"One of America's greatest living poets."-The Washington Post Book World

"Merwin keeps his language simple but his perceptions complex. Classical in their lines of inquiry and restraint yet vital in their attunement to the here and now, these personal odes and musings on daily existence and the cycles of life are, by turns, bemused and exalted . . . each poem infuses the collection with buoyancy and light."-Booklist

Now in paperback, W.S. Merwin's latest masterwork-which reviewers have described as "meditative," "playful," and "lithely beautiful"-guides readers to universal themes through worldly specifics. Akin to Pablo Neruda's Elemental Odes, every poem in Present Company directly addresses the people and things of daily life, as in "To the Thief at the Airport" or "To Lingering Regrets."

"To This May"

They know so much more now about the heart we are told but the world still seems to come one at a time one day one year one season and here it is spring once more with its birds nesting in the holes in the walls its morning finding the first time its light pretending not to move always beginning as it goes

The Nobel Prize-winning poet's most popular work

When it appeared in 1924, this work launched into the international spotlight a young and unknown poet whose writings would ignite a generation. W. S. Merwin's incomparable translation faces the original Spanish text. Now in a black-spine Classics edition with an introduction by Cristina Garcia, this book stands as an essential collection that continues to inspire lovers and poets around the world.

W.S. Merwin was arguably the most influential American poet of the last half-century - an artist who transfigured and reinvigorated the vision of poetry for our time. While he was long viewed in the States as an essential voice in modern American literature, his poetry was unavailable in Britain for over 35 years until Bloodaxe published this edition of his Selected Poems in 2007. This new selection covers over five decades of his poetry, from The Dancing Bears (1954) to Present Company (2005). Most of the book is drawn from his major American retrospective, Migration, winner of the 2005 National Book Award for Poetry. It was followed in 2009 by The Shadow of Sirius, which won him a second Pulitzer Prize, and then by The Moon Before Morning (2014) and Garden Time (2016). Merwin's poetry has moved beyond the traditional verse of his early years to revolutionary open forms that engage a vast array of influences and possibilities. As Adrienne Rich wrote of his work: 'I would be shamelessly jealous of this poetry, if I didn't take so much from it into my own life.' His recent poetry is perhaps his most personal, arising from his deeply held beliefs. Merwin is not only profoundly anti-imperialist, pacifist and environmentalist, but also possessed by an intimate feeling for landscape and language and the ways in which land and language interflow. His latest poems are densely imagistic, dream-like, and full of praise for the natural world.

W.S. Merwin was arguably the most influential American poet of the last half-century - an artist who transfigured and reinvigorated the vision of poetry for our time. An essential voice in modern American literature, he was United States Poet Laureate in 2010-11. Merwin composed the poems of Garden Time as he was losing his eyesight. When he could no longer see well enough to write, he dictated the poems to his wife, Paula. In this gorgeous, mindful and life-affirming book, he channels energy from animated sounds and memories to remind us that 'the only hope is to be the daylight'. This late collection written in his late-80s finds him deeply immersed in reflection on the passage of time and the frailty and sustaining power of memory. Switching between past and present, he shows us a powerful and moving vision of the eternal, focusing on images of mornings, sunsets, shifting seasons, stars, birds and insects to capture the connectedness of time, space and the natural world. In a poem about Li Po, 'now there is only the river / that was always on its own way'. In another poem he dreams that 'the same river is still here / the house is the old house and I am here in the morning / in the sunlight and the same bird is singing'. He remembers when 'dragonflies were as common as sunlight / hovering in their own days' and recalls 'a house that had been left to its own silence / for half a century'. In a poem of wonder entitled 'Variations to the Accompaniment of a Cloud', he writes: 'I keep looking for what has always been mine / searching for it even as I / think of leaving it.' Poetry Book Society Recommendation

First published in 1924, Veinte poemas de amor y una cancion desesperada remains among Pablo Neruda's most popular work. Daringly metaphorical and sensuous, this collection juxtaposes youthful passion with the desolation of grief. Drawn from the poet's most intimate and personal associations, the poems combine eroticism and the natural world with the influence of expressionism and the genius of a master poet. This edition features the newly corrected original Spanish text, with masterly English translations by award-winning poet W. S. Merwin on facing pages.Includes twelve sketches by Pablo PicassoNew introduction by Cristina GarciaA Penguin Classics Deluxe Edition pacjaged with French flaps

Title: Walden; or Life in the Woods.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GENERAL HISTORICAL collection includes books from the British Library digitised by Microsoft. This varied collection includes material that gives readers a 19th century view of the world. Topics include health, education, economics, agriculture, environment, technology, culture, politics, labour and industry, mining, penal policy, and social order. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Thoreau, Henry David; 1854. 8 . 10410.aaa.32.

This is one of the greatest collections of love poetry ever published. Inspired by Pablo Neruda's youthful relationships and injected with an expressive eroticism, these poems are as accomplished as they are evocative and sensual. First published in 1924 to international acclaim when Neruda was just nineteen, this book is still adored the world over for being one of the most memorable, intense and romantic works of poetry ever written. It is a work of poetry to be cherished by lovers old and new. The perfect Valentine's Day present. INTRODUCED BY LEO BOIX 'The poems today remain as urgently gorgeous as freshly picked flowers' Carol Ann Duffy The Vintage Classics Love Poems series brings together some of the most sensual, heart-breaking and romantic poetry ever written. Working in collaboration with Vintage Creative Director Suzanne Dean this edition has been created by Spanish illustrator Jesús Cisneros.

Poetry. Asian Studies. This collection furthers Copper Canyon's project of reintroducing Pulitzer Prize winner W.S. Merwin's out-of-print works, drawing together poems from his classic collections Asian Figures, Sun at Midnight, and his two volumes of Selected Translations. Gathered here are translations and versions of poems and aphorisms from Asian languages as varied as Urdu, Chinese, Sanskrit, Japanese, Persian, and Vietnamese. The book contains poems from some of the world's greatest writers, including Rumi, Tu Fu, Li Po, and Muso Soseki.

US Poet Laureate W.S. Merwin was arguably the most influential American poet of the last half-century - an artist who transfigured and reinvigorated the vision of poetry for our time. Bloodaxe published his Selected Poems in 2007. At 82, Merwin produced 'his best book in a decade - and one of the best outright' (Publishers Weekly), and a collection which has won him his second Pulitzer Prize in the US and a Poetry Book Society Recommendation in the UK. The nuanced mysteries of light, darkness, presence, and memory are central themes in his latest collection. 'I have only what I remember,' Merwin admits, and his memories are focused and profound-the distinct qualities of autumn light, a conversation with a boyhood teacher, well-cultivated loves, and 'our long evenings and astonishment'. In 'Photographer', Merwin presents the scene where armloads of antique glass negatives are saved from a dumpcart by 'someone who understood'. In 'Empty Lot', Merwin evokes a child lying in bed at night, listening to the muffled dynamite blasts of coal mining near his home, and we can't help but ask: How shall we mine our lives?

In this conservation classic, originally published fifty-five years ago, Fred Bodsworth tells the story of a solitary Eskimo curlew's perilous migration and search for a mate. The lone survivor comes to stand for the entirety of a species on the brink of extinction, and for all in nature that is endangered. This new paperback edition includes a foreword by Pulitzer Prize-winning poet W.S. Merwin and an afterword by Nobel Prize-winning physicist Murray Gell-Mann.

Throughout WWII, French poet Jean Follain wrote poems that revisit the provinces of personal and cultural history. His quietly phrased, brief devotions are -described as "miniatures," yet are monumental, capturing the pressure of history upon daily moments. By reducing the world to its small objects, every detail, every image becomes imbued with meaning.

This bilingual volume, celebrating the centennial of Jean Follain's birth, is translated by W.S. Merwin, who writes in his introduction: "Follain's concern is finally with the mystery of the present--the mystery which gives the recalled concrete details their form, at once luminous and removed, when they are seen at last in their places, as they seem to be in the best of his poems."

Sir Gawain & the Green Knight is a classic Arthurian tale of enchantment, adventure and romance. This splendid new translation - by one of the world's leading poets - has already been acclaimed in America. The original poem and W.S. Merwin's modern version are comparable in stature and imaginative power to another medieval epic, Beowulf, in Seamus Heaney's rendering. All Camelot is merry with Christmas revelry when an enormous green-skinned knight with brilliant green clothes rides into King Arthur's court. This giant throws down a sinister challenge: he will endure a blow of the axe to his neck without offering any resistance, but whoever delivers the fatal blade must promise to take the same in a year and a day. When the young Gawain beheads him, the Green Knight grabs hold of his severed head and makes off on horseback. The poem follows Gawain's adventures thereafter - shockingly brutal hunts, an almost impossible seduction, and terrifyingly powerful adversaries - as he gallantly struggles to honour his promise. Capturing the pace, impact and richly alliterative language of the original Middle English text - presented on facing pages - Merwin brings a new immediacy to a spellbinding, timeless narrative written many centuries ago by a master poet whose identity has been lost to time. Modern and Middle English parallel text edition.

Antonio Porchia (18861968) wrote one book, a slender collection of poetic aphorisms that became a classic in the Spanish-speaking world. With affinities to Taoist and Buddhist epigrams, Voices bears witness to the awe of human existence. Revised and updated with a new introduction by translator W.S. Merwin, this bilingual volume brings back into print one of Latin America's great literary treasures.

"He who tells the truth says almost nothing.
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I know what I have given you. I do not know what you have received.
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Only a few arrive at nothing, because the way is long.
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Out of a hundred years a few minutes were made that stayed with me, not a hundred years.
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When I come upon some idea that is not of this world, I feel as though this world had grown wider.
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This world understands nothing but words, and you have come into it with almost none.
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We become aware of the void as we fill it."

Antonio Porchia (18861968) was born in Italy. After his father died, he emigrated to Argentina with his mother and seven siblings, and as the eldest child, started working at the age of 14. He was self-taught, and his only book, "Voices," caught the attention of a noted French critic who assumed him to be a scholar of Kafka and Buddhism, rather than the humble man who loved to tend his garden. Today, Porchia's aphorisms are published in more than a dozen Spanish-language editions as well as in German, French and Italian.

W.S. Merwin's awards include the Pulitzer Prize, the Tanning Prize, the Bollingen Award, and fellowships from the Guggenheim Foundation and the NEA. He is the author of dozens of books of poetry and translations. He lives in Hawaii.

W.S. Merwin was arguably the most influential American poet of the last half-century - an artist who has transfigured and reinvigorated the vision of poetry for our time. An essential voice in modern American literature, he was United States Poet Laureate in 2010-11. The Moon Before Morning is a love letter composed in a stunning rush of memory. Answering the call set forth in The Shadow of Sirius (2009), which won him his second Pulitzer Prize, Merwin extends the emotional and intellectual reach of that collection with passionate reverence for the natural world, bittersweet reflection on time's irrevocable ravages, and equanimity informed by a lifetime of writing and practised contemplation. Merwin's studied precision in form and language filters crisp, beautiful images through ethereal memory, forging an intense bond between the writer and a quickly transforming world. 'When we forget,' Merwin writes, others will remember: no action or spirit on Earth is without its infinite reverberations. Poetry Book Society Recommendation.

These never-before published translations of "Blood Wedding" and "Yerma" unite two of Federico Garcia Lorca's most passionate masterpieces with two of America's most gifted poets, Langston Hughes and W.S. Merwin.

In The Lost Upland, W. S. Merwin vividly conveys his intimate knowledge of the people and the countryside in this ancient part of France (home of the Lascaux caves). In three narratives of small-town life, Merwin shows with matchless poetic and narrative power how the past is still palpably present. On its original publication in 1992 Jane Kramer wrote, "These stories are a gift from one of the great poets of the English language, a chronicle of the heart-stopping seasons of one small corner of La France Profonde and of its stubborn and illusive characters. Merwin's French peasants are a force of nature, like the blackberry brambles that used to choke his garden, and he cultivates them both with that attentive, exacting, and relentlessly patient genius that great poets and great gardeners share. This is, simply, the most beautiful writing about France I know."

W. S. Merwin is widely acknowledged as one of the finest living poets in English. Less well known is the power and range of his work in prose. For his first new prose collection in more than ten years, The Ends of the Earth, Merwin has gathered eight essays that show the breadth of his imagination and sympathy. A memoir of George Kirstein, publisher of "The Nation," stands alongside one of Sydney Parkinson, explorer, naturalist and artist on Captain James Cook's Endeavour. A wonderful portrait of the French explorer of Hawai'i, Jean-Francois Galaup de La Perouse is followed by a visit to the Neanderthal skeleton of Boffia Bonneval. There are treks through the Hawaiian forests, to the Holy Mountain of Athos, and with the butterflies in Mexico. For this magical and wondrous journey we have as our guide the excited and concise poet-naturalist, writing at the top of his form.

With "Lament for the Makers" W. S. Merwin honors the lives and work of twenty-three poets of our time. Each of them has been important to him, and all of them died during his life as a poet.
Following the title poem, Merwin presents works by Dylan Thomas, Wallace Stevens, Edwin Muir, Sylvia Plath, William Carlos Williams, Robert Frost, Theodore Roethke, Louis MacNeice, T. S. Eliot, Randall Jarrell, John Berryman, W. H. Auden, Marianne Moore, Ezra Pound, David Jones, Robert Lowell, Elizabeth Bishop, James Wright, Howard Moss, Robert Graves, Howard Nemerov, William Stafford, and James Merrill. Photographs and brief biographies of the poets are also included.
"Lament for the Makers" connects the work of one of our most gifted contemporary poets with the modern masters who have defined the twentieth-century poetic tradition.

America today is a mobile society. Many of us travel abroad, and few of us live in the towns or cities where we were born. It wasn't always so. "Travel from America to Europe became a commonplace, an ordinary commodity, some time ago, but when I first went such departure was still surrounded with an atmosphere of adventure and improvisation, and my youth and inexperience and my all but complete lack of money heightened that vertiginous sensation," writes W. S. Merwin. Twenty-one, married and graduated from Princeton, the poet embarked on his first visit to Europe in 1948 when life and traditions on the continent were still adjusting to the postwar landscape. "Summer Doorways" captures Merwin at a similarly pivotal time before he won the Yale Younger Poets Award in 1952 for his first book, "A Mask for Janus"--the moment was, as the author writes, "an entire age just before it was gone, like a summer."

In this haunting, elegantly written memoir, W. S. Merwin recalls in utterly unsentimental prose his youth, growing up in a repressed Presbyterian household in the small river towns of New Jersey and Pennsylvania. The complex portrait that emerges of a family without language or history, transforms the story of their isolated lives into the development of a writer's conscience and a warning about the fate of a middle class eager to obliterate origins.
"This book is superbly written, offering deep glimpses into the complexities and mysteries of family bonds, with just that distancing from people and events necessary for artistic control."--Edmund Fuller, "Wall Street Journal"