This book elaborates Jean Amery's critique of philosophy and his discussion of some central philosophical themes in At the Mind's Limits and his other writings. It shows how Amery elaborates the shortcomings and unfitness of philosophical theories to account for torture, the experience of homelessness, and other indignities, and their inability to assist with overcoming resentment. It thus teases out the philosophical import of Jean Amery's critique of philosophy, which constitutes his own philosophical testament of being an inmate at Auschwitz. This book situates At the Mind's Limits in the context of twentieth-century Continental philosophy. On the one hand, it elaborates Amery's engagement with key philosophical figures. On the other hand, it shows how thoroughly Amery denounces the limits of the philosophical enterprise, and its impotence in capturing and accounting for the crimes of the Third Reich.

As discrete mathematics rapidly becomes a required element of undergraduate mathematics programs, algebraic software systems replace compiled languages and are now most often the computational tool of choice. Newcomers to university level mathematics, therefore, must not only grasp the fundamentals of discrete mathematics, they must also learn to use an algebraic manipulator and develop skills in abstract reasoning. Experimental Mathematics with MAPLE uniquely responds to these needs. Following an emerging trend in research, it places abstraction and axiomatization at the end of a learning process that begins with computer experimentation. It introduces the foundations of discrete mathematics and, assuming no previous knowledge of computing, gradually develops basic computational skills using the latest version of the powerful MAPLE software. The author's approach is to expose readers to a large number of concrete computational examples and encourage them to isolate the general from the particular, to synthesize computational results, formulate conjectures, and attempt rigorous proofs. Using this approach, Experimental Mathematics with MAPLE enables readers to build a foundation in discrete mathematics, gain valuable experience with algebraic computing, and develop a familiarity with basic abstract concepts, notation, and jargon. Its engaging style, numerous exercises and examples, and Internet posting of selected solutions and MAPLE worksheets make this text ideal for use both in the classroom and for self-study.

Kierkegaard is an exegetical interpretation of S ren Kierkegaard's Philosophical Fragments and Concluding Unscientific Postscript. Vivaldi Jean-Marie elaborates on the philosophical and religious arguments of the pseudonym Johannes Climacus to demonstrate that history is propatory toward the achievement of eternal happiness. The author emphasizes Kierkegaard's heritage in the Post-Kantian tradition by discussing his critique of the Romantics and German Idealists. The exposition of Philosophical Fragments and Concluding Unscientific Postscript is carried out on the basis of the ongoing conversation between Climacus and the Post-Kantian tradition to argue that Climacus wishes to show the limitation of history and philosophy and the necessity of subjective appropriation to transcend the shortcoming of history and philosophy. Climacus's assessment of the prevailing Christian attitudes of the 19th century maps out the possibility of subjective religious experience in freedom.

This book elaborates Jean Améry’s critique of philosophy and his discussion of some central philosophical themes in At the Mind’s Limits and his other writings. It shows how Améry elaborates the shortcomings and unfitness of philosophical theories to account for torture, the experience of homelessness, and other indignities, and their inability to assist with overcoming resentment. It thus teases out the philosophical import of Jean Améry's critique of philosophy, which constitutes his own philosophical testament of being an inmate at Auschwitz. This book situates At the Mind’s Limits in the context of twentieth-century Continental philosophy. On the one hand, it elaborates Améry’s engagement with key philosophical figures. On the other hand, it shows how thoroughly Améry denounces the limits of the philosophical enterprise, and its impotence in capturing and accounting for the crimes of the Third Reich. 

This is the choral score of the most famous of the several Vivaldi works with the title of "Gloria." This edition and translation by Clayton Westermann features vocal text both in Latin and English, and a piano reduction of the orchestral parts (including figured bass). There is also a short preface by the editor to explain performance practice. The score has 76 pages, is 7 by 10 ? inches in size and is very legible. Includes: Gloria in Excelsis * Et in Terra Pax * Laudamus Te * Gratias Agimus Tibi * Propter Magnam Gloriam * Domine Deus * Domine Fili Unigenite * Domine Deus, Agnus Dei * Qui Tollis * Qui Sedes ad Dexteram * Quoniam to Solus Sanctus * Cum Sancto Spiritu.

Dowani 3 Tempi Play Along is an effective and time-tested method of practicing that offers more than conventional play-along editions. Dowani 3 Tempi Play Along enables you to learn a work systematically and with accompaniment at different tempi. The first thing you hear on the CD is the concert version in a first-class recording with solo instrument and orchestral, continuo, or piano accompaniment. Then the piano or harpsichord accompaniment follows in slow and medium tempo for practice purposes with the solo instrument heard softly in the background at a slow tempo. Finally, you can play at the original tempo to the accompaniment of an orchestra, piano, or basso continuo. All versions appearing on the CD were recorded live by renowned soloists, accompanists, and orchestras. There are no synthesised sounds in a Dowani edition!

These magnificent concertos are distinguished from all other ensemble music of their time by their emphasis on virtuosity, their rhythmic exuberance, flexible instrumentation, independent approaches to thematic development, and their genuine innovations in concerto form. Newly edited and engraved under the expert guidance of Dr. Eleanor Selfridge-Field, this work appears in full score, reproduced from an authoritative source.

Rastafari is an Afrocentric social and religious movement that emerged among Afro-Jamaican communities in the 1930s and has many adherents in the Caribbean and worldwide today. This book is a groundbreaking account of Rastafari, demonstrating that it provides a normative conception of Blackness for people of African descent that resists Eurocentric and colonial ideas. Vivaldi Jean-Marie examines Rastafari’s core beliefs and practices, arguing that they constitute a distinctively Black system of norms and values—at once an ethos and a cosmology. He traces Rastafari’s origins in enslaved people’s strategies of resistance, Jamaican Revivalism, and Garveyism, showing how it incorporates ancestral religious traditions and emancipatory politics. An Ethos of Blackness draws out the significance of practices such as avoiding technological exploitation of natural artifacts and the belief in living in harmony with the natural order. Jean-Marie considers Rastafari’s theology, exploring its reinterpretation of biblical scriptures and its foundations in the rejection of Christianity’s Eurocentrism and racism. However, he insists, before Rastafari can fulfill its promise of liberation for people of African descent, it must confront its failure to include women and redress sexism. Through rigorous and sensitive reflections on Rastafari culture and cosmology, this book offers deeply original insights into the Black theological imagination.

Rastafari is an Afrocentric social and religious movement that emerged among Afro-Jamaican communities in the 1930s and has many adherents in the Caribbean and worldwide today. This book is a groundbreaking account of Rastafari, demonstrating that it provides a normative conception of Blackness for people of African descent that resists Eurocentric and colonial ideas. Vivaldi Jean-Marie examines Rastafari’s core beliefs and practices, arguing that they constitute a distinctively Black system of norms and values—at once an ethos and a cosmology. He traces Rastafari’s origins in enslaved people’s strategies of resistance, Jamaican Revivalism, and Garveyism, showing how it incorporates ancestral religious traditions and emancipatory politics. An Ethos of Blackness draws out the significance of practices such as avoiding technological exploitation of natural artifacts and the belief in living in harmony with the natural order. Jean-Marie considers Rastafari’s theology, exploring its reinterpretation of biblical scriptures and its foundations in the rejection of Christianity’s Eurocentrism and racism. However, he insists, before Rastafari can fulfill its promise of liberation for people of African descent, it must confront its failure to include women and redress sexism. Through rigorous and sensitive reflections on Rastafari culture and cosmology, this book offers deeply original insights into the Black theological imagination.

for SSA soli, SATB and chamber orchestra The memorable tunes and infectious optimism of Vivaldi's Gloria have made it one of the most popular choral works in the repertoire. For this edition, the distinguished Vivaldi scholar Paul Everett has returned to the autograph manuscript as the most authoritative source. Both full and vocal scores make clear distinction between original and editorial markings, and information on performance practice is relevant without being prescriptive. The vocal score includes an orchestral reduction for rehearsal purposes, and the full score is supplemented by a comprehensive critical commentary and continuo realization. It also includes a unique transcription of Ruggieri's 'Cum Sancto Spiritu', on which Vivaldi based his own setting. Complete orchestral material and vocal scores are available on hire/rental, and full and vocal scores are also available on sale.

for SSA soli, SATB and chamber orchestra The memorable tunes and infectious optimism of Vivaldi's Gloria have made it one of the most popular choral works in the repertoire. For this edition, the distinguished Vivaldi scholar Paul Everett has returned to the autograph manuscript as the most authoritative source. Both full and vocal scores make clear distinction between original and editorial markings, and information on performance practice is relevant without being prescriptive. The vocal score includes an orchestral reduction for rehearsal purposes, and the full score is supplemented by a comprehensive critical commentary and continuo realization. It also includes a unique transcription of Ruggieri's 'Cum Sancto Spiritu', on which Vivaldi based his own setting. Complete orchestral material and vocal scores are available on hire/rental, and full and vocal scores are also available on sale.

(Music Sales America). One of the finest works of all Vivaldi's choral settings, arranged for the upper voices by Desmond Ratcliffe. Uplifting and melodic, the intoxicating tunes and spellbinding optimism of Gloria have helped it to become one of the most popular works in the Baroque choral repertoire.

Vivaldi's Magnificat probably dates from shortly after the 1726 death of composer C.P. Grua, which resulted in his having to provide sacred music for the Venetian orphanage and convent he enjoyed a long-standing relation with: the Ospedale della Pieta. There are actually three versions of the work: 1) for single chorus and orchestra (RV 610); 2) for double chorus and two orchestras (RV 610a); and the final version (RV 611), which takes six movements from replaces the other three movements woth solos written for specific singers at the Pieta: Apollonia, la Bolognesa, Chiaretta, Ambrosina and Albetta.The present edition, originally published by E.F. Kalmus in 1969, retains the material from the original single-choris version (RV 610), while including the added solo material Vivaldi inserted for RV 611 as alternatives, making it eminently practical for today's choral groups. Now available in a digitally-enhanced reprint.

(String). This edition collects in one volume all four concertos that make up "The Four Seasons." The combined retail value of the component publications that make up this collection (50263030 Spring, 50263040 Summer, 50262990 Fall, 50263000 Winter), at $7.95 each, totals $31.80. This "Complete" edition is an extraordinary value.