguistic and religious culture of the Roman province of Lusitania. Roman influence was especially notable in religion and artistic manifestations. It was in the cities where the Lusitanians acquired Roman civilization: they learned Latin, the Frankish language of the peninsula; they were introduced to the Roman administration and religion; and in the third century, when Rome converted to Christianity, so did the Lusitanians. The Latin language was imposed as the official language, functioning as a binding factor and communication between different peoples. Being a fairly large area and lacking a unified state that promoted a particular language in administration or education, different languages coexisted simultaneously in Hispania. The subjects continued to use their native languages, although official business was conducted in Latin or Greek. Indigenous religions persisted, although sacrifices were offered everywhere for the emperor and the gods of the Roman pantheon. Visual culture also reflected the hybrid character of provincial civilization. Images of a Roman style and subject matter circulated widely, and yet the craftsmen and consumers of the provinces maintained their own traditions, adopting Roman techniques and tastes as they pleased. The papers in this volume establish a broad and generous view of the relationship between images, languages and religious culture within Lusitanian society.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Lecciones De Filosofia Eclectica Pronunciadas En El Ateneo De Esta Corte Tomas Garcia Luna Impr. de I. Boix, 1843 Philosophy; History & Surveys; Ancient & Classical; Filosofia; Philosophy / General; Philosophy / History & Surveys / Ancient & Classical

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Manual De Historia De Ka Filosofia Tomas Garcia Luna Cargo de M. Rivadeneyra, 1847

This study explores the intellectual context and philosophical methodology behind the work of the Sicyonian school of painting which flourished in the 4th century BC. It analyses Plato's opposition to the school and its attempts to provide a scientific and mathematical basis for art, and discusses the similarity of the ideas of the school and its painters and teachers with those of Aristotle. Spanish text.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Manual De Historia De La Filosofia Tomas Garcia Luna Impr. de La Publicidad, a cargo de M. Rivadeneyra, 1847 Filosofia