Following the success of Classic Fairytales: retold for the stage which has seen productions of the plays performed internationally, the volume features another three sparkling adaptations of best-loved tales for family audiences.

These stories offer layered, perceptive takes on what home means to us. The people we meet in these stories are often traveling to and from home-thinking about where they have come from, where they are headed, and how that journey will impact their futures. Although the stories approach homecoming and homesickness through varied moods and styles, they all come around to confronting a shared need: a place to call home.

An ordinary school day in Middlefield turns into a mystical tale filled with endless adventures of magic, fairies, flying horses, and danger. A modern-day saga of four young teens who find themselves trapped in another realm-"The Otherworld"-where they must abide by an evil druid's bidding or risk endangering the lives of their loved ones and the magical beings they have befriended.

An ordinary school day in Middlefield turns into a mystical tale filled with endless adventures of magic, fairies, flying horses, and danger. A modern-day saga of four young teens who find themselves trapped in another realm-"The Otherworld"-where they must abide by an evil druid's bidding or risk endangering the lives of their loved ones and the magical beings they have befriended.

As a Christian woman, who suffered years of emotional abuse from my preaching spouse, I have discovered that I'm not alone. Millions of Christian women stay in an abusive marriage because they are taught it is a sin to get a divorce. As much as the Lord doesn't like divorce, He does not want us to live in an abusive marriage. You don't have to stay there and suffer in silence, while your husband has an affair, shows severe mood swings, and verbally abuse you, and all this is before he get up the preach to the congregation. We are princess of the King; we deserve the best that our Father has to offer. Jesus came to save us from our sins, but he also came to heal us, to provide for us, be it physically or emotionally. God is still delivering his people from the hands of Pharaoh today. I wanted to let women know that there is someone who understands and who's been there. As I frantically search within the church walls for a woman who would give me the right advice and all I ran up against are women who stayed until their spouse died or they are still in the abusive marriage. The others never had an abusive marriage and didn't know what to say. to just share my personal discover of my marriage to a minister, that know matter how I tried to keep it together, fell apart anyway. Be encouraged and seek the Lord's guidance and your life. HE IS STILL IN CONTROL.

The people in these eight interlaced stories are "bound together by the worst sort of grief," the kind that can devour you after someone close takes his or her own life. Wednesday evenings in Hope Springs, Oklahoma, offer the usual middle- American options: TV, rec league sports, eating out, and church. For Slater, Holly, and SueAnn, it is the night their suicide survivors group meets. They once felt little else in common, aside from a curiosity about Jane, the group facilitator, but now they understand how deeply they need each other. SueAnn mourns for her son, who hanged himself. Slater is left impotent by the loss of his father, who deliberately overdosed on pills and alcohol. Holly can't let go of her boyfriend, who shot himself. But if suicide has stolen their capacity to laugh, it has honed their sense of absurdity. Even in the darkest undertones ofwhat her characters think and say, Toni Graham reveals a piercingly funny cast, short on patience with themselves and the incongruous pieties of daily life in the Heartland. If they weren't already Hope Springs outsiders, suicide has made sure of it. Failing to fit in, they try to change, if only for themselves: Holly joins an online dating service; SueAnn works on her vocabulary; Slater gets liposuction. They keep moving forward and backward and, when their paths cross outside of their regular Wednesday meetings, sometimes a little sideways.

The people in these eight interlaced stories are "bound together by the worst sort of grief," the kind that can devour you after someone close takes his or her own life. Wednesday evenings in Hope Springs, Oklahoma, offer the usual middleAmerican options: TV, rec league sports, eating out, and church. For Slater, Holly, and SueAnn, it is the night their suicide survivors group meets. They once felt little else in common, aside from a curiosity about Jane, the group facilitator, but now they understand how deeply they need each other. SueAnn mourns for her son, who hanged himself. Slater is left impotent by the loss of his father, who deliberately overdosed on pills and alcohol. Holly can't let go of her boyfriend, who shot himself. But if suicide has stolen their capacity to laugh, it has honed their sense of absurdity. Even in the darkest undertones of what her characters think and say, Toni Graham reveals a piercingly funny cast, short on patience with themselves and the incongruous pieties of daily life in the Heartland. If they weren't already Hope Springs outsiders, suicide has made sure of it. Failing to fit in, they try to change, if only for themselves: Holly joins an online dating service; SueAnn works on her vocabulary; Slater gets liposuction. They keep moving forward and backward and, when their paths cross outside of their regular Wednesday meetings, sometimes a little sideways.