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In POT BOUILLE, the well-known French novelist Emile Zola and
dramatist William Busnach combine their talents to unmask the
hypocrisy that hides behind the facade of a respectable and
fashionable Parisian apartment house. The Josserands are struggling
to make ends meet, and at the same time to marry off their two
daughters to prosperous businessmen. At the heart of this broken
family is a weak husband and domineering, spendthrift wife, who
between them create two willful children who are doomed to unhappy
lives. The sly and adulterous Berthe seduces a shop owner into
marriage, and Hortense eventually runs off with the man she
loves--knowing he'll never marry her. The result is an unflattering
portrayal of a corrupt, immoral society at the heart of French life
in the late nineteenth century. Based on one of the great novels of
modern literature
Emile Zola (1840-1902) was one of France's greatest novelists of
the nineteenth century, being most famous as a writer for Nana (the
story of a courtesan), and in the political world for his role in
exposing the frame-up of Captain Dreyfus. However, he had limited
success as a dramatist until he partnered with William Busnach, an
Algerian Jew. This adaptation of the Zola novel of the same name is
a powerful expose of life among the working poor, and the ravaging
effects of alcholism on average, decent folk. If fact, what's most
striking in this play is how human the workers are, certainly not
the "animals" described by opponents of Zola's works. The
destruction of a family is portrayed with clinical realism, but
also with sympathy and understanding, as each of the characters
gradually emerges as a sympathetic (or at least understandable)
person in his or her own right. First-rate drama by a master writer
Three French comedies focusing on Parisian women and their
intricate love lives. MIMI PINSON, by Jean Bayard and Philippe
Dumanoir, is a carefree, self-supporting, independent woman. She's
a grisette (working girl) who loves as she pleases, doesn't care
about money, and is both happy and charming in her simple life. THE
TYPE YOU DON'T MARRY, by Edouard Pailleron, tells the tale of the
girl Adrienne, who after being a mistress for six years, finally
succeeds in marrying her lover. Love triumphs over morality, as the
lover gives up a potentially good marriage and his family to remain
with the woman he loves. MARRIED SINCE NOON, by William Busnach and
Armand Liorat, is a monologue by a girl, Estelle, who's just
married. She's a bit naive and volatile, but utterly charming in
her simplicity. Three very funny plays that could still be
presented today
Set in Trieste, Sicily, and Morocco, this play tells the story of
Mathias Sandorf, a Hungarian patriot who is betrayed to the
Austrians by one of his comrades-in-arms. Thought to be dead,
Sandorf returns after many years of wandering to seek his revenge.
This is one of the first modern depictions in drama of a gay
couple.
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