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Vejas Gabriel Liulevicius presents a study of a hidden legacy of World War I: the experience of German soldiers on the Eastern front and the long-term effects of this encounter. Using hitherto neglected sources from both occupiers and occupied, official documents, propaganda, memoirs, and novels, he reveals how German views of the East changed during total war, and how these views affected the return of German armies under the Nazis. This persuasive and compelling study fills a yawning gap in the literature of the Great War.
Over the last two centuries and indeed up to the present day,
Eastern Europe's lands and peoples have conjured up a complex
mixture of fascination, anxiety, promise, and peril for Germans
looking eastwards.
Across the generations, a varied cast of German writers, artists,
philosophers, diplomats, political leaders, generals, and Nazi
racial fanatics have imagined (often in very different ways) a
special German mission in the East, forging a frontier myth that
paralleled the American myths of the "Wild West" and "Manifest
Destiny." Through close analysis of German views of the East from
1800 to our own times, The German Myth of the East reveals that
this crucial international relationship has in fact been integral
to how Germans have defined (and repeatedly redefined) themselves
and their own national identity. In particular, what was ultimately
at stake for Germans was their own uncertain position in Europe,
between East and West. Paradoxically, the East came to be viewed as
both an attractive land of unlimited potential for the future and
as a place undeveloped, dangerous, wild, dirty, and uncultured.
Running the gamut from the messages of international understanding
announced by generations of German scholars and sympathetic
writers, to the violent racial utopia envisaged by the Nazis,
German imaginings of the East represent a crucial, yet unfamiliar,
part of modern European history, and one that remains fundamentally
important today in the context of an expanded European Union.
This evocative and wide-ranging set of articles is a forceful
demonstration of how much the experience of East-Central and
Eastern Europe, largely neglected until now, needs to be integrated
into evolving scholarship on the era of the world wars. The
collection diagnoses the challenge of achieving an enlarged
historical and artistic perspective, and then goes on to meet it.
Themes that are universal (exile, loss, trauma, survival, memory)
and the undying subjects of art and artistic efforts at
representation, here find specific expression. The case of
Lithuania and its diverse populations is revealed in its full
significance for a modern European history of the impact of the age
of the world wars.
Over the last two centuries and indeed up to the present day,
Eastern Europe's lands and peoples have conjured up a complex
mixture of fascination, anxiety, promise, and peril for Germans
looking eastwards.
Across the generations, a varied cast of German writers, artists,
philosophers, diplomats, political leaders, generals, and Nazi
racial fanatics have imagined (often in very different ways) a
special German mission in the East, forging a frontier myth that
paralleled the American myths of the 'Wild West' and 'Manifest
Destiny'. Through close analysis of German views of the East from
1800 to our own times, The German Myth of the East reveals that
this crucial international relationship has in fact been integral
to how Germans have defined (and repeatedly redefined) themselves
and their own national identity. In particular, what was ultimately
at stake for Germans was their own uncertain position in Europe,
between East and West. Paradoxically, the East came to be viewed as
both an attractive land of unlimited potential for the future and
as a place undeveloped, dangerous, wild, dirty, and uncultured.
Running the gamut from the messages of international understanding
announced by generations of German scholars and sympathetic
writers, to the violent racial utopia envisaged by the Nazis,
German imaginings of the East represent a crucial, yet unfamiliar,
part of modern European history, and one that remains fundamentally
important today in the context of an expanded European Union.
War Land on the Eastern Front is a study of a hidden legacy of
World War I: the experience of German soldiers on the Eastern front
and the long-term effects of their encounter with Eastern Europe.
It presents an 'anatomy of an occupation', charting the ambitions
and realities of the new German military state there. Using
hitherto neglected sources from both occupiers and occupied,
official documents, propaganda, memoirs, and novels, it reveals how
German views of the East changed during total war. New categories
for viewing the East took root along with the idea of a German
cultural mission in these supposed wastelands. After Germany's
defeat, the Eastern front's 'lessons' were taken up by the Nazis,
radicalized, and enacted when German armies returned to the East in
World War II. Vejas Gabriel Liulevicius's persuasive and compelling
study fills a yawning gap in the literature of the Great War.
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