In the small rural town of Qonda, South Africa, the power and water supplies are unreliable, property prices are down, and citizens are slowly suffocating in the acrid smoke from the municipal dump. Recently retired English teacher Megan Merton has lived here all her life, most of it at No. 8 Serpent Crescent. So who better than this self-styled pillar of society to shine a spotlight on the decline and dysfunction, not to mention the dubious activities, past and present, of many of her neighbours.

Nefarious deeds and bad behaviour deserve harsh treatment and appropriate retribution, if not consignment to one of Dante’s fiendish nine circles of hell. At least that’s what Megan believes – in fact she’s been taking matters into her own hands, unnoticed, for years. And now she has decided to write it all down, to shake all of the skeletons loose, and rejoice in the inventive punishments she devised and personally delivered to the wicked.

Then her neighbour Elizabeth Cardew, a lecturer in Classical Studies, suffers a stroke and Megan is entrusted with the keys to No. 9. While Elizabeth begins a long recovery at the local care facility, Whispering Pines, Megan relishes the chance to snoop. Curious as to ‘what a stroke victim looks like’, she decides to visit and see for herself. A bond develops between the two women – one a cold and calculating sociopath, the other a courageous and lonely academic – something that takes both of them by surprise.

Vivian de Klerk’s sharp observations and brilliantly acerbic satirical wit make this multi-layered novel at once horrifying, shocking and poignant – and very, very funny.

English is a global language which has spread historically through imperialism and more recently through communication networks throughout the world. In each location in which English is spoken it absorbs some of the idiosyncracies of the language native to that region, and one of the most fascinating areas of research for World Englishes is the African context. This research monograph examines English as it is spoken by the Xhosa people in South Africa, and is based primarily on an extensive spoken corpus of Xhosa English. Vivian de Klerk presents a detailed and comprehensive analysis of the historical development of this variety of English, and of English in South Africa more generally. The book outlines how the corpus of spoken Xhosa English was designed and compiled, and discusses the criteria relating to informants, the use of spoken rather than written data, and the codes and transcription conventions. The syntactic and pragmatic features of Xhosa English as demonstrated by the corpus are described in detail, and two chapters focus on the use of the discourse markers 'actually' and 'well'. The second section of this book examines the implications of the corpus findings.Vivian de Klerk looks at the implications of the use of this variety of English in educational, legal, social, cultural and everyday contexts. The final chapter of the book speculates as to the future of this fascinating variety of English in a globalised world. This cutting-edge study will be of interest to researchers in world Englishes, language variation and corpus linguistics.

This is a monograph examining English as it is spoken by the Xhosa people in South Africa. English is a global language which has spread historically through imperialism and more recently through communication networks throughout the world. In each location in which English is spoken it absorbs some of the idiosyncracies of the language native to that region, and one of the most fascinating areas of research for World Englishes is the African context. This research monograph examines English as it is spoken by the Xhosa people in South Africa, and is based primarily on an extensive spoken corpus of Xhosa English. Vivian de Klerk presents a detailed and comprehensive analysis of the historical development of this variety of English, and of English in South Africa more generally. The book outlines how the corpus of spoken Xhosa English was designed and compiled, and discusses the criteria relating to informants, the use of spoken rather than written data, and the codes and transcription conventions. The syntactic and pragmatic features of Xhosa English as demonstrated by the corpus are described in detail, and two chapters focus on the use of the discourse markers 'actually' and 'well'. The second section of this book examines the implications of the corpus findings. Vivian de Klerk looks at the implications of the use of this variety of English in educational, legal, social, cultural and everyday contexts. The final chapter of the book speculates as to the future of this fascinating variety of English in a globalised world. This cutting-edge study will be of interest to researchers in world Englishes, language variation and corpus linguistics. "The Corpus and Discourse" series consists of two strands. The first, Research in Corpus and Discourse, features innovative contributions to various aspects of corpus linguistics and a wide range of applications, from language technology via the teaching of a second language to a history of mentalities. The second strand, Studies in Corpus and Discourse, is comprised of key texts bridging the gap between social studies and linguistics. Although equally academically rigorous, this strand will be aimed at a wider audience of academics and postgraduate students working in both disciplines.

As her 21st birthday approaches, Katy Ferreira has not left her bedroom for close on two years. In fact, she has not left her bed – at 360 kilogrammes, she simply can’t.

Characterised by an indomitable spirit, Katy tries to make the best of a bad situation. She does the crossword in the Herald newspaper her mother brings home, consumes the food she craves – biscuits, pies, doughnuts, litres of fizzy drinks – and waits in hope for insulin and a solution to her plight. To pass the time she begins to compile her own crossword in one of the Croxley notebooks that have been unused since she dropped out of school. Within each cryptic clue is a message, an attempt to explain how it feels to be ‘the fat girl’, how taking comfort in sweet things as a grieving and lonely child escalated into a deadly relationship with food and a psychological and physical disease.

The process triggers splintered memories of dark family secrets and hints of culpability. As Katy finds her voice – quirky, macabre, devastatingly astute and viciously funny at times – the notebooks fill up.

Not to Mention is part diary, part memoir, part love-hate letter to the mother who fuelled her daughter’s addiction as steadily as the world ostracised her.

The destructive power of shame and society’s harsh judgement of people who are ‘different’ is matched by the immense courage of a young woman who is determined to be heard.