Hurled words. Thrown objects. Dodged burgers. A burger was thrown at Travis Alabanza on Waterloo Bridge in 2016. From this experience they have created a poetic, passionate performance piece based around the 'burger': the texture, and taste of being trans. Their experiences include verbal abuse, ostracisation and being thrown out of a Top Shop changing room. The piece also explores the black trans experience.

An electric memoir about what it means to live outside the gender boundaries imposed on us by society, from the award-winning trans writer and performer.

In None of the Above, Travis Alabanza examines seven phrases people have directed at them as a Black, mixed race, non-binary person. Some are deceptively innocuous, some deliberately loaded or offensive, some celebratory; sentences that have impacted them for better and for worse; sentences that speak to the broader issues raised by a world that insists that gender must be a binary.

Through these seven phrases, Travis Alabanza turns a mirror back on society, giving us reason to question the very framework in which we live and the ways we treat each other.

'Welcome. Welcome to Bristol in 1963. Welcome to Waterloo Bridge in 2016. Welcome to a house in May 2017. Welcome to three couples and what might be, what once was and what could have been in 2017. Welcome to a West Indian household in 2018. Welcome to London in 2018. Welcome to the past, present and - crucially - the future.' This anthology brings together six plays, all written or performed since 2017, by six brilliant Black British writers - Travis Alabanza, Firdos Ali, Natasha Gordon, Arinze Kene, Chinonyerem Odimba and debbie tucker green. The plays demonstrate a rich range of settings, forms, styles, locations, scales, contents and concerns - and explore themes including politics and protest, grief and colonisation, relationships and gender. They have been seen on stages including the National Theatre, the Royal Court, the Bush and Bristol Old Vic, at the Edinburgh Festival Fringe, in the West End, and on tour of the UK. Selected and introduced by leading theatre director Natalie Ibu, Contemporary Plays by Black British Writers celebrates a multiplicity of stories authored by Black playwrights in the UK over the last decade.

A bold play collection representing Lesbian, Gay, Bisexual, Trans, Intersex and Queer (LGBTIQ+) experiences, from Black British perspectives, this anthology contains seven radical plays by Black writers that change the face of theatre in Britain. With an international reach connecting Africa, the Caribbean and the Diaspora, these plays address themes including same-sex love, sex, homophobia, apartheid, migration and space travel. The collection captures the historical scope and range of Black British LGBTIQ+ theatre, from the 1980s to 2021. Including a range of forms, from monologue to musicals, realist drama to club-performance, readers will journey through the development of Black Queer theatre in Britain. Through a helpful critical introduction, this book provides important socio-political and historical context, highlighting and illuminating key themes in the plays. Each play is preceded by an intergenerational 'in-conversation' piece between two Black British LGBTIQ+ artists and writers who will talk about their own work in relation to the play, looking back at the history and on into the future. Through these rare conversations with highly acclaimed award-winning practitioners, readers will also gain an insight into the theatre industry, funding, producing, venues as well as the politics of identity, the diversity of LGBTIQ+ lives and the richness of Black British cultures.

"Club toilets have taught me more about sisterhood than any book." Cornered into a flooding toilet cubicle and determined not to be rescued again, Rosie distracts herself with memories of bathroom encounters. Drunken heart-to-hearts by dirty sinks, friendships forged in front of crowded mirrors, and hiding together from trouble. But with her panic rising and no help on its way, can she keep her head above water? From internationally acclaimed writer and one of the UK's most prominent trans voices, Travis Alabanza (Burgerz), comes a hilarious and devastating tour of women's bathrooms, who is allowed in and who is kept out. This edition was published to coincide with its premiere at the Bush Theatre, London in December 2020. The production was the first play to reopen the theatre following the COVID-19 pandemic.

A bold play collection representing Lesbian, Gay, Bisexual, Trans, Intersex and Queer (LGBTIQ+) experiences, from Black British perspectives, this anthology contains seven radical plays by Black writers that change the face of theatre in Britain. With an international reach connecting Africa, the Caribbean and the Diaspora, these plays address themes including same-sex love, sex, homophobia, apartheid, migration and space travel. The collection captures the historical scope and range of Black British LGBTIQ+ theatre, from the 1980s to 2021. Including a range of forms, from monologue to musicals, realist drama to club-performance, readers will journey through the development of Black Queer theatre in Britain. Through a helpful critical introduction, this book provides important socio-political and historical context, highlighting and illuminating key themes in the plays. Each play is preceded by an intergenerational 'in-conversation' piece between two Black British LGBTIQ+ artists and writers who will talk about their own work in relation to the play, looking back at the history and on into the future. Through these rare conversations with highly acclaimed award-winning practitioners, readers will also gain an insight into the theatre industry, funding, producing, venues as well as the politics of identity, the diversity of LGBTIQ+ lives and the richness of Black British cultures.

Tate Britain: Look Again: the National Collection of British Art reimagined for today. Gender is a polyphonic portrait of the representation of gender in art, from acclaimed playwright and artist, Travis Alabanza. Gender is performance. Think of the acts of drama that go hand-in-hand with our experience of gender: a man spreading his legs on a tube; a woman showing biceps in a boiler suit saying, ‘We Can Do it!’; a stiletto heel stepping on a briefcase. It seems wherever gender goes, there follows a show of what it might be trying to say. Art is also wrapped up in performance. We see a piece of art as a still of a performance in motion, a moment of drama, a snapshot, a glimpse into a spectacle ­–­ it captures a breath to be immortalised. In this book, celebrated playwright and artist Travis Alabanza offers a revelatory new perspective on the ways that art and gender have interacted through the ages, taking us into the drama that always follows gender, and the drama that always follows art. Through a number of recognisable works from the national collection of art, we discover who is really putting on a show, and what they are trying to tell us.