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This volume brings together diverse, cross-disciplinary scholarly
voices to examine gender construction in children's and young adult
literature. It complements and updates the scholarship in the field
by creating a rich, cohesive examination of core questions around
gender and sexuality in classic and contemporary texts. By
providing an expansive treatment of gender and sexuality across
genres, eras, and national literature, the collection explores how
readers encounter unorthodox as well as traditional notions of
gender. It begins with essays exploring how children's and YA
literature construct communities formed by gender, ethnicity,
sexuality, and in face-to-face and virtual spaces. Section II's
central focus is how gendered identities are formed, unpacking how
texts for young readers ranging from Amish youth periodicals to the
blockbuster Divergent series trace, reproduce, and shape gendered
identity socialization. In section III, the essential literary
function of translating trauma into narrative is addressed in
classics like Anne of Green Gables and Pollyanna, as well as more
recent works. Section IV's focus on sexuality and romance
encompasses fiction and nonfiction works, examining how children's
and young adult literature can serve as a regressive, progressive,
and transgressive site for construction meaning about sex and
romance. Last, Section IV offers new readings of paratextual
features in literature for children -- from the classic tale of
Cinderella to contemporary illustrated novels. The key achievement
of this volume is providing an updated range of multidisciplinary
and methodologically diverse analyses of critically and
commercially successful texts, contributing to the scholarship on
children's and YA literature; gender, sexuality, and women's
studies; and a range of other disciplines.
Despite the growing importance of heroines across literary culture
and sales figures that demonstrate both young adult and adult
females are reading about heroines in droves, particularly in
graphic novels, comic books, and YA literature few scholarly
collections have examined the complex relationships between the
representations of heroines and the changing societal roles for
both women and men. In Heroines of Comic Books and Literature:
Portrayals in Popular Culture, editors Maja Bajac-Carter, Norma
Jones, and Bob Batchelor have selected essays by award-winning
contributors that offer a variety of perspectives on the
representations of heroines in today s society. Focused on printed
media, this collection looks at heroic women depicted in
literature, graphic novels, manga, and comic books. Addressing
heroines from such sources as the Marvel and DC comic universes,
manga, and the Twilight novels, contributors go beyond the account
of women as mothers, wives, warriors, goddesses, and damsels in
distress. These engaging and important essays situate heroines
within culture, revealing them as tough and self-sufficient females
who often break the bounds of gender expectations in places readers
may not expect. Analyzing how women are and have been represented
in print, this companion volume to Heroines of Film and Television
will appeal to scholars of literature, rhetoric, and media as well
as to broader audiences that are interested in portrayals of women
in popular culture."
This volume brings together diverse, cross-disciplinary scholarly
voices to examine gender construction in children's and young adult
literature. It complements and updates the scholarship in the field
by creating a rich, cohesive examination of core questions around
gender and sexuality in classic and contemporary texts. By
providing an expansive treatment of gender and sexuality across
genres, eras, and national literature, the collection explores how
readers encounter unorthodox as well as traditional notions of
gender. It begins with essays exploring how children's and YA
literature construct communities formed by gender, ethnicity,
sexuality, and in face-to-face and virtual spaces. Section II's
central focus is how gendered identities are formed, unpacking how
texts for young readers ranging from Amish youth periodicals to the
blockbuster Divergent series trace, reproduce, and shape gendered
identity socialization. In section III, the essential literary
function of translating trauma into narrative is addressed in
classics like Anne of Green Gables and Pollyanna, as well as more
recent works. Section IV's focus on sexuality and romance
encompasses fiction and nonfiction works, examining how children's
and young adult literature can serve as a regressive, progressive,
and transgressive site for construction meaning about sex and
romance. Last, Section IV offers new readings of paratextual
features in literature for children -- from the classic tale of
Cinderella to contemporary illustrated novels. The key achievement
of this volume is providing an updated range of multidisciplinary
and methodologically diverse analyses of critically and
commercially successful texts, contributing to the scholarship on
children's and YA literature; gender, sexuality, and women's
studies; and a range of other disciplines.
Despite the growing importance of heroines across literary
culture-and sales figures that demonstrate both young adult and
adult females are reading about heroines in droves, particularly in
graphic novels, comic books, and YA literature-few scholarly
collections have examined the complex relationships between the
representations of heroines and the changing societal roles for
both women and men. In Heroines of Comic Books and Literature:
Portrayals in Popular Culture, editors Maja Bajac-Carter, Norma
Jones, and Bob Batchelor have selected essays by award-winning
contributors that offer a variety of perspectives on the
representations of heroines in today's society. Focused on printed
media, this collection looks at heroic women depicted in
literature, graphic novels, manga, and comic books. Addressing
heroines from such sources as the Marvel and DC comic universes,
manga, and the Twilight novels, contributors go beyond the account
of women as mothers, wives, warriors, goddesses, and damsels in
distress. These engaging and important essays situate heroines
within culture, revealing them as tough and self-sufficient females
who often break the bounds of gender expectations in places readers
may not expect. Analyzing how women are and have been represented
in print, this companion volume to Heroines of Film and Television
will appeal to scholars of literature, rhetoric, and media as well
as to broader audiences that are interested in portrayals of women
in popular culture.
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