Brimming with Sister Wendy Beckett’s irrepressible wisdom and enthusiasm, The Art of Holy Week and Easter is a beautiful Lent book for 2021 exploring the spiritual riches of some of the world’s greatest paintings of the Passion and Resurrection of Jesus.

Illustrated in stunning full colour with thirty famous and lesser-known Western masterpieces and presented in a small, easily portable format, this little book is ideal Lent reading for all art lovers.

The Art of Holy Week and Easter offers a chance to hear again the voice of Sister Wendy as she gently leads you into a deeper appreciation of all that these paintings convey to the discerning eye. You’ll gain a fuller and more spiritual understanding of Christian art, and see Holy Week and Easter as never before.

The perfect Lent book for art lovers of all ages

The Bible contains some of the greatest stories and teachings of all time. It is also the inspiration for some of the greatest pictures ever painted. Sister Wendy's Bible Treasury captures some of the Bible's most dramatic scenes and memorable characters, as depicted by artists such as Botticelli, Caravaggio, Degas, Duccio, Durer, El Greco, Giotto, Leonardo, Raphael, Rembrandt, Rubens Rublev, Titian and Van Gogh. From the majesty of Genesis to the mystery of Revelation, Sister Wendy invites you to share her delight in the way these painters have interpreted and depicted the Bible over two thousand years. This beautifully presented volume includes 55 illustrations.

Sister Wendy leads us on a 'pilgrimage of desire' to view the earliest surviving Icons of Mary. 'These early images of Mary seem to me to have the power to shock us out of our complacency, to make us look anew at what the birth of Jesus meant, and means...' In this compelling story of discovery and spiritual adventure, Sister Wendy Beckett, a contemplative nun and beloved art commentator, travels from England, to Rome, to Ukraine, and finally to a remote monastery in Sinai, to view the earliest Icons of Mary.These are among the few Icons that survived the wholesale destruction of Icons in the early eighth century. In contrast with the familiar and magnificent Icons of later history, these early Icons have a haunting simplicity and unfamiliar spiritual power. 'They are drawing us out of our worldly reality into their world, the true world, summoning us to leave behind all that is earthly and to breathe an air more pure than we can understand. Icons are for prayer. They are painted in prayer and their intention is to take us into a state of prayer'. They come to us from a time closer to that of Christ, when faith was still alive with wonder, and possibilities were infinite.In the course of her pilgrimage, Sister Wendy also reviews the history of Christian art, the meaning and function of Icons, and shares her thoughts on the relation between beauty, prayer, and the search for God. In her quest for these ancient Icons, she feels that she has encountered something greater than an image: 'I have called it an encounter with God, because that is truly what it was for me, and what I hope it will be for you, too'."Encounters with God" is beautifully presented with 65 full colour illustrations throughout.

The twelfth-century abbot and contemplative known to history as "The Mellifluous Teacher' wrote sermons for the entire Christmas liturgical cycle-from the first Sunday of Advent (four weeks before Christmas) to the Feast of the Purification of the Virgin Mary/Presentation of Christ in the Temple (2 February). As he reflects on the wonder of the Incarnation, he reminds Christians still today that Christmas celebrates the awesome condescension of God-with-us, not a commercial carnival.

Sister Wendy, who has been dedicated to a life of prayer for more than half a century, has always resisted writing a book on the subject. Her reasons mix humility with a conviction that prayer is simple: books about prayer can be a dangerous distraction. Yet, when she does speak about prayer, often in response to the questions of ordinary people, she does so with an eloquence that speaks directly to her hearers in ways that make practical sense. Now, in her older age, Sister Wendy is willing to set down some of what she has learnt over a lifetime in a series of meditations. The format of the book is deliberately non-linear: where prayer is concerned, Sister Wendy says, it is simply a matter of trying to turn to God as honestly as the person you are in the circumstances you find yourself in. Her co-author, David Willcock, who has worked with Sister Wendy for many years producing her television programmes, adds to her text a biographical sketch about being a nun and at the same time one of the art world's most acute and revered commentators and a TV personality. Illustrating this unique book are a dozen pieces of artwork: no book by Sister Wendy would be complete without this dimension.