Throughout the history of the genre, the superhero has been characterised primarily by physical transformation and physical difference. Superhero Bodies: Identity, Materiality, Transformation explores the transformation of the superhero body across multiple media forms including comics, film, television, literature and the graphic novel. How does the body of the hero offer new ways to imagine identities? How does it represent or subvert cultural ideals? How are ideologies of race, gender and disability signified or destabilised in the physicality of the superhero? How are superhero bodies drawn, written and filmed across diverse forms of media and across histories? This volume collects essays that attend to the physicality of superheroes: the transformative bodies of superheroes, the superhero's position in urban and natural spaces, the dialectic between the superhero's physical and metaphysical self, and the superhero body's relationship with violence. This will be the first collection of scholarly research specifically dedicated to investigating the diversity of superhero bodies, their emergence, their powers, their secrets, their histories and their transformations.

Throughout the history of the genre, the superhero has been characterised primarily by physical transformation and physical difference. Superhero Bodies: Identity, Materiality, Transformation explores the transformation of the superhero body across multiple media forms including comics, film, television, literature and the graphic novel. How does the body of the hero offer new ways to imagine identities? How does it represent or subvert cultural ideals? How are ideologies of race, gender and disability signified or destabilised in the physicality of the superhero? How are superhero bodies drawn, written and filmed across diverse forms of media and across histories? This volume collects essays that attend to the physicality of superheroes: the transformative bodies of superheroes, the superhero's position in urban and natural spaces, the dialectic between the superhero's physical and metaphysical self, and the superhero body's relationship with violence. This will be the first collection of scholarly research specifically dedicated to investigating the diversity of superhero bodies, their emergence, their powers, their secrets, their histories and their transformations.

From Melies to New Media contributes to a dynamic stream of film history that is just beginning to understand that new media forms are not only indebted to but firmly embedded within the traditions and conventions of early film culture. Adopting a media archaeology, this book will present a comparative examination of cinema including early film experiments with light and contemporary music videos, silent film and their digital restorations, German Expressionist film and post-noir cinema, French Gothic film and the contemporary digital remake, Alfred Hitchcock's films exhibited in the gallery, post medium films as abstracted light forms and interactive digital screens revising experiments in precinema. Media archaeology is an approach that uncovers the potential of intermedial research as a fluid form of history. It envisages the potential of new discoveries that foreground forgotten or marginalised contributions to history. It is also an approach that has been championed by influential new historicists like Thomas Elsaesser as providing the most vibrant and productive new histories (2014).

'A Charade of Innocence and Vice': Hollywood Gothic films of the 1940s offers a sustained investigation of this important popular film cycle. This book identifies the film cycle and traces its lineage back to its origins in Charles Perrault's 'Bluebeard'. 'A Charade of Innocence and Vice' investigates cinematic reinventions of this violent fairy tale in high profile films including Alfred Hitchcock's 'Rebecca' and 'Suspicion', along with B film productions like Jacques Tourneur's 'I Walked With a Zombie'.

Why are audiences so fascinated with heroes? What makes the idea of heroes so necessary in society? The superhero has reached a level of popularity never witnessed before, making a successful and prolific transfer from the comic book and graphic novel into the multi-million dollar blockbuster film. A number of films and their sequels, including Spider Man, Batman, Batman Begins, Sin City, and X-Men represent only a handful of examples that have attained unprecedented box-office success or cult status in recent years. This collection of essays explores contemporary superhero narratives, including comic books and films, in a wider mythic context. This is the first study to evaluate the social function of the super/hero in contemporary, ancient and multiple media contexts, evaluating its continuities, transformations and cultural significance. The exploration of issues and hero types across time, cultures and media will open up the possibilities of hero studies across disciplines. This collection will be, in many respects, a prototype that will reveal the limitless possibilities inherent in truly inter-disciplinary studies in this area. "This collection fills an enormous gap in the study of popular culture and provides exactly what has been missing for too long-a comparative heroism study, driven by close-grain analyses of a wide range of heroes from different national cultures (comic book avengers, professional wrestlers, rock stars, anime heroines, Jesus) all animated by theoretical frameworks that are both rigorous and lucidly articulated. The end result is a collection of fascinating case studies which probe the popular appeal of the super/hero with an unprecedented degree of insight." -Jim Collins, Professor of Film, Television, and Theatre, University of Notre Dame. "Holy smoke These essays offer a varied and engaging consideration of hero and superhero culture in a variety of manifestations-from Greek heroes and truly 'super men', to anime characters, Mexican luchadors and gangsta rappers. Reaching backwards with mythic, biblical and Jungian approaches to the heroic journey of mutation and transformation, and forward into the role that diverse media platforms and generic hybridity play in the evolution of superhero universes, this timely collection challenges what it means to be a Super/hero." -Roberta Pearson, Professor and Director of the Institute of Film and Television Studies at the University of Nottingham, and co-editor of The Many Lives of the Batman.