Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Cricket is a summer game, intended to be played on green fields under blue skies and warm sun. But, for the first time, a book explores the mesmerising beauty of cricket grounds in winter, carpeted with snow, through remarkable colour photographs depicting grounds from Lord's to the smallest village pitch in Lancashire, and internationally from New Zealand to the Indian Himalayas. For this aspect alone, Snow Stopped Play will be seized upon as the perfect gift for the cricket fan even by those utterly uninterested in the sport. But Snow Stopped Play is also a fascinatingly eccentric and charming disquisition, in the best tradition of cricket classics like Carr's Dictionary of Extra-Ordinary Cricketers, on the game of cricket itself, through its hitherto unexamined relationship with snow. Did John Arlott really find a snowflake on his sleeve at Lord's in June? Why did a Derbyshire batsman have to take his false teeth out after a snowfall at Buxton in 1975? And has the Sussex fast bowler and poet John Snow ever written a poem about snow?

Everyone's image of the ideal cricket ground will be a village field, fringed by trees, the outfield dappled with clovers and buttercups, swallows flitting above... And what of all the other wildlife associated with this most natural of sports? At the Oval these days, Test Match Special's commentators remark on the resident foxes as often as the traditional pigeons. At Teddington Town CC in London's Bushy Park matches are frequently interrupted by incursions of deer; at Lyndhurst in the New Forest by wild ponies. At Kirkby Lonsdale CC in Cumbria the local fungus group found 20 species of waxcap on the outfield. For some reason hoopoes, spectacular orange and black-crested birds from southern Europe, favour cricket grounds on their rare migrations to the UK. This unique, funny, delightful cricket book from left field explores the relationship between cricket grounds and the natural world, from wildlife records to the Edwardian cricket writings of Edmund Blunden, and in many remarkable photos.

Roger Kimball’ s incisive essays examine the art world from a fresh, skeptical perspective.From Gauguin and the Pre-Raphaelites to the latest exercises in artistic absurdity, Kimball’ skeen eye and lucid prose makes for bracing, entertaining reading. He sets himself dead against theshallow rhetoric and celebrity/money culture of the contemporary art world, breathing new excitementinto debates over what we value in art and why. "Art’ s Prospect is savage and hilarious indebunking chalatanism, but at the same time informed and insightful in revealing the best ofcontemporary art.

Whether he is meditating on the concept of kitsch in the Pre-Raphaelites, thecultural pathology that has led critics to compare Gilbert and George’ s preposterous images withthe Isenheim altarpiece, or the genius of such disparate painters as Paul Gauguin and RichardDiebenkorn, Kimball proves himself to be one of the liveliest critical minds in the art worldtoday.

Dit is my storie, maar dit is ook die storie van elke ouer wat al 'n keer gestruikel het," se Saskia de Coster by geleentheid oor Nagouers. De Coster (1976 - ) is 'n prominente figuur in die hedendaagse Vlaamse prosa. Danksy haar optrede by verskillende kunstefeeste is sy geen onbekende in Suid-Afrika nie. Nachtouders (2019) is intussen reeds in meer as tien tale vertaal. Dit is die verhaal van "nie-biologiese ouerskap" waarby die sielkundige spanning uiteindelik maar te herkenbaar sal wees vir ook diegene wat al met "biologiese ouerskap" gekonfronteer is. Saskia word onder verswee teensinnigheid moeder saam met haar groot liefde en eggenote, Juli. Laasgenoemde dring daarop aan om 'n eie kind in die wereld te bring. Vervolgens raak 'n skenker betrokke, Karl, 'n Kanadese homo- vriend van Saskia. Terwyl die skenkerproses self nie sonder moeite en selfs skaterende humor verloop nie, raak duidelik dat dit ondanks die kliniese aard daarvan nogtans die individuele agtergrond van elk van die betrokkenes op die spel bring. Sake word op die spits gedryf wanneer die gesinn etjie Karl se moeder op die eiland Portes aan die Kanadese Weskus besoek, 'n van die moderne wereld afgeslote plek bewoon deur 'n vergrysende hippie-gemeenskap en 'n afkerige Indiane-groep. Ouerskap, liefde en die stryd om individuele lewensruimte bly onderliggend aan die gebeure met alle eienskappe van 'n riller. Hoewel die hooffiguur ook Saskia heet en die boek eienskappe van 'n ego-dokument het, is dit 'n meesleurende roman wat uitnooi tot 'n besondere leeservaring.

The Dynamical Ionosphere: A Systems Approach to Ionospheric Irregularity examines the Earth's ionosphere as a dynamical system with signatures of complexity. The system is robust in its overall configuration, with smooth space-time patterns of daily, seasonal and Solar Cycle variability, but shows a hierarchy of interactions among its sub-systems, yielding apparent unpredictability, space-time irregularity, and turbulence. This interplay leads to the need for constructing realistic models of the average ionosphere, incorporating the increasing knowledge and predictability of high variability components, and for addressing the difficulty of dealing with the worst cases of ionospheric disturbances, all of which are addressed in this interdisciplinary book. Borrowing tools and techniques from classical and stochastic dynamics, information theory, signal processing, fluid dynamics and turbulence science, The Dynamical Ionosphere presents the state-of-the-art in dealing with irregularity, forecasting ionospheric threats, and theoretical interpretation of various ionospheric configurations.