Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

HIS RESTLESS HEART BEAT TO A RHYTHM OF ITS OWN- a rhythm that had once been so prevalent in the core of his soul, but had long been lost under the thick layers of routine, expectation, and responsibility created by a quiet, civilized life. Konrad Quintero de Leon, a young American man, having just returned home to New York after his schooling at Oxford University, decides to venture west to rediscover that lost rhythm and peel off the layers that have muffled it for so long.

Set in the 1840s, some of America's most restless years, Konrad begins an endless journey in search of his own "manifest destiny." He embarks on a westward expedition with the famous explorer John C. Fremont and legendary mountain man Kit Carson. He roams the wild Texas frontier with the Texas Rangers and fights in the bloody Battle of Monterrey under the command of General Zachary Taylor. But the life of a restless wanderer is not an easy one, as Konrad discovers when he falls in love with the beautiful and exciting Anastasia Carriere-the fiancee of another man. He is cast into a desperate battle where he must choose between the woman he loves and the adventure that he craves.

Prayer is foundational to the Christian life, but many people donaEURO (TM)t understand it. What is it for? How does it work? Why do we do it? This short and accessible book explains what prayer is, why it exists and how it can encourage us in our life of faith. Written by a pastor with years of teaching and counselling experience, Why We Pray doesnaEURO (TM)t simply tell readers why they should pray, but instead focuses on four blessing-filled reasons that will help us want to pray. Rather than feeling discouraged and disheartened by our inconsistency in prayer, we feel reinvigorated to approach God with confidence and joy, delighted by the privilege of talking directly to our heavenly Father.

Across sociology and cultural studies in particular, the concept of authenticity has begun to occupy a central role, yet in spite of its popularity as an ideal and philosophical value authenticity notably suffers from a certain vagueness, with work in this area tending to borrow ideas from outside of sociology, whilst failing to present empirical studies which centre on the concept itself. Authenticity in Culture, Self, and Society addresses the problems surrounding this concept, offering a sociological analysis of it for the first time in order to provide readers in the social and cultural sciences with a clear conceptualization of authenticity and with a survey of original empirical studies focused on its experience, negotiation, and social relevance at the levels of self, culture and specific social settings.

For more than four decades, David Lyle Jeffrey has enriched the world of Christian scholarship. Throughout his work, Jeffrey has drawn attention to the ways in which imaginative engagements with biblical texts have been central to major shifts in Christian and post-Christian hermeneutics, ethics, and aesthetics. The purpose of this volume is to challenge and deepen that growing discourse by showing how English literature across varied traditions unfolds a central Christian interaction between divine Incarnation, invented narrative, and ethical praxis. In their essays, the authors demonstrate how an imaginative engagement with biblical narratives, in historical or contemporary writing, continues to provide a fruitful means to address the intellectual and ethical antinomies of the postmodern scene. The articles in this collection form two groups: the first set of essays focuses on specific episodes or moments of historical change within European biblical literary traditions; the second group focuses on the dissemination of biblical literary engagements in areas outside of European contexts, ranging from North America to South Africa to China. Unique in the wide range of topics it covers-itself a reflection of Jeffrey's own broad scope of scholarship-the collection functions as a working example of Jeffrey's thesis that the biblical tradition has a far-reaching influence on the development of Western literature, even by those who are reluctant to acknowledge its present influence.

Since its founding in 1937, "Partisan Review" has been one of the most important and culturally influential journals in America. Under the legendary editorship of William Phillips and Philip Rahv, "Partisan Review" began as a publication of the John Reed Club, but soon broke away to establish itself as a free voice of critical dissent. As such, it counteracted the inroads of cultural Stalinism and took up the fight for aesthetic modernism at a time when the latter was fiercely contested by both the political left and right. In this work, William Phillips offers an account of his own part in the magazine's eventful history. As the magazine's editor, Edith Kurzweil, notes in her introduction, many of the literary and political disagreements that famously marked "Partisan Review"'s history originated in the editors' initial adherence to a programme of radical politics and avant-gardism. Although this proved increasingly unworkable, Phillips and Rahv, even from the outset, never allowed sectarian narrowness to determine the magazine's contents. Over the decades, "Partisan Review" published work by authors as far from radicalism as T.S. Eliot and Wallace Stevens or from Marxist orthodoxy as Albert Camus and George Orwell. In literature, its contributors were as stylistically and intellectually varied as Saul Bellow, Vladimir Nabokov, Robert Lowell and Isaac Bashevis Singer. In short, "Partisan Review" featured the best fiction, poetry and essays of the 1940s and postwar decades. Beyond its literary preeminence, Partisan Review was famed as the most representative journal of the New York Intellectuals.

Across sociology and cultural studies in particular, the concept of authenticity has begun to occupy a central role, yet in spite of its popularity as an ideal and philosophical value authenticity notably suffers from a certain vagueness, with work in this area tending to borrow ideas from outside of sociology, whilst failing to present empirical studies which centre on the concept itself. Authenticity in Culture, Self, and Society addresses the problems surrounding this concept, offering a sociological analysis of it for the first time in order to provide readers in the social and cultural sciences with a clear conceptualization of authenticity and with a survey of original empirical studies focused on its experience, negotiation, and social relevance at the levels of self, culture and specific social settings.

Since its founding in 1937, "Partisan Review" has been one of the most important and culturally influential journals in America. Under the legendary editorship of William Phillips and Philip Rahv, "Partisan Review" began as a publication of the John Reed Club, but soon broke away to establish itself as a free voice of critical dissent. As such, it counteracted the inroads of cultural Stalinism and took up the fight for aesthetic modernism at a time when the latter was fiercely contested by both the political left and the right. In "A Partisan View," William Phillips gives a vivid account of his own part in the magazine's eventful history. As the magazine's current editor, Edith Kurzweil, notes in her new introduction, many of the literary and political disagreements that famously marked "Partisan Review"'s history originated in the editors' initial adherence to a program of radical politics and avant-gardism. Although this proved increasingly unworkable, Phillips and Rahv, even from the outset, never allowed sectarian narrowness to determine the magazine's contents. Over the decades, "Partisan Review" published work by authors as far from radicalism as T. S. Eliot and Wallace Stevens or from Marxist orthodoxy as Albert Camus and George Orwell. In literature, its contributors were as stylistically and intellectually varied as Saul Bellow, Vladimir Nabokov, Robert Lowell and Isaac Bashevis Singer. In short, "Partisan Review" featured the best fiction, poetry, and essays of the 1940s and postwar decades. Beyond its literary preeminence, "Partisan Review" was famed as the most representative journal of the New York Intellectuals. Much of the quality of "Partisan Review" came from Phillips own broad culture, cosmopolitanism, and intellectual tolerance. As Edith Kurzweil writes, "he kept trying to find a category of criticism' that might enable us all to better come to grips with the complexities of our ever-changing world." Now in paperback, "A Partisan View" will be of keen interest to intellectual historians as well as literary scholars.

The publications of the Hakluyt Society (founded in 1846) made available edited (and sometimes translated) early accounts of exploration. The first series, which ran from 1847 to 1899, consists of 100 books containing published or previously unpublished works by authors from Christopher Columbus to Sir Francis Drake, and covering voyages to the New World, to China and Japan, to Russia and to Africa and India. This book contains three accounts of Dutch voyages in search of a north-eastern passage to China, undertaken in the 1590s. (When this Hakluyt edition was published in 1853, continuing anxiety about the fate of Sir John Franklin's expedition made any accounts of Arctic exploration extremely topical.) The Dutch were not successful in establishing a north-east passage; but the stories of the expeditions and of the courage and endurance of the men who took part in them make for fascinating reading.

Global interest in forest conservation, biodiversity preservation, and non-timber values has risen while pressures on the forest as a source of income and employment have also increased. These demands are often conflicting, making forest planning, allocation, and policy formation very complex. This volume explores theoretical and applied issues surrounding forest resource allocation. The book is divided into three sections: (1) Tropical Forests: Environment, Economics and Trade, (2) Non-Timber Valuation: Theory and Application, and (3) Ecosystem Management. The first section focuses on tropical forests, reflecting the fact that global environmental concerns surrounding these regions are often in conflict with local economic objectives. The chapters in this section examine mechanisms for capturing or optimizing total (timber and non-timber) economic value from tropical forests and the implications of forest policy on global trade in forest products and production from tropical forest regions. The second section examines non-timber values. These values, particularly existence or passive use values, are important in planning and policy decisions. However, these non-timber valuation techniques are also very controversial. This section examines theoretical advances in non-timber valuation and presents case studies employing state of the art techniques. The third section considers ecosystem management, a concept that promotes the use of forest harvesting practices that mimic natural disturbance patterns. The impact of ecosystem management on timber and non-timber values is largely unknown. The chapters in this section explore these issues from theoretical and applied perspectives. Overall, the book will be of interest to readers in forestry and environmental economics.

It has been reviled, dismissed, attacked, and occasionally been the subject of Congressional hearings, but still, the genre of music known as heavy metal maintains not only its market share in the recording and downloading industry, but also as a cultural force that has united millions of young and old fans across the globe. Characterized by blaring distorted guitars, drum solos, and dramatic vibrato, the heavy metal movement headbanged its way to the popular culture landscape with bands like Led Zeppelin and Black Sabbath the 1970s. Motley Crue and Metallica made metal a music phenomenon in the 1980s. Heavy metal continues to evolve today with bands like Mastodon and Lamb of God. Providing an extensive overview of the music, fashion, films, and philosophies behind the movement, this inclusive encyclopedia chronicles the history and development of heavy metal, including sub-movements such as death metal, speed metal, grindcore, and hair metal. Coverage includes: BLheavy metal fashion BLmasculine and feminine images BLsubcultures, including death metal and speed metal BLcross-pollination of metal and other genres, such as hardcore punk BLpolitical themes of rebellion and resistance BLheavy metal and comedy (Spinal Tap, Tenacious D., and Satanicide Essential and highly entertaining reading for high school and undergraduate courses in popular music studies, communications, media studies, and cultural studies, the Encyclopedia of Heavy Metal Music and Culture offers a guide to the ultimate underground music, exploring its rich cultural diversity, resilience, and adaptability. Entries for musicians include a discography for those wanting to start or develop their music collections.

In the early nineteenth century, the gifted stratigrapher and amateur geologist William Phillips (1773-1828) gave several lectures to interested young people in Tottenham on the subject of geology. These lectures were later collected into a book, which Phillips expanded in later versions. This reached its peak in 1822 when the clergyman William Daniel Conybeare (1787-1857) collaborated with Phillips to produce this rigorous and improved assessment of the geological composition of England and Wales. Although no second volume was ever published, the book had a tremendous impact on geologists throughout the United Kingdom and Europe, inspiring foreign scholars to produce equivalent volumes about their own countries. Conybeare's concern for the stratigraphy of fossils is especially remarkable for the time. William Fitton, later president of the Geological Society of London, praised the book highly, remarking that 'no equal portion of the earth's surface has ever been more ably illustrated'.