“A dark, troubling vision of life in the desert, defined broadly; of mountain lions and drug kingpins, Mexican hopes and Indian feuds.” —Los Angeles Times “In these powerful epic tales of the Sonora Desert, Bowden peoples the harsh land on both sides of the US-Mexican border with saints and sinners, but his enduring hero is the desert itself.” —Kirkus Reviews

In "The Walk, " William deBuys writes about personal loss and the power of the landscape to nurture the recovery of hope. The book consists of three interrelated essays that move from a period of strife in the author's life to a kind of limbo and eventually to a place of peace. The setting is deBuys' small farm in New Mexico's Sangre de Cristo Mountains. Each morning, he takes the same walk through the woods, arriving, as he describes in the first essay, at a clarity that comes from looking at the same vantage point for years. The middle essay, "Geranium," takes its name from a mare deBuys had to put down, and whose remains become one with the forest. In the final essay, deBuys reflects on drought, the loss of a friend, and the resurgence of land and hope. Contemplative, compassionate, and quietly humorous, "The Walk" is nature writing at its finest.

First published in 1985, William deBuys’s Enchantment and Exploitation has become a New Mexico classic. It offers a complete account of the relationship between society and environment in the Sangre de Cristo Mountains of northern New Mexico, a region unique in its rich combination of ecological and cultural diversity. Now, more than thirty years later, this revised and expanded edition provides a long-awaited assessment of the quality of the journey that New Mexican society has traveled in that time—and continues to travel. In a new final chapter deBuys examines ongoing transformations in the mountains’ natural systems—including, most notably, developments related to wildfires—with significant implications for both the land and the people who depend on it. As the climate absorbs the effects of an industrial society, deBuys argues, we can no longer expect the environmental future to be a reiteration of the environmental past.

"This collection of Hal Rothman's wide-ranging, brash, and brilliant essays on Las Vegas offers up a treasury of insights on the follies and possibilities of the New West. Confident, passionate, learned and, yes, wise, Rothman is simply one of the most important voices writing on the region today. He is also a hell of a lot of fun to read."--Virginia Scharff, professor of history and Director, Center for the Southwest, University of New Mexico, Albuquerque, and Women of the West chair at the Institute for the Study of the American West, Autry National Center, Los Angeles

"Hal Rothman has been enlightening me, irritating me, surprising me, and making me laugh for twenty years. Reading his columns reminds me why. He has long been one of the brashest, loudest, smartest, and most original voices in the West. Not even ALS could quiet him. These columns aren't the same as talking to him, but they come close."--Richard White, Margaret Byrne Professor of American History, Stanford University

"Hal Rothman is both the greatest Western historian of his generation and an H. L. Mencken in cowboy boots. Here is a magnificent collection of his opinion, wit, and wisdom."--Mike Davis, author of "Planet of Slums" and "Buda's Wagon"

First Impressions: A Reader's Journey to Iconic Places of the American Southwest tells the story of fifteen iconic sites across Arizona, Utah, New Mexico, and southern Colorado through the eyes of the explorers, missionaries, and travelers who were the first nonnatives to describe them. Noted borderlands historians David J. Weber and William deBuys lead readers through centuries of historical, cultural, and environmental change at sites ranging from Carlsbad Caverns, the Grand Canyon, and Mesa Verde to such living Native communities as Acoma and Zuni. Lovers of the Southwest, both residents and visitors alike, will delight in the authors' skillful evocation of the region's sweeping landscapes, its rich Hispanic and Native heritage, and the sense of discovery that so enchanted its early explorers.

In the summer of 2011, in the Jemez Mountains of New Mexico, a falling power line sparked a wildfire that burned 158,753 acres of forest. From their home in Santa Fe, thirty air miles southeast, photographers Patricia Galagan and Philip Metcalf watched what came to be known as the Las Conchas fire burn day and night for more than a month. As soon as the roads reopened, they went to the mountains to see the damage this violent fire had wrought. Taking a trail to the rim of Cochiti Canyon, they passed through sections of forest that had burned so hot that nothing remained but blackened trunks and negative spaces where huge tree roots had been. The canyon and the waves of ridges beyond were black with standing dead trees. The visual chaos of the burned forest, at first daunting, pushed them to look harder, to see differently. As they did so, the forest began to look beautiful in its highly altered state. For more than seven years they were compelled to make photographs of the aftermath of the fire to draw people beyond the news-cycle images of smoke and flames into the reality of a forest after an extreme fire. Forest Ghosts is both their ode to the old forest and their gift to help us understand that, in this era of accelerating climate change and increasingly devastating wildfires all over the American West, the new forests will never be the same, but we can still find beauty and enlightenment in the aftermath.

In 1992, in a remote mountain range, a team of scientists discovered the remains of an unusual animal with beautiful long horns. It turned out to be a living species new to western science -- a saola, the first large land mammal discovered in 50 years. Rare then and rarer now, no westerner had glimpsed a live saola before Pulitzer Prize finalist and nature writer William deBuys and conservation biologist William Robichaud set off to search for it in the wilds of central Laos. The team endured a punishing trek, up and down whitewater rivers and through mountainous terrain ribboned with the snare lines of armed poachers. In the tradition of Bruce Chatwin, Colin Thubron, and Peter Matthiessen, THE LAST UNICORN is deBuys's look deep into one of the world's most remote places. As in the pursuit of the unicorn, the journey ultimately becomes a quest for the essence of wildness in nature, and an encounter with beauty.

With its soaring azure sky and stark landscapes, the American Southwest is one of the most hauntingly beautiful regions on earth. Yet staggering population growth, combined with the intensifying effects of climate change, is driving the oasis-based society close to the brink of a Dust-Bowl-scale catastrophe.
In A Great Aridness, William deBuys paints a compelling picture of what the Southwest might look like when the heat turns up and the water runs out. This semi-arid land, vulnerable to water shortages, rising temperatures, wildfires, and a host of other environmental challenges, is poised to bear the heaviest consequences of global environmental change in the United States. Examining interrelated factors such as vanishing wildlife, forest die backs, and the over-allocation of the already stressed Colorado River--upon which nearly 30 million people depend--the author narrates the landscape's history--and future. He tells the inspiring stories of the climatologists and others who are helping untangle the complex, interlocking causes and effects of global warming. And while the fate of this region may seem at first blush to be of merely local interest, what happens in the Southwest, deBuys suggests, will provide a glimpse of what other mid-latitude arid lands worldwide--the Mediterranean Basin, southern Africa, and the Middle East--will experience in the coming years.
Written with an elegance that recalls the prose of John McPhee and Wallace Stegner, A Great Aridness offers an unflinching look at the dramatic effects of climate change occurring right now in our own backyard.
Praise for River of Traps
"Brims with gifts of language and vision."
--Barbara Kingsolver, The New York Times Book Review
"An irresistibly engaging story...deBuys is a storyteller of poetic breadth with a discerning eye for subtle, sensitive associations."
--The Nation

This sweeping work of history explains the westward spread of cotton agriculture and slave labor across the South and into Texas during the decades before the Civil War. In arguing that the U.S. acquisition of Texas originated with planters' need for new lands to devote to cotton cultivation, celebrated author Roger G. Kennedy takes a long view. Locating the genesis of Southern expansionism in the Jeffersonian era, "Cotton and Conquest "stretches from 1790 through the end of the Civil War, weaving international commerce, American party politics, technological innovation, Indian-white relations, frontier surveying practices, and various social, economic, and political events into the tapestry of Texas history.

The innumerable dots the author deftly connects take the story far beyond Texas. Kennedy begins with a detailed chronicle of the commerce linking British and French textile mills and merchants with Southern cotton plantations. When the cotton states seceded from the Union, they overestimated British and French dependence on Southern cotton. As a result, the Southern plantocracy believed that the British would continue supporting the use of slaves in order to sustain the supply of cotton--a miscalculation with dire consequences for the Confederacy.

As cartographers and surveyors located boundaries specified in new international treaties and alliances, they violated earlier agreements with Indian tribes. The Indians were to be displaced yet again, now from Texas cotton lands. The plantation system was thus a prime mover behind Indian removal, Kennedy shows, and it yielded power and riches for planters, bankers, merchants, millers, land speculators, Indian-fighting generals and politicians, and slave traders.

In Texas, at the plantation system's farthest geographic reach, cotton scored its last triumphs. No one who seeks to understand the complex history of Texas can overlook this book.

In low places consequences collect, and in all North America you cannot get much lower than the Imperial Valley of southern California, where one town, 186 feet below sea level, calls itself the Lowest Down City in the Western Hemisphere, and where the waters of the Colorado River sustain a billion-dollar agricultural industry. The consequences of that industry drain from the valley into the accidentally man-made Salton Sea, Californias largest lake and a vital stopping place for migratory waterfowl. Today the Salton Sea is in desperate environmental trouble.

A second river also ends in the Salton Sea. It is a river of dreams, the remains of which may be seen in the failed real estate developments that sprawl beside the sea. As the ending point of both the real Colorado and this river of dreams, the Salton Sea has become emblematic of much of the history of the American West. Its troubling story is masterfully told here in William deBuyss narrative and Joan Myerss austerely beautiful photographs.

The story of Southern California is fundamentally a story about the control of nature. Beginning with the Yuman-speaking tribes encountered by the Spanish in the sixteenth century, deBuys traces the subsequent exploration and development of the region through the Gold Rush of 1849, the government-sponsored surveys that followed, and the inept tinkering with the river by an assortment of irrigation and development interests that resulted in the floods that formed the Salton Sea nearly a century ago. He introduces us to a gallery of rogues and dreamers who saw a great future for this arid wilderness but could never refrain from interference with the forces of nature.

The floods thatproduced the Salton Sea created a vast desert oasis, but the agricultural exploitation of the region, combined with evaporation, poisoned that paradise. The stark beauty of the desert, the engineering feats that have transformed the landscape, and the eerie spectacle of Salton City and its ruined beaches and abandoned yacht club are the subject of Myerss photographs, made over a period of more than ten years. In the last section of "Salt Dreams," deBuys acquaints us with the human and avian denizens of the region, all struggling for survival as the twentieth century draws to a close. The history of chicanery and greed recounted in deBuyss narrative and his empathy with the desert dwellers he and Myers have come to knowhardworking laborers and entrepreneurs who live on both sides of the Mexicali border, eccentrics hiding out in the Salton Desert, pelicans dying of avian botulismare crucial to an understanding of the border issues of today and the impassioned environmental debate on whetherand howto save the Salton Sea.

http: //www.joanmyers.com/Saltbk.htm