'A wide-ranging, erudite and multi-faceted analyses of the fundamental problem of who gets to be counted as human' - Kate Evans Refugee Talk explores cultural responses to the ongoing refugee crisis. Looking at ethical questions and political rhetoric surrounding the refugee experience, the authors uncover the reality behind the fraught discussions taking place today. With an understanding of how to meaningfully negotiate responses through philosophy, media representations, art, activism and literature, the authors insist that a radically different approach is needed, advocating for, along with other reorientations, a new refugee vocabulary as a launching pad for interventions into polarised debates. By centring conversation as a method and ethical practice to engage in the discourses surrounding refugees, Refugee Talk is structured around dialogues with academics, activists, journalists and refugee artists and writers, creating a comprehensive humanities approach that places ethics and aesthetics at its core.

'A wide-ranging, erudite and multi-faceted analyses of the fundamental problem of who gets to be counted as human' - Kate Evans Refugee Talk explores cultural responses to the ongoing refugee crisis. Looking at ethical questions and political rhetoric surrounding the refugee experience, the authors uncover the reality behind the fraught discussions taking place today. With an understanding of how to meaningfully negotiate responses through philosophy, media representations, art, activism and literature, the authors insist that a radically different approach is needed, advocating for, along with other reorientations, a new refugee vocabulary as a launching pad for interventions into polarised debates. By centring conversation as a method and ethical practice to engage in the discourses surrounding refugees, Refugee Talk is structured around dialogues with academics, activists, journalists and refugee artists and writers, creating a comprehensive humanities approach that places ethics and aesthetics at its core.

This book explores contemporary British multicultural multi-genre literature. Considering socio-political and philosophical ideas about British multiculturalism, superdiversity and conviviality, Ulla Rahbek studies a broad range of texts by writers from across the majority-minority divide. The text focuses on figurative registers and metaphorical richness in multicultural poetry and investigates the interlocked issue of recognition, representation and identity in memoirs. Rahbek analyses how twenty-first-century British multicultural novels both envision and reimagine an inclusive nation and thematise the detrimental effects of individual exclusion on characters' pursuits of the good life. She observes the ways that short stories pivot on ambivalent encounters and intercultural dialogue, and she reflects on the public good of multicultural literature.

In Search of the Afropolitan explores human encounters and moments that speak to the challenges of being a 21st century African of the world. Against the background of an engaging evaluation of the heated debate on Afropolitanism and what constitutes an Afropolitan, the authors turn to literature and its intrinsic capacity for unfolding the human figure of the African as inherently complex and multidimensional. Through a detailed probing of the Afropolitan in literary narratives, the book enters into conversations about self-understanding and the signification of Africa in the contexts of global mobility. The book conceives of Afropolitanism as a flexible space of inquiry that curbs the inclination to set the definition of the 'ism' in stone. Instead, it attempts to distil, through close-up character analyses, a multifarious sense of what it means to be Afropolitan in the contemporary moment. In that sense, the encounters we come across in the literary narratives produce unexpected ontological negotiations on what it means to be African in the world today. As a special feature of In Search of the Afropolitan, the authors' conversations with prominent writers, thinkers, and critics provide a lively context for the ongoing debate on Afropolitanism and the Afropolitan.

In Search of the Afropolitan explores human encounters and moments that speak to the challenges of being a 21st century African of the world. Against the background of an engaging evaluation of the heated debate on Afropolitanism and what constitutes an Afropolitan, the authors turn to literature and its intrinsic capacity for unfolding the human figure of the African as inherently complex and multidimensional. Through a detailed probing of the Afropolitan in literary narratives, the book enters into conversations about self-understanding and the signification of Africa in the contexts of global mobility. The book conceives of Afropolitanism as a flexible space of inquiry that curbs the inclination to set the definition of the 'ism' in stone. Instead, it attempts to distil, through close-up character analyses, a multifarious sense of what it means to be Afropolitan in the contemporary moment. In that sense, the encounters we come across in the literary narratives produce unexpected ontological negotiations on what it means to be African in the world today. As a special feature of In Search of the Afropolitan, the authors' conversations with prominent writers, thinkers, and critics provide a lively context for the ongoing debate on Afropolitanism and the Afropolitan.

This book explores contemporary British multicultural multi-genre literature. Considering socio-political and philosophical ideas about British multiculturalism, superdiversity and conviviality, Ulla Rahbek studies a broad range of texts by writers from across the majority-minority divide. The text focuses on figurative registers and metaphorical richness in multicultural poetry and investigates the interlocked issue of recognition, representation and identity in memoirs. Rahbek analyses how twenty-first-century British multicultural novels both envision and reimagine an inclusive nation and thematise the detrimental effects of individual exclusion on characters' pursuits of the good life. She observes the ways that short stories pivot on ambivalent encounters and intercultural dialogue, and she reflects on the public good of multicultural literature.