|
|
Showing 1 - 13 of
13 matches in All Departments
|
Williamsburg (Paperback)
Victor Lederer, Brooklyn Historical Society
|
R558
R512
Discovery Miles 5 120
Save R46 (8%)
|
Ships in 18 - 22 working days
|
There is no New York neighborhood that boasts a richer history or
more exciting present than Williamsburg. At first a quiet waterside
community, Williamsburg briefly became a wealthy suburb of
Manhattan in the middle of the nineteenth century. Heavy
industrialization and a tidal wave of immigrants later turned
Williamsburg into New York's poorest, most crowded quarter. With
images drawn chiefly from the rich photographic collection of the
Brooklyn Historical Society, Williamsburg illustrates the
neighborhood's transformation from one of New York's most
impoverished and least fashionable neighborhoods to a modern-day
example of the city's capacity for self-renewal.
|
College Point (Hardcover)
Victor Lederer, The Poppenhusen Institute, Poppenhusen Institute
|
R719
R638
Discovery Miles 6 380
Save R81 (11%)
|
Ships in 18 - 22 working days
|
|
Williamsburg (Hardcover)
Victor Lederer, The Brooklyn Historical Society, Brooklyn Historical Society
|
R719
R638
Discovery Miles 6 380
Save R81 (11%)
|
Ships in 18 - 22 working days
|
(Unlocking the Masters). Beethoven's works for solo piano the
sonatas, variations, and bagatelles and the five concertos for
piano and orchestra stand at the heart of the repertory.
Beethoven's Piano Music: A Listener's Guide, by Victor Lederer,
will help the motivated reader understand this popular but often
knotty music. The bulk of the text consists of a
movement-by-movement analysis of the 32 sonatas, fascinating for
their individuality and for the way they trace the master's
development. In addition to the sonatas, Lederer also takes the
reader through the most significant of the variations. The greatest
is the Diabelli, Beethoven's monumental takeoff on a trivial theme,
but three more sets, the 32 Variations in C minor, the Variations
on an Original Theme, Op. 34, and the "Eroica" Variations, Op. 35,
are also of the highest quality. And the Bagatelles, Opp. 33, 119,
and 126, are short but strong studies that display different
aspects of Beethoven's musical personality. Finally, Lederer
discusses the five piano concertos in detail, showing the influence
of the sublime models of Mozart in the first three concertos, with
Beethoven boldly finding his own voice with the beloved Fourth and
Fifth Concertos. The book comes with a Naxos CD containing
performances by pianist Jeno Jando that illustrate the text.
Here is an essential guide to the musical works of Robert Schumann,
along with an engrossing account of his tumultuous life. Many, if
not most, major composers improve over the course of their careers,
but the reverse is unfortunately the case with Schumann, whose
talent was seriously compromised in later years by a series of
physical and mental illnesses. Throughout Schumann: A Listener s
Guide, Victor Lederer provides unflinching critiques of the
weaknesses that plagued Schumann s style, alongside his triumphs.
Lederer explores the full spectrum of the master composer s oeuvre
from his popular early music and lieder, or songs, to his works for
chamber ensembles composed in 1842, to his four beloved, if flawed,
symphonies. Lederer also takes in Schumann s dramatic works,
particularly Genoveva, his only opera, and Incidental Music to
Byron s Manfred, an underappreciated musical score. Schumann: A
Listener s Guide comes with a CD with two of the master s most
daring imaginative flights, the Davidsbundlertanze for piano and
Dichterliebe A Poet s Love one of the greatest song cycles and
works for voice. Both are discussed in detail in the text.
Giuseppe Verdi's career forms one of the loveliest arcs in musical
history. The passion of his works resonates universally while the
sophistication of his middle and late operas satisfies demanding
ears and tastes. In ÊVerdi: The Operas and Choral WorksÊ Victor
Lederer surveys every one of the master's 28 operas and his
greatest choral pieces showing Verdi's growth as a musical
dramatist ä he would revolutionize the hidebound conventions of
19th-century Italian opera ä and his single-minded pursuit of
dramatic truth.ÞAfter describing the chaotic milieu in which Verdi
learned his craft the book provides act-by-act analyses of the
early masterpieces ÊNabuccoÊ ÊErnaniÊ and ÊMacbethÊ. The
neglected operas from the composer's self-described years in the
galleys are covered together. Lederer then takes readers through
the magnificent sequence of Verdi operas from ÊLuisa MillerÊ
onward including the fine but underrated ÊStiffelioÊ. Each of the
late operas ä ÊDon CarloÊ ÊAidaÊ and ÊOtelloÊ and
ÊFalstaffÊ the twin Shakespearean masterworks that crown Verdi's
oeuvre ä is discussed at length in its own chapter. Lederer also
examines Verdi's monumental Requiem along with the choral ÊQuattro
pezzi sacriÊ Verdi's sublime final achievement. The book comes
with a Naxos CD of musical selections representing highlights from
throughout Verdi's long remarkable career.
An enigma to those who knew him, the early-20th-century French
master Maurice Ravel composed some of the most popular and beloved
music in the repertory. In Ravel: A Listener's Guide, Victor
Lederer surveys and explores this master's refined and utterly
distinctive oeuvre. Ravel is often mentioned in the same breath as
his older contemporary Claude Debussy, but the works of the two
composers display as many differences as similarities. Where
Debussy rejected existing forms, the structuralist Ravel embraced
the baroque suite and classical sonata form as vehicles for his
ideas, in addition to his own concise inventions. At his best,
which is where we usually find this focused stylist, passion flows
just beneath some of the most exquisitely crafted surfaces in
music, under which lurk ironies that raise as many questions as
they answer. A perfect example is Bolero, Ravel's most famous work;
Lederer analyzes the music and looks at the outsized role it has
assumed in our culture. Lederer walks the reader and listener
through Ravel's relatively small but crucial contributions to
orchestral, vocal, chamber, and piano music. Ravel's two operas,
idiosyncratic and underappreciated, are examined in detail as well.
The book includes a Naxos CD with examples from across the master's
career.
A bold innovator in the 19th century, Hector Berlioz was a musical
dramatist with an output that is less familiar than it should be
and often misunderstood. Victor Lederer introduces and surveys the
music of Berlioz-from the early symphonic masterworks to the sacred
music and concert overtures and to his mighty five-act opera Les
Troyens. His most famous and popular pieces are the thrilling
programmatic symphonies, the Symphonie fantastique and Harold en
Italie. The "dramatic symphonies" Romeo et Juliette and La
damnation de Faust are both driven by conflict and excitement,
which contrast his piercing, long-limbed melodies and startling
harmonic shifts. Berlioz's strongly profiled musical style
possesses high rhythmic energy, and manic outbursts that are
instantly identifiable as his, and he is widely acknowledged as one
of the most innovative and effective orchestrators in history.
This is an in-depth study of a seminal work, first performed in
1727.Johann Sebastian Bach's the "St. Matthew Passion" stands as a
singular expression of religious sensibility. Conceived within the
constraints of Bach's role as cantor of the St. Thomas Church in
the provincial German city of Leipzig, the music has a power and
profundity that readily transcend time and place. Yet the darkness
of the subject - the betrayal, trial, and crucifixion of Jesus -
and the complexity and sophistication of Bach's compositional
techniques can be difficult listening for even the most eager
novice.By highlighting the inspiration Bach drew from opera, this
book truly illuminates the hybrid forms that comprise the work,
thereby clarifying many of the composer's dramatic strategies.
Drawn from the "Gospel of St. Matthew", the narrative sections -
featuring characters including the narrator - Evangelist, Pilate,
Peter, Judas, and Jesus himself - have tremendous theatrical power,
while non-Biblical arias and chorales offer moments of deep
reflection and consolation. This book shows the willing but
intimidated beginner the way into the intricacies of Bach's
masterwork while unveiling subtleties for the more knowledgeable
listener as well. Finally, Lederer recounts the fascinating
performance history of the piece and looks at the merits of
different recordings of this extraordinary work, indisputably one
of the cornerstones of Western music."Magnum Opus" is a series for
anyone seeking a greater familiarity with the cornerstones of
Western Classical Music - operatic, choral and symphonic. Always
passionate, down-to-earth, and authoritative on the works and their
creators, "Magnum Opus" is an indispensable resource for anyone's
musical library and the perfect gift for the music-lover in your
life.
|
|