Opposing all claims that theory has come to an end, this book presents a fresh perspective on our reading, understanding, and application of theory and its affect on our interpretation of texts. (In)fusion theory challenges efforts to see theory as inhibiting by presenting an approach that is innovative, eclectic, and subtle in order to draw out competing and constellating ideas and opinions. This collected volume of essays examines (In)fusion theory and demonstrates how the theory can be applied to the reading of various works of Indian English novelists such as Salman Rushdie, Amitav Ghosh, Anita Desai, and Vikram Seth.

Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles.

Who was she? Where was she going? Why did she return?

It is 1945, and twenty-year-old Shiv, grieving his identical twin brother, retreats to a small town in Uttar Pradesh. He is preparing to jump onto the train tracks when he is stopped by the sight of a woman.

Shanti's husband is a fighter pilot missing in Burma. For the past three years she has travelled the country in search of him. In every military hospital she visits she hears a new story, and every time she passes through Leharia she tells one to Shiv. Through stories within stories Chandra tells a spiralling tale of loss, and of two wounded people becoming something new.

Borrowing a structure from the Mahabharata, Vikram Chandra tells a spiralling story of loss, and of two wounded people becoming something new.

Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

Set in contemporary India, Love and Longing in Bombay confirms Vikram Chandra as one of today's most exciting young writers. In five haunting tales he paints a remarkable picture of Bombay - its ghosts, its passions, its feuds, its mysteries - while exploring timeless questions of the human spirit. 'When Midnight's Children first arrived on the scene, it became necessary to revaluate stories from and about India. With Vikram Chandra's collection - his second book - it is time to take stock again . . . Breathtaking.' Observer

Greeted with thunderous critical acclaim throughout the world, Vikram Chandra's extraordinary first novel brings to life the epic sweep of India's history -- and a memorable road trip across modern America.

The New York Times Book Review described it as "huge, magical, cinematic," and critics from around the world proclaimed it the year's most astonishing debut. Vikram Chandra's Red Earth and Pouring Rain is an unforgettable reading experience, a contemporary Thousand and One Nights with an eighteenth-century warrior-poet -- now reincarnated as a typewriting monkey -- and an Indian student home from college in America switching off as our Scheherazades. Ranging from bloody battles in colonial India to college anomie in California, from Hindu gods to MTV, Chandra's novel is engrossing, enthralling, impossible to put down -- a remarkable meditation on quests and homecomings, good and evil, storytelling and redemption.

Winner of the David Higham Prize for Fiction and the Commonwealth Writers Prize for Best First Published Book

NOW A MAJOR NEW NETFLIX ORIGINAL SERIES

Sartaj, the only Sikh inspector in the whole of Mumbai, is used to being identified by his turban, beard and the sharp cut of his trousers. But 'the silky Sikh' is now past forty, his marriage is over and his career prospects are on the slide. When Sartaj gets an anonymous tip off as to the secret hideout of the legendary boss of the G-company, he's determined that he'll be the one to collect the prize...

Sacred Games is an epic novel of friendships and betrayals, of violence and love set against the backdrop of a teaming 21st century Mumbai.

An epic tale of nineteenth-century India - of Sanjay, a poet, and Sikander, a warrior; of hoofbeats thundering through the streets of Calcutta; of great wars and love affairs and a city gone mad with poetry. Woven into it are the adventures of a young Indian criss-crossing America in a car with his friends. 'A dazzling first novel . . . Not merely drawing on myth but making it.' Lucy Hughes-Hallett, Sunday Times 'Marvellous and compelling.' Charles Palliser 'A brilliant novel of wondrous conjuring and stunning import.' John Hawkes 'One of the finest Indian novels of the decade.' Shashi Tharoor