This Is A New Release Of The Original 1816 Edition.

This Is A New Release Of The Original 1816 Edition.

This Is A New Release Of The Original 1816 Edition.

This Is A New Release Of The Original 1816 Edition.

This Is A New Release Of The Original 1816 Edition.

This Is A New Release Of The Original 1816 Edition.

This Is A New Release Of The Original 1816 Edition.

This is a comprehensive Q&A guide to preventing the lethal effects of hypertension. In this book, Dr William Manger and Dr Norman Kaplan answer the most frequently asked questions about hypertension and related illnesses. What causes hypertension? How is it bad for you? How do you get it? Can it be prevented? And, most importantly, what can you do to treat it? Along with a team of eminent experts, Dr Manger clears up several myths about hypertension and its treatment, with detailed discussions on topics such as exercise, diet and hormonal imbalances as well as discussing the various common treatments available today.

This is a reproduction of a book published before 1923. This book may have occasional imperfectionssuch as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed worksworldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Work Of Ben Inonson w. gifford

1816. Part One of Nine. Dramatist, poet, scholar and writer of court masques, Ben Jonson was the leading literary figure during the reign of King James I. Jonson was known as an avid scholar of Latin and Greek, and his mastery of the classics, the high-spirited buoyancy of his plays and the brilliance of his language have earned him a reputation as one of the great playwrights in English literature. This volume contains Memoirs of Jonson and his first important play, Every Man in His Humour, which featured his friend Shakespeare in the cast. See other titles by this author available from Kessinger Publishing.

1816. Part Two of Nine. Dramatist, poet, scholar and writer of court masques, Ben Jonson was the leading literary figure during the reign of King James I. Jonson was known as an avid scholar of Latin and Greek, and his mastery of the classics, the high-spirited buoyancy of his plays and the brilliance of his language have earned him a reputation as one of the great playwrights in English literature. To exhibit the follies of men Jonson created the comedy of humors which are fully developed in Every Man out of His Humour and Cynthia's Revels. By caricaturing Marston in Every Man out of His Humour he became part in the stage quarrel, in which his two plays, Cynthia's Revels and The Poetaster, were to figure prominently. See other titles by this author available from Kessinger Publishing.

1816. Part Three of Nine. Dramatist, poet, scholar and writer of court masques, Ben Jonson was the leading literary figure during the reign of King James I. Jonson was known as an avid scholar of Latin and Greek, and his mastery of the classics, the high-spirited buoyancy of his plays and the brilliance of his language have earned him a reputation as one of the great playwrights in English literature. Sejanus is a tragedy in which is told with discriminating taste the story of the haughty favorite of Tiberius with his tragical overthrow. In stressing the arrogance and fall of Sejanus, Jonson was influenced by the medieval conception of tragedy still surviving in the popular Mirror for Magistrates. The play was not a success. Volpone or The Fox Volpone restored Jonson's popularity, which had been temporarily dimmed by the poor reception accorded Sejanus. The subject is a struggle of wit applied to chicanery; from the villainous Fox himself, his rascally servant Mosca, Voltore (the vulture), Corbaccio and Corvino (the big and the little raven), to Sir Politic Would-be and the rest, there is scarcely a virtuous character in the play. The Silent Woman is a gigantic farce. The whole comedy hinges on a huge joke, played by a heartless nephew on his misanthropic uncle, who is induced to take to himself a wife, young, fair, and warranted silent, but who, in the end, turns out neither silent nor a woman at all. See other titles by this author available from Kessinger Publishing.

1816. Part Eight of Nine. Dramatist, poet, scholar and writer of court masques, Ben Jonson was the leading literary figure during the reign of King James I. Jonson was known as an avid scholar of Latin and Greek, and his mastery of the classics, the high-spirited buoyancy of his plays and the brilliance of his language have earned him a reputation as one of the great playwrights in English literature. Jonson was appointed court poet in 1605, and became a writer of court masques-elaborate spectacles that involved music, dancing, and pageantry. The book of Epigrams contains, in the poets own words, the ripest of his studies. Underwoods is part of Jonson's nondramatic poetry. See other titles by this author available from Kessinger Publishing.

1816. Part Four of Nine. Dramatist, poet, scholar and writer of court masques, Ben Jonson was the leading literary figure during the reign of King James I. Jonson was known as an avid scholar of Latin and Greek, and his mastery of the classics, the high-spirited buoyancy of his plays and the brilliance of his language have earned him a reputation as one of the great playwrights in English literature. Among his major plays are the comedies are The Alchemist and Bartholomew Fair. See other titles by this author available from Kessinger Publishing.

Containing Underwoods; Timber Or Discoveries Made Upon Men And Matter; Horace, Of The Art Of Poetry; The English Grammar; Leges Convivales, Rules For The Tavern Academy; The Case Is Altered. Due to the very old age and scarcity of this book, many of the pages may be hard to read due to the blurring of the original text.

1816. Part Seven of Nine. Dramatist, poet, scholar and writer of court masques, Ben Jonson was the leading literary figure during the reign of King James I. Jonson was known as an avid scholar of Latin and Greek, and his mastery of the classics, the high-spirited buoyancy of his plays and the brilliance of his language have earned him a reputation as one of the great playwrights in English literature. Jonson was appointed court poet in 1605, and became a writer of court masques-elaborate spectacles that involved music, dancing, and pageantry. Many of his early masques were created in partnership with architect Inigo Jones, who designed elaborate stage sets for the performances. Among the most attractive of his masques maybe mentioned the Masque of Blackness, the Masque of Beauty, and the Masque of Queens. See other titles by this author available from Kessinger Publishing.

1816. Part Six of Nine. Dramatist, poet, scholar and writer of court masques, Ben Jonson was the leading literary figure during the reign of King James I. Jonson was known as an avid scholar of Latin and Greek, and his mastery of the classics, the high-spirited buoyancy of his plays and the brilliance of his language have earned him a reputation as one of the great playwrights in English literature. Two of his later works, The Magnetic Lady and The Tale of a Tub, the last doubtless revised from a much earlier comedy. The Case Is Altered is a comedy in the manner of Chapman. The Sad Shepherd, was found as a fragment among his papers after his death. See other titles by this author available from Kessinger Publishing.

1816. Part Five of Nine. Dramatist, poet, scholar and writer of court masques, Ben Jonson was the leading literary figure during the reign of King James I. Jonson was known as an avid scholar of Latin and Greek, and his mastery of the classics, the high-spirited buoyancy of his plays and the brilliance of his language have earned him a reputation as one of the great playwrights in English literature. The Devil is an Ass was a comedy of less value and it was the failure of this play that caused Jonson to give over writing for the public stage for a period of nearly ten years. But, the old poet returned to the stage, producing, amongst others, The Staple of News and The New Inn. See other titles by this author available from Kessinger Publishing.