LIFE, LIFE

A book of poetry by Russian poet Arseny Tarkovsky, translated by Virginia Rounding. Includes many poems used in Arseny s son s films (Andrei Tarkovsky). With a bibliography of both Arseny and Andrei Tarkovsky, and illustrations from Tarkovsky s movies.

FROM THE INTRODUCTION:

Arseny Aleksandrovich Tarkovsky was was born in June 1907 in Elizavetgrad, later named Kirovograd. He studied at the Academy of Literature in Moscow from 1925 to 1929, and also worked in the editorial office of the journal Gudok. He was well respected as a translator, especially of the Oriental classics, but was little known as a poet for most of his life, being unable to get any of his own work published during the Stalinist era. His poems did not begin to appear in book form until he was over fifty. His son, the film director Andrei Tarkovsky, made extensive use of his father s in some of his films, and certain of his diary entries indicate the esteem in which the poet was held in the Soviet Union towards the end of his life. An entry written after Andrei had given a talk at the Moscow Physical Institute in 1980, for instance, reproduces the following note from a member of the audience: An enormous number of people in this hall admire Arseny Aleksandrovich Tarkovsky as a great Russian poet. Please convey our respects to him. One of the few recorded public appearances of Arseny Tarkovsky was at the funeral of Anna Akhmatova; he was one of three writers deputed to accompany her coffin from Domodedovo to Leningrad, and he read both at her funeral in Komarovo and at the first evening held in her memory in Moscow. He died in 1989 and is now beginning to be recognised as one of the many significant Russian poets of the twentieth century.

From Ignatyevo Forest:

The last leaves embers in total immolation

Rise into the sky; this whole forest

Seethes with irritation, just as we did

That last year we lived together.

Smithfield, settled on the fringes of Roman London, was once a place of revelry. Jesters and crowds flocked for the medieval St Bartholomew's Day celebrations, tournaments were plentiful and it became the location of London's most famous meat market. Yet in Tudor England, Smithfield had another, more sinister use: the public execution of heretics.

Spanning the reigns of British history's most remarkable dynasty, The Burning Time is a vivid insight into an era in which what was orthodoxy one year might be dangerous heresy the next. The first martyrs were Catholics, who cleaved to Rome in defiance of Henry VIII's break with the papacy. But with the accession of Henry's daughter Mary - soon to be nicknamed 'Bloody Mary' - the charge of heresy was levelled against devout Protestants, who chose to burn rather than recant.

At the centre of Virginia Rounding's vivid account of this extraordinary period are two very different characters. The first is Richard Rich, Thomas Cromwell's protégé, who, almost uniquely, remained in a position of great power, influence and wealth under three Tudor monarchs, and who helped send many devout men and women to their deaths. The second is John Deane, Rector of St Bartholomew's, who was able, somehow, to navigate the treacherous waters of changing dogma and help others to survive.

The Burning Time is their story, but it is also the story of the hundreds of men and women who were put to the fire for their faith. It is a gripping insight into a time when people were willing to die, and to kill, in the name of religion.

LIFE, LIFE

A book of poetry by Russian poet Arseny Tarkovsky, translated by Virginia Rounding. Includes many poems used in Arseny's son's films (Andrei Tarkovsky). With a bibliography of both Arseny and his son Andrei Tarkovsky, and illustrations from Tarkovsky's movies.

This is one of the very few translations in English of poetry by Arseny Tarkovsky available.

FROM THE INTRODUCTION:

Arseny Aleksandrovich Tarkovsky was was born in June 1907 in Elizavetgrad, later named Kirovograd. He studied at the Academy of Literature in Moscow from 1925 to 1929, and also worked in the editorial office of the journal Gudok. He was well respected as a translator, especially of the Oriental classics, but was little known as a poet for most of his life, being unable to get any of his own work published during the Stalinist era. His poems did not begin to appear in book form until he was over fifty. His son, the film director Andrei Tarkovsky, made extensive use of his father's in some of his films, and certain of his diary entries indicate the esteem in which the poet was held in the Soviet Union towards the end of his life. An entry written after Andrei had given a talk at the Moscow Physical Institute in 1980, for instance, reproduces the following note from a member of the audience: 'An enormous number of people in this hall admire Arseny Aleksandrovich Tarkovsky as a great Russian poet. Please convey our respects to him.' One of the few recorded public appearances of Arseny Tarkovsky was at the funeral of Anna Akhmatova; he was one of three writers deputed to accompany her coffin from Domodedovo to Leningrad, and he read both at her funeral in Komarovo and at the first evening held in her memory in Moscow. He died in 1989 and is now beginning to be recognised as one of the many significant Russian poets of the twentieth century.

From the poem;Ignatyevo Forest':

The last leaves' embers in total immolation

Rise into the sky; this whole forest

Seethes with irritation, just as we did

That last year we lived together.

Illustrated. With bibliography and notes. ISBN 9781861714300.

www.crmoon.com

Few characters in history are as fascinating or controversial as Nicholas and Alexandra. From their passionate love to their horrifying execution, they are alternately viewed as innocent victims of Bolshevik assassins or blamed for causing the Revolution themselves. Much has already been written about their lives. But acting as a curator of the many conflicting histories, acclaimed author Virginia Rounding offers a different kind of biography, with an intimate look that probes the souls of these unforgettable figures, and tells the story of their passion and its consequences for Russia. Through newly revealed letters and diaries, Rounding explores the Empress' ill health, examines the enigmatic triangular relationship between Nicky, Alix and her confidante Ania Vyrubova, and looks anew at the reasons behind their reliance on the infamous Rasputin. Her conclusions are surprising. With eloquence and compassion, Rounding makes these characters come alive, presenting them in all their complexity and ardour, guiding the reader into their vanished world.

From the acclaimed author of "Grandes Horizontales" comes a book that the "Washington Post" calls "a vivid portrait of a sensual and intellectual woman."

Dutiful daughter, passionate lover, doting grandmother, tireless legislator, generous patron of artists and philosophers---Empress Catherine II was all these things, and more. Her reign, the longest in Russian imperial history, lasted from 1762 until her death in 1796; during these years she realized Peter the Great's ambition to establish Russia as a major European power and to transform its new capital, St. Petersburg, into a city to rival Paris and London.

Yet Catherine was not Russian by birth and had no legitimate claim to the Russian throne; she seized it and held on to it, through wars, rebellions, and plagues, by the force of her personality and an unshakable belief in her own destiny. Using Catherine's own correspondence, as well as contemporary accounts by courtiers, ambassadors, and foreign visitors, Virginia Rounding penetrates the character of this powerful, fascinating, and surprisingly sympathetic eighteenth-century figure.

Dutiful daughter, passionate lover, doting grandmother, tireless legislator, generous patron of artists and philosophers--Empress Catherine II was all these things, and more. Her reign, the longest in Russian imperial history, lasted from 1762 until her death in 1796; during these years she realized Peter the Great's ambition to establish Russia as a major European power and to transform its new capital, St. Petersburg, into a city to rival Paris and London.
Yet Catherine was not Russian by birth and had no legitimate claim to the Russian throne; she seized it and held on to it, through wars, rebellions, and plagues, by the force of her personality and an unshakable belief in her own destiny. Using Catherine's own correspondence, as well as contemporary accounts by courtiers, ambassadors, and foreign visitors, Virginia Rounding penetrates the character of this powerful, fascinating, and surprisingly sympathetic eighteenth-century figure. "Scarcely more has been written about any Russian ruler, unless it be Peter, than Catherine, but rarely is it done in a way that captures so well her personality and life-shaping experiences. This is not a study of Russia looking in the window at Catherine; it is being in the room with her and looking out to catch glimpses of Russia. Her stifled youth (having been brought to Russia for marriage at age 15), her precocious ambitions as the teenage bride of the tsar-to-be, her early dalliances, the plotting that brought her to power, the intimate male alliances she struck throughout a 34-year reign, the differentiated affections for son and grandsons, and, above all, her private thoughts about people, power, and her purpose--all are carefully reconstructed from remarkably revealing memoirs and the dispatches of discerning foreign ambassadors. The book is so readable because it brings Catherine alive, and not least in her relations with the men she drew to her side."--"Foreign Affairs"

"Rounding focuses on the pageant of Russian court ceremonies . . . and on Catherine's personal and romantic life: her love for her grandchildren and her greyhounds, her testy relationship with her autocratic son, her sharp eye for a good painting, her dry wit, her appetite for ideas. Rounding makes copious use of the documentary evidence that Catherine and her courtiers left behind."--Amanda Vaill, "The Washington Post"

"Born Sophie Frederica Auguste of Anhalt-Zerbst, Catherine II was arguably the ablest monarch in Russian history. Her reign began with a coup: she deposed her husband, Peter III, and let him be murdered. Rounding explores both the private and the public figure, culling with expertise from archival sources. By nature, Catherine was humane, with a personality that blended candor and guile. Unlike her predecessors or successors, she encouraged her ministers to express themselves without fear of retribution, even when they disagreed with her. Her energy and intelligence paid off. Reflecting on her reign, she listed '29 [new] government districts . . . 30 conventions and treaties, 78 military victories, 88 'memorable edicts concerning laws or foundations' . . . 123 'edicts for the relief of the people' . . . 492 achievements in all.' She purchased numerous artworks for the Hermitage, corresponded regularly with Voltaire and Diderot, and served as patron to artisans, architects, and educators. Until the excesses of the French Revolution soured her, she enthusiastically supported the Enlightenment. This is an attractive account of the reign of a most remarkable woman; Rounding's use of the voluminous and lively court correspondence is a plus. Strongly recommended."--David Keymer, "Library Journal"

"Lively biography of a much misunderstood, most gifted ruler of Russia . . . Catherine, Rounding makes clear, understood that sex was an element of power. She had come to a St. Petersburg that was still mostly a metropolis of log cabins to be married off to young Peter III, who, it emerged, was a bit of a dimwit and rather easily controlled . . . Catherine was, after all, well-read, fluent in several languages and given to philosophy and literature, though in later life her philosophy was of a practical and even Machiavellian nature . . . Peter kept his distance from her, pushing her into the willing arms of a succession of dashing cavaliers and counselors who helped her build St. Petersburg into a mighty city and Russia into a mighty empire; in this regard, Rounding ranks the empress as equal to or greater than her predecessor Peter the Great, who was certainly more murderous than she. A welcome study of a 'multifaceted, very eighteenth-century woman.'"--"Kirkus Reviews"

"This lengthy biography of Russia's greatest female ruler is by no means as salacious as the subtitle suggests, but this sympathetic portrayal certainly focuses on Catherine's private life. British scholar Rounding relies on memoirs, private letters and previous monographs as she details how, after dissolution of the unhappy marriage that brought Catherine to Russia from Germany, the empress juggled her relationships with men as she attempted to thrust Russia into the modern era and make it a European power. Indeed, Rounding offers an intriguing . . . thesis that Catherine was most effective as a ruler when she was satisfied in her private life. That life was never dull: Catherine's final lover was 40 years her junior, helping to give rise to wild but untrue rumors about her sexual appetite. Rounding's prose matches the excitement of its subject, with vivid portrayals of the late 18th-century Russian court and the machinations of Catherine and those around her . . . Rounding's work will appeal to Catherine-philes and those interested in women's history."--"Publishers Weekly" (starred review)

LIFE, LIFE

A book of poetry by Russian poet Arseny Tarkovsky, translated by Virginia Rounding. Includes many poems used in Arseny s son s films (Andrei Tarkovsky). With a bibliography of both Arseny and Andrei Tarkovsky, and illustrations from Tarkovsky s movies.

FROM THE INTRODUCTION:

Arseny Aleksandrovich Tarkovsky was was born in June 1907 in Elizavetgrad, later named Kirovograd. He studied at the Academy of Literature in Moscow from 1925 to 1929, and also worked in the editorial office of the journal Gudok. He was well respected as a translator, especially of the Oriental classics, but was little known as a poet for most of his life, being unable to get any of his own work published during the Stalinist era. His poems did not begin to appear in book form until he was over fifty. His son, the film director Andrei Tarkovsky, made extensive use of his father s in some of his films, and certain of his diary entries indicate the esteem in which the poet was held in the Soviet Union towards the end of his life. An entry written after Andrei had given a talk at the Moscow Physical Institute in 1980, for instance, reproduces the following note from a member of the audience: An enormous number of people in this hall admire Arseny Aleksandrovich Tarkovsky as a great Russian poet. Please convey our respects to him. One of the few recorded public appearances of Arseny Tarkovsky was at the funeral of Anna Akhmatova; he was one of three writers deputed to accompany her coffin from Domodedovo to Leningrad, and he read both at her funeral in Komarovo and at the first evening held in her memory in Moscow. He died in 1989 and is now beginning to be recognised as one of the many significant Russian poets of the twentieth century.

From Ignatyevo Forest:

The last leaves embers in total immolation

Rise into the sky; this whole forest

Seethes with irritation, just as we did

That last year we lived together.