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Exploring how scholars use digital resources to reconstruct the
19th century, this volume probes key issues in the intersection of
digital humanities and history. Part I examines the potential of
online research tools for literary scholarship while Part II
outlines a prehistory of digital virtuality by exploring specific
Victorian cultural forms.
This book is a study of nineteenth-century poems that remember,
yearn for, fixate on, and forget the past. Reflecting the current
critical drive to reconcile formalist and historicist approaches to
literature, it uses close readings to trace the complex
interactions between memory as a theme and the (often-memorable)
formal traits - such as brevity, stanzaic structure, and sonic
repetition - that appear in the lyrics examined. This book
considers the interwoven nature of remembering and forgetting in
the work of four Victorian poets. It uses this theme to shed new
light on the relationship between lyric and narrative, on the
connections between gender and genre, and on the way in which
Victorians represented and commemorated the past.
Exploring how scholars use digital resources to reconstruct the
19th century, this volume probes key issues in the intersection of
digital humanities and history. Part I examines the potential of
online research tools for literary scholarship while Part II
outlines a prehistory of digital virtuality by exploring specific
Victorian cultural forms.
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