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Artists on Robert Smithson (Paperback)
Robert Smithson; Edited by Katherine Atkins, Kelly Kivland; Text written by Matthew Buckingham, Abraham Cruzvillegas, …
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R366
Discovery Miles 3 660
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Ships in 12 - 17 working days
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A multifaceted response to issues concerning personal privacy and
government power by writers, artists, and others The filmmaker,
artist, and journalist Laura Poitras has explored the themes of
mass surveillance, "war on terror," drone program, Guantanamo, and
torture in her work for more than ten years. In 2013, Poitras was
contacted by Edward Snowden, a former National Security Agency
subcontractor who leaked classified information about
government-sponsored surveillance. Her resulting documentary,
Citizenfour, which won an Academy Award for best documentary
feature in 2015, is the third film in her post-9/11 film trilogy.
For this volume, Poitras has invited authors ranging from artists
and novelists to technologists and academics to respond to the
modern-day state of mass surveillance. Among them are the acclaimed
author Dave Eggers, the Chinese artist Ai Weiwei, the former
Guantanamo Bay detainee Lakhdar Boumediene, the writer and
researcher Kate Crawford, and Edward Snowden, to name but a few.
Some contributors worked directly with Poitras and the archive of
documents leaked by Snowden; others contributed fictional
reinterpretations of spycraft. The result is a "how-to" guide for
living in a society that collects extraordinary amounts of
information on individuals. Questioning the role of surveillance
and advocating for collective privacy are central tennets for
Poitras, who has long engaged with and supported free-software
technologists. Distributed for the Whitney Museum of American Art
Exhibition Schedule: Whitney Museum of American Art
(02/05/16-05/01/16)
Human civilizations' longest lasting artifacts are not the great
Pyramids of Giza, nor the cave paintings at Lascaux, but the
communications satellites that circle our planet. In a stationary
orbit above the equator, the satellites that broadcast our TV
signals, route our phone calls, and process our credit card
transactions experience no atmospheric drag. Their inert hulls will
continue to drift around Earth until the Sun expands into a red
giant and engulfs them about 4.5 billion years from now. The Last
Pictures, co-published by Creative Time Books, is rooted in the
premise that these communications satellites will ultimately become
the cultural and material ruins of the late 20th and early 21st
centuries, far outlasting anything else humans have created.
Inspired in part by ancient cave paintings, nuclear waste warning
signs, and Carl Sagan's Golden Records of the 1970s,
artist/geographer Trevor Paglen has developed a collection of one
hundred images that will be etched onto an ultra-archival, golden
silicon disc. The disc, commissioned by Creative Time, will then be
sent into orbit onboard the Echostar XVI satellite in September
2012, as both a time capsule and a message to the future. The
selection of 100 images, which are the centerpiece of the book, was
influenced by four years of interviews with leading scientists,
philosophers, anthropologists, and artists about the contradictions
that characterize contemporary civilizations. Consequently, The
Last Pictures engages some of the most profound questions of the
human experience, provoking discourse about communication, deep
time, and the economic, environmental, and social uncertainties
that define our historical moment. Copub: Creative Time Books
Welcome to a top-level clearance world that doesn't "exist."..Now
with updated material for the paperback edition.
This is the adventurous, insightful, and often chilling story of a
road trip through a shadow nation of state secrets, clandestine
military bases, black sites, hidden laboratories, and top-secret
agencies that make up what insiders call the "black world."
Here, geographer and provocateur Trevor Paglen knocks on the doors
of CIA prisons, stakes out a covert air base in Nevada from a
mountaintop 30 miles away, dissects the Defense Department's
multibillion dollar "black" budget, and interviews those who live
on the edges of these blank spots.
Whether Paglen reports from a hotel room in Vegas, a secret prison
in Kabul, or a trailer in Shoshone Indian territory, he is
impassioned, rigorous, relentless-and delivers eye-opening details.
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