Freckled fugitive Smiler is never far from trouble. After hitching a ride south, Smiler finds his way to North Devon and the estate of the 'The Duchess' - a former fairground fortune-teller who now runs a farm. Here, he stays and tends to circus animals housed for the winter. When a peregrine falcon, Fria, escapes, Smiler must search for ways of helping and recapturing the bird. In doing so, can he solve the problem that has kept him in hiding for so long? Or does more trouble await?

Book 2 of the classic trilogy of humorous adventures An ebullient Mr Finchley is about to propose marriage to a lady he had rescued from mishap, when he is sent to Paris by his firm. There he manages to upset a boat, adopt a stray orphan and get himself kidnapped. The fine tangle he gets into takes some unravelling! Only when eventually back in London does he complete the proposal of marriage that was interrupted at the start. This gentle comedy trilogy was a runaway bestseller on first publication in the 1930s and retains a timeless appeal today. It has been dramatized twice for BBC Radio, with the 1990 series regularly repeated. What people are saying about the Mr Finchley series: 'Wonderful character from a kinder slower England between the wars.' 'An overlooked gem. An innocent picaresque novel set in an arcadian version of mid 20th century England. The literary equivalent of naive painting, it narrates the adventures of a respectable upper middle-aged man who takes retirement.' 'An antidote to the rush of the early 21st century.' 'A thoroughly enjoyable stroll through a vanished England with some lovable characters. Don't expect modern, fashionable agonisings, here there is good, evil, and understanding. A lovely reminiscent wallow of a read.' 'Gentle well told simple story, full of pleasant surprises, and a mild mannered believable hero. Loved it to bits.' 'So gentle, it hurts.' 'There is a freshness about the writing which is charming and that disarms criticism. Don't expect any great profundities, a gripping plot or inter-character tensions - these books are of the world of Billy Bunter and William Brown - but do expect a very well-written and enjoyable romp through early twentieth-century England in the company of an engaging protagonist.' 'A delightful story of a man who finds himself jolted out of his comfort zone and taken on a journey beyond his wildest imaginings.' 'Another lovely book detailing the adventures of Mr Finchley in altogether far too short a series. Full of humour and a book I was sorry to finish as I wanted it to go on and on.' 'Highly recommended for anyone seeking an entertaining amusing read.' 'A delight to be transported to an England I never knew despite growing up in the 1950s and to experience the countryside through the sharp eyes of the author who obviously had a great love of all things rural.' Editorial reviews: 'Quite delightful, with an atmosphere of quiet contentment and humour that cannot fail to charm ... The longer we travel with Mr Finchley, the better we come to love him. He makes us share his bread and cheese, and beer and pipe. His delight at the beauties of the countryside and his mild astonishment at the strange ways of men are infectious.' Daily Telegraph 'His gift of story-telling is obviously innate. Rarely does one come on so satisfying an amalgam of plot, characterisation and good writing.' Punch 'A paean to the beauties of the English countryside and the lovable oddities of the English character... [Mr Finchley] runs into one astonishing situation after another, sticking gamely to his resolve that he must take things as they come and accept them.' New York Times 'What counts for most in the story, as it did for Mr Finchley, is his mounting pleasure in vagabondage and the English scene.' The Times 'There is such a gentle humour in the book ... Mr Finchley is the ideal Englishman.' Daily Sketch

On a night of wild storms, two troubled figures escape from captivity. One is a 15-year-old boy, Samuel Miles, a.k.a. 'Smiler', wrongly convicted of theft and sent to a young offenders institution. The other is a cheetah, Yarra, a restless resident of Longleat Wildlife Park. Both are in danger from the outside world - and each other - but somehow their lives become inextricably bound up as they fight for survival on the edge of Salisbury Plain. A fast-moving and compassionate adventure story, The Runaways is the first book in Victor Canning's classic children's trilogy.

Mr Edgar Finchley, unmarried clerk, aged 45, is told to take a holiday for the first time in his life. He decides to go to the seaside. But Fate has other plans in store... From his abduction by a cheerful crook, to his smuggling escapade off the south coast, the timid but plucky Mr Finchley is plunged into a series of the most astonishing and extraordinary adventures. His rural adventure takes him gradually westward through the English countryside and back, via a smuggling yacht, to London. This gentle comedy trilogy was a runaway bestseller on first publication in the 1930s and retains a timeless appeal today. It has been dramatized twice for BBC Radio, with the 1990 series regularly repeated. What people are saying about the Mr Finchley series: 'Wonderful character from a kinder slower England between the wars.' 'An overlooked gem. An innocent picaresque novel set in an arcadian version of mid 20th century England. The literary equivalent of naive painting, it narrates the adventures of a respectable upper middle-aged man who takes retirement.' 'An antidote to the rush of the early 21st century.' 'A thoroughly enjoyable stroll through a vanished England with some lovable characters. Don't expect modern, fashionable agonisings, here there is good, evil, and understanding. A lovely reminiscent wallow of a read.' 'Gentle well told simple story, full of pleasant surprises, and a mild mannered believable hero. Loved it to bits.' 'So gentle, it hurts.' 'There is a freshness about the writing which is charming and that disarms criticism. Don't expect any great profundities, a gripping plot or inter-character tensions - these books are of the world of Billy Bunter and William Brown - but do expect a very well-written and enjoyable romp through early twentieth-century England in the company of an engaging protagonist.' 'A delightful story of a man who finds himself jolted out of his comfort zone and taken on a journey beyond his wildest imaginings.' 'Another lovely book detailing the adventures of Mr Finchley in altogether far too short a series. Full of humour and a book I was sorry to finish as I wanted it to go on and on.' 'Highly recommended for anyone seeking an entertaining amusing read.' 'A delight to be transported to an England I never knew despite growing up in the 1950s and to experience the countryside through the sharp eyes of the author who obviously had a great love of all things rural.' Editorial reviews: 'Quite delightful, with an atmosphere of quiet contentment and humour that cannot fail to charm ... The longer we travel with Mr Finchley, the better we come to love him. He makes us share his bread and cheese, and beer and pipe. His delight at the beauties of the countryside and his mild astonishment at the strange ways of men are infectious.' Daily Telegraph 'His gift of story-telling is obviously innate. Rarely does one come on so satisfying an amalgam of plot, characterisation and good writing.' Punch 'A paean to the beauties of the English countryside and the lovable oddities of the English character... [Mr Finchley] runs into one astonishing situation after another, sticking gamely to his resolve that he must take things as they come and accept them.' New York Times 'What counts for most in the story, as it did for Mr Finchley, is his mounting pleasure in vagabondage and the English scene.' The Times 'There is such a gentle humour in the book ... Mr Finchley is the ideal Englishman.' Daily Sketch

Fifteen-year-old Smiler is still on the run. Smiler is aiming to evade the police until his father, a ship's cook, comes home to clear him of a crime he hasn't committed. Hitching a train to Scotland, he finds work as an animal caretaker within the grounds of a castle occupied by 'the Laird', Sir Alec Elphinstone. When the Laird leaves on a trip to London, Smiler discovers that thieves are planning to invade his employer's castle. Dare he go to the police for help?

Book 3 of the classic trilogy of humorous rural adventures through pre-war England Mr Finchley takes a fancy to a horse-drawn caravan that he sees for sale, but his new wife does not relish the prospect of a caravan journey so she goes to visit her brother, while he sets out to explore the countryside and go house-hunting. While learning to handle the horse and the caravan, he encounters a variety of eccentrics and country characters, and several unsuitable houses. It gradually emerges that the caravan contains a secret, and Mr Finchley finds himself in real trouble - until his wife comes to the rescue. This gentle comedy trilogy was a runaway bestseller on first publication in the 1930s and retains a timeless appeal today. It has been dramatized twice for BBC Radio, with the 1990 series regularly repeated. What people are saying about the Mr Finchley series: 'Wonderful character from a kinder slower England between the wars.' 'An overlooked gem. An innocent picaresque novel set in an arcadian version of mid 20th century England. The literary equivalent of naive painting, it narrates the adventures of a respectable upper middle-aged man who takes retirement.' 'An antidote to the rush of the early 21st century.' 'A thoroughly enjoyable stroll through a vanished England with some lovable characters. Don't expect modern, fashionable agonisings, here there is good, evil, and understanding. A lovely reminiscent wallow of a read.' 'Gentle well told simple story, full of pleasant surprises, and a mild mannered believable hero. Loved it to bits.' 'So gentle, it hurts.' 'There is a freshness about the writing which is charming and that disarms criticism. Don't expect any great profundities, a gripping plot or inter-character tensions - these books are of the world of Billy Bunter and William Brown - but do expect a very well-written and enjoyable romp through early twentieth-century England in the company of an engaging protagonist.' 'A delightful story of a man who finds himself jolted out of his comfort zone and taken on a journey beyond his wildest imaginings.' 'Another lovely book detailing the adventures of Mr Finchley in altogether far too short a series. Full of humour and a book I was sorry to finish as I wanted it to go on and on.' 'Highly recommended for anyone seeking an entertaining amusing read.' 'A delight to be transported to an England I never knew despite growing up in the 1950s and to experience the countryside through the sharp eyes of the author who obviously had a great love of all things rural.' Editorial reviews: 'Quite delightful, with an atmosphere of quiet contentment and humour that cannot fail to charm ... The longer we travel with Mr Finchley, the better we come to love him. He makes us share his bread and cheese, and beer and pipe. His delight at the beauties of the countryside and his mild astonishment at the strange ways of men are infectious.' Daily Telegraph 'His gift of story-telling is obviously innate. Rarely does one come on so satisfying an amalgam of plot, characterisation and good writing.' Punch 'A paean to the beauties of the English countryside and the lovable oddities of the English character... [Mr Finchley] runs into one astonishing situation after another, sticking gamely to his resolve that he must take things as they come and accept them.' New York Times 'What counts for most in the story, as it did for Mr Finchley, is his mounting pleasure in vagabondage and the English scene.' The Times 'There is such a gentle humour in the book ... Mr Finchley is the ideal Englishman.' Daily Sketch

1950s mystery thriller adapted by Victor Canning from his novel about a detective who gets caught up in a murder plot. Private detective Edward Mercer (Richard Todd) travels to Venice on a mission to find an Italian veteran who is due to be rewarded for his efforts in the Second World War. When he arrives, however, Mercer realises he is being set up with both the police and a group of partisans hot on his trail.

1946: Florence is in ruins, all but one of its bridges destroyed. As Edward Burgess wanders through the city he keeps seeing his old friends. But no, the friends are dead and what he sees are ghosts. All except one, and that one has good reason to want people to continue to think he is dead. Now the action moves to a remote village in the Apennines, a meeting with a beautiful peasant girl, and a life and death confrontation.

Romantic comedy in three acts, first performed in April 1940, concerning a group of beggars who are forced to change their ways.

The setting is "Wearemouth", a fictional blend of Plymouth and Dartmouth. We are introduced to five children who, on a walk to the cinema, pass a local landmark, the Wooden Angel, made from a ship's figurehead and stand holding hands, making a wish. The rest of the book follows their careers to see how far the wishes come true. This was the only book written by Victor Canning under the pen name Julian Forest. The time is during and immediately after the Great War, and the book tells us a great deal about social attitudes and class in a west country city of that era. It is one of the best of Victor Canning's early novels.

A life-affirming story of family and personal self-discovery When George, the eldest son of Matthew Silverman, announces he won't follow his father's footsteps as editor of the family-owned local newspaper, the family finds itself on a course for change. The newspaper has been going for nearly 100 years. With younger brother Alexander and sisters Loraine and Alison growing up fast too, and gradual progress in the world around them, can Matthew do what's best for them all? This beautifully observed story of a loving family navigating generational change retains a timeless appeal today. Praise for Victor Canning: 'His gift of story-telling is obviously innate. Rarely does one come on so satisfying an amalgam of plot, characterisation and good writing.' Punch 'Quite delightful ... with an atmosphere of quiet contentment and humour that cannot fail to charm.' Daily Telegraph 'A swift-moving novel, joyous, happy and incurably optimistic.' Evening Standard 'There is such a gentle humour in the book.' Daily Sketch 'What counts for most in the story ... is his mounting pleasure in vagabondage and the English scene.' The Times 'A paean to the beauties of the English countryside and the lovable oddities of the English character.' New York Times

The Minerva Club might look like any other London gentlemen's club but behind its respectable and discreet facade, some of the most ambitious schemes for heists, money-making and evasion of the law are being worked out. It's an exclusive club for criminals. Entry qualification: members must have served a prison sentence of two years minimum. Though the club's criminal ventures don't always go as planned... From trying to break into an old prison cell and stealing a stash of jewels hidden during a previous incarceration, love getting in the way during a hideout from the police, a cleverly planned break-in being interrupted by an unexpected guest, to figuring out where to steal a last-minute wedding cake - the club's amiable criminals somehow always achieve their goal in the most surprising ways. This collection of five short stories follows the Minerva Club's (mis)adventures and evokes the very best of humorous classic crime fiction. Praise for Victor Canning: 'His gift of story-telling is obviously innate. Rarely does one come on so satisfying an amalgam of plot, characterisation and good writing.' Punch 'Quite delightful ... with an atmosphere of quiet contentment and humour that cannot fail to charm.' Daily Telegraph 'A swift-moving novel, joyous, happy and incurably optimistic.' Evening Standard 'There is such a gentle humour in the book.' Daily Sketch 'What counts for most in the story ... is his mounting pleasure in vagabondage and the English scene.' The Times 'A paean to the beauties of the English countryside and the lovable oddities of the English character.' New York Times

A classic travelogue that brilliantly conjures 1930s Britain. In this series of pen-portraits of England from the 1930s, Victor Canning 'evocatively captures the pattern and colour of English life' (The Bookseller), from Cumbria to Cornwall. Canning's heart-warming and humorous observations of sleepy villages, pastoral scenes and busy industries are a delightful time capsule into life in England during the interwar years. 'What does the word England mean to you? To all of us England means something different, and yet I think there is for every man and woman some little corner which is more England than anywhere else...' ***PRAISE FOR EVERYMAN'S ENGLAND*** 'Wonderful... elegant, humorous, exuberant essays.' Guardian 'Evocatively captures the pattern and colour of English life.' The Bookseller 'Canning finds beauty everywhere, but never sentimentalises, and is consistently honest enough to highlight poverty and social inequality... Canning, at his very best when waxing lyrical about landscapes, offers vivid images of the English countryside...' The Daily Mail

An exuberant, life-affirming novel of taking your chances After a spur-of-the-moment day out with his boss' daughter in celebration of his 21st birthday, Polycarp Jarvis decides to quit his Bristol-based junior government worker job. Newly emboldened, he embarks on an erratic, engaging and not always strictly legal course through life. Going from bus driver for the Red Dragon Motor Company to co-owner of a flying company, to seller of quack medicines, and eventually to media tycoon, Polycarp makes much of his luck along the way. Through ups and downs, his exuberance and charm carry him through. But what kind of person will he be by the end? This gentle coming-of-age story was hugely popular on first publication in the 1930s and retains a timeless appeal today. Praise for Victor Canning: 'Quite delightful ... with an atmosphere of quiet contentment and humour that cannot fail to charm.' Daily Telegraph 'There is such a gentle humour in the book.' Daily Sketch 'What counts for most in the story ... is his mounting pleasure in vagabondage and the English scene.' The Times 'A paean to the beauties of the English countryside and the lovable oddities of the English character.' New York Times 'His delight at the beauties of the countryside and his mild astonishment at the strange ways of men are infectious.' Daily Telegraph 'A swift-moving novel, joyous, happy and incurably optimistic.' Evening Standard 'His gift of story-telling is obviously innate. Rarely does one come on so satisfying an amalgam of plot, characterisation and good writing.' Punch

What's going on behind the doors of Fountain Inn? When her employer suddenly disappears, young Grace Kirkstall finds herself accepting a new job at a new company in the same building - an oasis of tranquillity off the streets of London. Ben and Helen Brown's startup company's pitch is that, for a small consideration, they will help people out of their major and minor fixes. Their first big commission initiates Ben into the gentle art of house-breaking, and Helen into the mysteries of the Society for Progressive Rehabilitation... But for Grace, it will plunge her into more danger than she could ever have imagined. This leisurely, beautifully observed thriller marked Victor Canning's entree into crime fiction, and rewards with a thrilling finale - sure to delight fans of Agatha Christie's Tommy and Tuppence. Praise for Victor Canning: 'His gift of story-telling is obviously innate. Rarely does one come on so satisfying an amalgam of plot, characterisation and good writing.' Punch 'Quite delightful ... with an atmosphere of quiet contentment and humour that cannot fail to charm.' Daily Telegraph 'A swift-moving novel, joyous, happy and incurably optimistic.' Evening Standard 'There is such a gentle humour in the book.' Daily Sketch 'What counts for most in the story ... is his mounting pleasure in vagabondage and the English scene.' The Times 'A paean to the beauties of the English countryside and the lovable oddities of the English character.' New York Times

How far could you go living in another's shoes? In a mid-life moment, Paul Morison travels from America to England to discover his mother's roots. A chance encounter and uncanny resemblance leads him to agree to assume the identity of a famous singer for a while. But it's not just the unnerving attentions of the adoring public that he must deal with. Seeking to regain his freedom, Paul flees the length of Britain from Southampton to the Scottish Isles. On the run, he discovers he has let himself in for much more than he bargained. This gentle comic caper and love story was hugely popular on first publication in the 1930s and retains a timeless appeal today. Praise for Victor Canning: 'Quite delightful ... with an atmosphere of quiet contentment and humour that cannot fail to charm.' Daily Telegraph 'There is such a gentle humour in the book.' Daily Sketch 'What counts for most in the story ... is his mounting pleasure in vagabondage and the English scene.' The Times 'A paean to the beauties of the English countryside and the lovable oddities of the English character.' New York Times 'His delight at the beauties of the countryside and his mild astonishment at the strange ways of men are infectious.' Daily Telegraph 'A swift-moving novel, joyous, happy and incurably optimistic.' Evening Standard 'His gift of story-telling is obviously innate. Rarely does one come on so satisfying an amalgam of plot, characterisation and good writing.' Punch