In Strange Tales from Edo, William Fleming paints a sweeping picture of Japan’s engagement with Chinese fiction in the early modern period (1600–1868). Large-scale analyses of the full historical and bibliographical record—the first of their kind—document in detail the wholesale importation of Chinese fiction, the market for imported books and domestic reprint editions, and the critical role of manuscript practices—the ascendance of print culture notwithstanding—in the circulation of Chinese texts among Japanese readers and writers. Bringing this big picture to life, Fleming also traces the journey of a text rarely mentioned in studies of early modern Japanese literature: Pu Songling’s Liaozhai zhiyi (Strange Tales from Liaozhai Studio). An immediate favorite of readers on the continent, Liaozhai was long thought to have been virtually unknown in Japan until the modern period. Copies were imported in vanishingly small numbers, and the collection was never reprinted domestically. Yet beneath this surface of apparent neglect lies a rich hidden history of engagement and rewriting—hand-copying, annotation, criticism, translation, and adaptation—that opens up new perspectives on both the Chinese strange tale and its Japanese counterparts.

An exquisite collection of objects relating to the traditions of samurai warriors, from swords and armor to dishes and paintings Through artifacts from the Yale Peabody Museum of Natural History and other collections at Yale University, this lavishly illustrated volume takes readers on a journey into Japan's early modern cultural and political history. It also offers tantalizing glimpses of medieval Japan and the technology underlying the material culture of the samurai. Some objects are dazzling aesthetic and technical feats: impossibly intricate lacquerware, swords as bright and sharp as the day they were forged, and glittering suits of armor from daimyo collections. Others are more unassuming, but equally capable of evoking visions of a lost world. Readers will encounter commoners alternately fearful of samurai violence and swept up in the romance of the cult of loyalty; artists and writers conjuring scenes of adventure and wit; families reaching out to departed kin across the chasm of death; parents deciding whether to raise or reject a newborn baby; underground Christians hiding their faith behind a Buddhist icon; and Japanese artifacts that take on new meanings in Ainu villages and the parlors of New England collectors. This book covers some well-known facets of Japanese history, but also features cutting-edge research. Like the exhibition from which it emerges, it is designed to be engaging and accessible to the general public while offering experts new information and perspectives. Distributed for Yale Peabody Museum of Natural History