A substantial amount of the energy which Henry Fielding put into his writing was invested in political journalism and pamphleteering. Indeed, next to his prose fiction and his plays, his political journalism looms largest, and reveals significant aspects of Fielding the man. This volume contains three pamphlets - the Serious Address, the History of the Present Rebellion, and the Dialogue between the Devil, the Pope, and the Pretender - and one journal, the True Patriot of 1745-6. Coming from what may be called the second period of Fielding's intensive political journalism, they are all informed by the same political purpose: to deal with the crisis represented by the Jacobite uprising known as the 'Forty-Five' and with the implications this event was perceived to have for the Pelham administration in general, and for its new 'patriot' allies in particular. As with other volumes in the edition, there is a detailed introduction, textual introduction, full annotation throughout, and an index.

A scholarly edition of works by Henry Fielding. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Marriage a la Mode is the most famous of William Hogarth's 'progresses' or series paintings, the story of a marriage de convenance and its unhappy consequences in fashionable 18th-century London. Contemporaries relished teasing out the meaning of all its rich detail, and the most extensive and popular of all the commentaries on the artist's accomplishment: was that of the witty, many-sided German, Georg Christoph Lichtenberg. Brilliantly translated, thoroughly annotated, this text is accompanied by the earlier and less-known commentary by Hogarth's friend, the French-Swiss enameller Jean-Andre Rouquet, and by a selection of Lichtenberg's remarks (in letters to friends) on his purposes and problems in interpreting Hogarth's work. Included also is another and very rare 'explanation' of the plates, an anonymous 1746 pamphlet titled Marriage A-la-Mode-An Humorous Tale, in Six Cantos. A foreword on Lichtenberg, and an historical essay on Hogarth's work by Mr. Coley, supply necessary background on artist and commentary. Of Hogarth's greatness there is little that need be said. But it is worth noting that, of his several 'progresses' or 'modern moral subjects', only Marriage a la Mode centres on the upper levels of British society - the aristocracy and the mercantile class.