This book-which is based on vast archival research and on a variety of primary sources-has filled a gap in Italy's historiography on Fascism, and in European and world history about concentration camps in our contemporary world. It provides, for the first time, a survey of the different types of internment practiced by Fascist Italy during the war and a historical map of its concentration camps. Published in Italian (I campi del duce, Turin: Einaudi, 2004), in Croatian (Mussolinijevi Logori, Zagreb: Golden Marketing - Tehnicka knjiga, 2007), in Slovenian (Fasisticna taborisca, Ljublana: Publicisticno drustvo ZAK, 2011), and now in English, Mussolini's Camps is both an excellent product of academic research and a narrative easily accessible to readers who are not professional historians. It undermines the myth that concentration camps were established in Italy only after the creation of the Republic of Salo and the Nazi occupation of Italy's northern regions in 1943, and questions the persistent and traditional image of Italians as brava gente (good people), showing how Fascism made extensive use of the camps (even in the occupied territories) as an instrument of coercion and political control.

This volume assembles for the first time a staggering multiplicity of reflections and readings of John Fante's 1939 classic, Ask the Dust, a true testament to the work's present and future impact. The contributors to this work-writers, critics, fans, scholars, screenwriters, directors, and others-analyze the provocative set of diaspora tensions informing Fante's masterpiece that distinguish it from those accounts of earlier East Coast migrations and minglings. A must-read for aficionados of L.A. fiction and new migration literature, John Fante's "Ask the Dust": A Joining of Voices and Views is destined for landmark status as the first volume of Fante studies to reveal the novel's evolving intertextualities and intersectionalities. Contributors: Miriam Amico, Charles Bukowski, Stephen Cooper, Giovanna DiLello, John Fante, Valerio Ferme, Teresa Fiore, Daniel Gardner, Philippe Garnier, Robert Guffey, Ryan Holiday, Jan Louter, Chiara Mazzucchelli, Meagan Meylor, J'aime Morrison, Nathan Rabin, Alan Rifkin, Suzanne Manizza Roszak, Danny Shain, Robert Towne, Joel Williams

This book documents and analyzes how the contemporary Mediterranean city manages and negotiates its identity as a result of recent reconfigurations in its cultural, religious, and social landscape. The events of Sept. 11, 2001 have recast difference as a central trope of identification in urban borderland settings, unleashing heated debates about cultural convergences and animating anxieties about an arguable clash of civilizations in modern cities. These emerging uncertainties have also grown stronger as the homogenizing forces of globalization unsettle essential principles of the nation-state and nationhood and render fixed perceptions of distinctive and singular people and cultures more tenuous. Recent scholarship and public discourse have accordingly framed discussions of these encounters around concerns of geo-political security and international policy. Unfortunately, framed within these terms, our understanding of how various groups within the Mediterranean metropolis deal with the intensification of difference as a lived experience has remained regrettably thin. This volume transcends this limitation and explores new, interdisciplinary research paradigms that will help us gain a comprehensive perspective on how complex macro and micro tensions, contradictions and similarities are negotiated in building urban identities in the Mediterranean basin. The contributors to this volume explore the multi-faceted nature of Mediterranean cities and engage a critical discussion of identity production and consumption in the Mediterranean basin. By spanning two centuries and examining both the Northern and Southern shores of the Mediterranean, the chapters in this book provide a broad and comprehensive investigation of the ways in which recent cultural productions have framed and re-imagined the Mediterranean city as a locus of departures, arrivals and contested belonging. By focusing on cinema, photography, new media, magazines, music and literature as different stages for the performative representation of Mediterraneity, the authors highlight the vibrancy of the intercultural discourses taking place along the shores of the mare nostrum and provide new perspectives from which to explore the relationship between North and South, East and West.

In 1996, with the publication of Southern Thought, Italian writer Franco Cassano became widely recognized as one of the most important voices in the contemporary Italian and European intellectual scene. In this engaging and provocative book, which ranges effortlessly between the fields of sociology, political science, philosophy, cultural anthropology, and literature, Cassano offers a critique of normative models of modernization derived from Eurocentric and North Atlantic paradigms, while claiming that autonomous paths to modernity exist in the Mediterranean and the so-called Global Souths. Cassano’s rethinking of the South seeks nothing less than to reverse the North-South relationship: “not to think of the South in light of modernity, but rather to think of modernity in light of the South.” In this work, the South is no longer a belated, imperfect, incomplete, and not-yet North but the space of a differential, autonomous identity to be recovered and rediscovered. Thus, Southern Thought not only exemplifies a brilliant critique of Occidentalism but represents a valiant attempt to restore agency and dignity to the heritage and legacies of Southern civilizations and cultures. Four additional essays supplement this English translation of the original Italian book.

In 1996, with the publication of Southern Thought, Italian writer Franco Cassano became widely recognized as one of the most important voices in the contemporary Italian and European intellectual scene. In this engaging and provocative book, which ranges effortlessly between the fields of sociology, political science, philosophy, cultural anthropology, and literature, Cassano offers a critique of normative models of modernization derived from Eurocentric and North Atlantic paradigms, while claiming that autonomous paths to modernity exist in the Mediterranean and the so-called Global Souths. Cassano's rethinking of the South seeks nothing less than to reverse the North-South relationship: "not to think of the South in light of modernity, but rather to think of modernity in light of the South." In this work, the South is no longer a belated, imperfect, incomplete, and not-yet North but the space of a differential, autonomous identity to be recovered and rediscovered. Thus, Southern Thought not only exemplifies a brilliant critique of Occidentalism but represents a valiant attempt to restore agency and dignity to the heritage and legacies of Southern civilizations and cultures. Four additional essays supplement this English translation of the original Italian book.

This book-which is based on vast archival research and on a variety of primary sources-has filled a gap in Italy's historiography on Fascism, and in European and world history about concentration camps in our contemporary world. It provides, for the first time, a survey of the different types of internment practiced by Fascist Italy during the war and a historical map of its concentration camps. Published in Italian (I campi del duce, Turin: Einaudi, 2004), in Croatian (Mussolinijevi Logori, Zagreb: Golden Marketing - Tehnicka knjiga, 2007), in Slovenian (Fasisticna taborisca, Ljublana: Publicisticno drustvo ZAK, 2011), and now in English, Mussolini's Camps is both an excellent product of academic research and a narrative easily accessible to readers who are not professional historians. It undermines the myth that concentration camps were established in Italy only after the creation of the Republic of Salo and the Nazi occupation of Italy's northern regions in 1943, and questions the persistent and traditional image of Italians as brava gente (good people), showing how Fascism made extensive use of the camps (even in the occupied territories) as an instrument of coercion and political control.

This volume assembles for the first time a staggering multiplicity of reflections and readings of John Fante's 1939 classic, Ask the Dust, a true testament to the work's present and future impact. The contributors to this work-writers, critics, fans, scholars, screenwriters, directors, and others-analyze the provocative set of diaspora tensions informing Fante's masterpiece that distinguish it from those accounts of earlier East Coast migrations and minglings. A must-read for aficionados of L.A. fiction and new migration literature, John Fante's "Ask the Dust": A Joining of Voices and Views is destined for landmark status as the first volume of Fante studies to reveal the novel's evolving intertextualities and intersectionalities. Contributors: Miriam Amico, Charles Bukowski, Stephen Cooper, Giovanna DiLello, John Fante, Valerio Ferme, Teresa Fiore, Daniel Gardner, Philippe Garnier, Robert Guffey, Ryan Holiday, Jan Louter, Chiara Mazzucchelli, Meagan Meylor, J'aime Morrison, Nathan Rabin, Alan Rifkin, Suzanne Manizza Roszak, Danny Shain, Robert Towne, Joel Williams