Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

Winner of the Pulitzer Prize for American Primitive, Mary Oliver has published twelve books of poetry and five books of essays. Her poems are quoted in everything from Web sites to hymn books. Earthlight, a "Magazine of Spiritual Ecology," has declared her an "earth saint." In this engaging study, Mann shows Oliver to have keen eyes and ears for reading the book of nature. Readers will discover that the correspondence between Oliver's poetry and traditional religious language provides a fresh perspective from which to enjoy her work. Here there is a god, but one who at first seems unrecognizable, at least to Judeo-Christian religious tradition. We know of the "God of heaven," and even the "God of heaven and earth," but a god of dirt? Oliver's reading of the Other Book of God invites us into nature's "temple" where we may come into the presence of the holy and from which we may leave rejuvenated and blessed. God of Dirt is an important study of a contemporary poet whose work is as likely to be read by a preacher in a pulpit as by an activist at an environmental rally, and will help us experience a new vision of the beauty of our world.

"The Blackwell Guide to the Philosophy of Religion" features 14 new essays written by some of the most prominent philosophers working in the field. Contributors include Linda Zagzebski, Hugh J. McCann, Brian Leftow, Gareth B. Matthews, William L. Rowe, Elliott Sober, Derk Pereboom, Alfred J. Freddoso, William P. Alston, William J. Wainwright, Peter van Inwagen, Philip Kitcher, William E. Mann, and Philip L. Quinn.

The volume explores questions regarding the nature of God, the existence of God, religious belief, and the impact of religion on our secular lives. Written in clear and accessible prose, these essays provide a comprehensive treatment of the major problems in philosophy of religion and pose new insights, furthering the discussion of these topics. This book is an indispensable resource for students and teachers alike.

Reviewers of a recent exhibition termed Federico Barocci (ca. 1533-1612), 'the greatest artist you've never heard of'. One of the first original iconographers of the Counter Reformation, Barocci was a remarkably inventive religious painter and draftsman, and the first Italian artist to incorporate extensive color into his drawings. The purpose of this volume is to offer new insights into Barocci's work and to accord this artist, the dates of whose career fall between the traditional Renaissance and Baroque periods, the critical attention he deserves. Employing a range of methodologies, the essays include new ideas on Barocci's masterpiece, the Entombment of Christ; fresh thinking about his use of color in his drawings and innovative design methods; insights into his approach to the nude; revelations on a key early patron; a consideration of the reasons behind some of his most original iconography; an analysis of his unusual approach to the marketing of his pictures; an exploration of some little-known aspects of his early production, such as his reliance on Italian majolica and contemporary sculpture in developing his compositions; and an examination of a key Barocci document, the post mortem inventory of his studio. A translated transcription of the inventory is included as an appendix.

n this thoughtful and expansive work Thomas W. Mann analyses the early prophets of the Bible corresponding to Joshua through to Kings. The narrative, with its richly diverse cast of great, good, and sinful characters, is unpicked as Mann draws a number of sensitive conclusions from a vital religious and historical source. Mann persuasively asserts that a thorough understanding of the Judeo-Christian narrative can illuminate our own era by comparing events in the Old Testament with a diverse collection of modern material from video games to the war in Iraq. Mann speculates that the Israelites were able to acknowledge culpability as well as success, while the modern West finds similar acknowledgement more challenging, particularly in relation to Vietnam. Mann is also careful to consistently question the motivations, period of writing, and intended audience of the scriptural authors, factors which have influenced our understanding of the text. 'The Book of the Former Prophets' will be of great value to students of theology and those wishing to understand more fully the narrative upon which so much of contemporary western self-understanding is based. Written in an eloquent and anecdotal style, this analysis reveals above all that the biblical scholar must accept the multifaceted nature of the truth, and be able to be aware of the contradictory versions. Thomas W. Mann has taught religious studies at the college, seminary, and doctoral levels and served as a parish minister in the United Church of Christ. He is also the author of "The Book of the Torah" (1988). "Having retold the first part of the Bible's story of ancient Israel in his acclaimed The Book of the Torah, Thomas Mann now presents the second half with critical and theological acumen. The difficult themes and pictures are not glossed over, but Mann's rich interpretive retelling opens up avenues into a contemporary appropriation of this story, on which, for better or for worse, the Christian community is grounded." Patrick D. Miller, Princeton Theological Seminary. "An amazing achievement. Lucidly, with illuminating parallels from modern times, Mann guides us superbly through vast terrain. He keeps the big picture always in view, yet has an unerring eye for the telling detail. . . . We see complexities and ambiguities in narratives fraught with violence and we confront the challenges they present today's reader. . . . In Mann's book, the ancient work has an excellent modern companion." David M. Gunn, Texas Christian University

James Manns presents a readable and entertaining examination of the most serious questions posed by the arts and our relation to them. In a clear and engaging fashion, he explores the central issues in aesthetics: aesthetic judgment, the nature and role of criticism, the elusiveness of the concept of art, and communication through art, and he critically (but sympathetically) considers that principal theories of art that focus on expression, form, and representation. Through the use of extensive, entertaining, and current examples (including film), Manns conveys the solid basics relating to the history and development of aesthetic theories, tries out these various theories against the art of the last half century, then outlines his own view revolving around the artist's intention and the act of communication.

James Manns presents a readable and entertaining examination of the most serious questions posed by the arts and our relation to them. In a clear and engaging fashion, he explores the central issues in aesthetics: aesthetic judgment, the nature and role of criticism, the elusiveness of the concept of art, and communication through art, and he critically (but sympathetically) considers that principal theories of art that focus on expression, form, and representation. Through the use of extensive, entertaining, and current examples (including film), Manns conveys the solid basics relating to the history and development of aesthetic theories, tries out these various theories against the art of the last half century, then outlines his own view revolving around the artist's intention and the act of communication.

The first five books of the Bible contain many of its most famous stories, populated by vivid characters altogether human in their triumphs and failings--and an equally complicated deity. Many works of Western art and literature appeal to these stories, from Michelangelo's painting of Adam and Eve to a novel like William Faulkner's Go Down, Moses. The three great Abrahamic religions (Judaism, Christianity, and Islam) are rooted here. So is much of Western political theory and constitutional polity, for a good half of these books contains legislation (torah) of various kinds, as indicated by the ancient title: the book of the Torah. Law and narrative together render the character of the ancient covenant community known as Israel, as well as the God who rules over that community. In this revised and expanded version of his popular book of 1988, Mann engages literary criticism and theology in attending both to the composite nature of the Torah (or Pentateuch) and to its final, canonical shape. Mann's study provides a lucid introduction to the heart of the Hebrew Bible, suitable for students and general readers, but also of interest to biblical scholars. "Mann's study of the foundational texts of biblical faith has long been a reliable staple of pedagogy and interpretation. In it he combines a well-honed capacity for critical judgment with an acute theological sensibility, all of which is presented in an accessible format. For these reasons this new edition is a welcome offer. In it he has . . . added materials that could not have been on the horizon in the first edition. This book will evoke many grateful readers." --Walter Brueggemann Columbia Theological Seminary Praise for the first edition: "I would find this volume extremely useful in introducing my students to this basic part of the Old Testament. I am quite excited about this project." --Patrick D. Miller author of Stewards of the Mysteries of God "A sound piece of work. Its holistic, final-form approach reflects the major trend in biblical criticism. It is perceptive, sensitive, thoughtful, and stimulating." --David Gunn coauthor of Narrative in the Hebrew Bible Thomas W. Mann has taught at Princeton Theological Seminary, Converse College, Salem College, and Wake Forest University. For twenty-three years he was also the minister of Parkway United Church of Christ in Winston Salem, North Carolina. He is the author of The Book of the Former Prophets (Cascade Books, 2011), a sequel to this book; Deuteronomy (1995); and God of Dirt: Mary Oliver and the Other Book of God (2004).

Im vorliegenden funften Band der Weiterbildungsreihe uber- wiegen lehrbuchartig zusammenfassende Referate, womit die Komplettierung der versprochenen Enzyklopadie fur die Praxis vorangetrieben werden soll. Die Zusammenstellung der bisher erschienenen Beitrage am Schluss des Bandes zeigt, dass auf diesem Wege bereits Einiges erreicht ist, aber auch noch viel zu tun bleibt. Das Teilgebiet Otologie ist in diesem Band mit zwei wichtigen Beitragen vertreten. Von der Besprechung des Mittelohrchole- steatoms wird ein klares therapeutisches Konzept erwartet und auch geliefert. In der Diagnostik des Akustikusneurinoms sind ebenso wie in dessen Therapie bedeutende Fortschritte erzielt worden, die auch dem "Praktiker" gelaufig sein sollten. Die Rhinologie kommt ebenfalls mit zwei Beitragen zu Wort. Die Ultraschalldiagnostik der Nasennebenhoehlen, fur den niedergelassenen HNO-Arzt heute fast schon ein "Muss", wird und praxisnah erlautert. Das Kapitel Nasenpolypen wird klar einschliesslich der Tumor-Differentialdiagnose ausfuhrlich abge- handelt. Eine Therapie der Wahl kann jedoch leider nicht ange- boten werden. Mit den Verletzungen von Mundhoehle und Mundrachen wird ein ebenso praktisch wichtiges wie selten gelesenes trauma- tologisches Teilgebiet gebracht. Der bisher etwas stiefmutterlich behandelte Bereich Kehlkopf kommt mit drei funktionell-phoniatrischen Themen zur Sprache. Funktionelle Aphonie und Kontaktgranulom stellen den All- round-Otologen nicht selten vor therapeutische Probleme. Die Pathologie des Musculus cricothyreoideus schliesslich, scheinbar ein "hochwissenschaftliches" Thema, erweist sich als ausserst praxisrelevant, besonders in Zusammenhang mit der Struma- operation. Als spezielles Tumorkapitel werden diesmal die Basaliome abgehandelt. Die klinische Vielfalt und ganz unterschiedliche Aggressivitat dieser Tumoren erfordern besonderes Wissen und therapeutische Erfahrung. x Vorwort Am Schluss steht wie immer die Fragensammlung.

Dieser Buchtitel ist Teil des Digitalisierungsprojekts Springer Book Archives mit Publikationen, die seit den Anfangen des Verlags von 1842 erschienen sind. Der Verlag stellt mit diesem Archiv Quellen fur die historische wie auch die disziplingeschichtliche Forschung zur Verfugung, die jeweils im historischen Kontext betrachtet werden mussen. Dieser Titel erschien in der Zeit vor 1945 und wird daher in seiner zeittypischen politisch-ideologischen Ausrichtung vom Verlag nicht beworben.