Contents:
I. Introduction
Austen in the world: postcolonial mappings Rajeswari Sunder Rajan
II. Austen in the world
Jane Austen goes to the seaside: Sanditon, English identity and the 'West Indian' schoolgirl Elaine Jordan Learning to ride at Mansfield Park Donna Landry Austen's treacherous ivory: female patriotism, domestic ideology, and empire Jon Mee Domestic retrenchment, colonial expansion, and the traffic of improvement: the property plots of Mansfield Park Clara Tuite Of windows and country walks: frames of space and movement in 1990s Austen adaptations Julianne Pidduck
III. Austen abroad
Reluctant janeites: daughterly value in Jane Austen and Sarat Chatterjee's Swami Nalini Natarajan Jane Austen goes to India: Emily Eden's home thoughts from abroad Judith Plotz Farewell to Jane Austen: uses of realism in Vikram Seths Suitable Boy Himansu Mohapatra and Jatin Nayak Father's daughters: critical realism examines patriarchy in Jane Austen's Pride and Prejudice and Pak Wanso's A Faltering Afternoon [Hwichongkorinun Ohu] You-me Park Clueless in the neocolonial world order Gayle Wald
IV. Poem
To a 'Jane Austen' class at Ibadan University Molara Ogundipe

Jane Austen has proved to be one of the most accessible and enduring legacies of Western culture in the last two hundred years. As a cultural icon, as well as an object of serious intellectual investigation, 'Jane Austen' has influenced the critical understanding of and the popular imagination around social relations and cultural rituals - the institution of marriage, the ideology of romantic relationship, the cultural imagining of class, or social prestige - as well as larger historical pictures that include slavery and colonialism.
This cutting-edge volume brings together works by Jane Austen scholars and experts in film studies, postcolonial studies and feminism from four different continents. Their essays investigate the ways in which travelling theories and narratives are reinterpreted and translated in the global context; explore how cultural representations affect the ways social relations are reordered and conceptual boundaries are realigned; and the ways that gender operates in the discourses of nationalism, colonialism and postcoloniality.
This book is the first to bridge two significant bodies of recent Austen scholarship: one emphasising the issue of gender and one centralising the history of colonialism and slavery. It reveals the presence of Austen in India, Korea, and the United States as well as the influence of 'the Other' in Jane Austen's 'known community.' For students and researchers in literary, postcolonial, media and gender studies, this book provides a groundbreaking reappraisal of classical literature using postcolonial methodology.