Living with the Stars tells the fascinating story of what truly makes the human body. The body that is with us all our lives is always changing. We are quite literally not who we were years, weeks, or even days ago: our cells die and are replaced by new ones at an astonishing pace. The entire body continually rebuilds itself, time and again, using the food and water that flow through us as fuel and as construction material. What persists over time is not fixed but merely a pattern in flux. We rebuild using elements captured from our surroundings, and are thereby connected to animals and plants around us, and to the bacteria within us that help digest them, and to geological processes such as continental drift and volcanism here on Earth. We are also intimately linked to the Sun's nuclear furnace and to the solar wind, to collisions with asteroids and to the cycles of the birth of stars and their deaths in PHI15SCImic supernovae, and ultimately to the beginning of the universe. Our bodies are made of the burned out embers of stars that were released into the galaxy in massive explosions billions of years ago, mixed with atoms that formed only recently as ultrafast rays slammed into Earth's atmosphere. All of that is not just remote history but part of us now: our human body is inseparable from nature all around us and intertwined with the history of the universe.

Discover the creatures of Labyrinth in this guide to the fauna of the beloved film, featuring illustrations by acclaimed artist Iris Compiet. Jim Henson's Labyrinth has remained a beloved film since its 1986 release, and the movie's myriad puppet creatures continue to capture the imaginations of fans to this day. Now, fans can discover an in-depth look at these iconic creatures in Jim Henson's Labyrinth: The Official Bestiary. Illustrated by Iris Compiet, the acclaimed artist behind The Dark Crystal Bestiary: The Definitive Guide to the Creatures of Thra, this book is a gorgeous volume filled with incredible creature artwork-a must-have tome for fans of Labyrinth, Jim Henson, and the fantasy genre.

Loudmouthed, redheaded Cee Cee Bloom has her sights set on Hollywood. Bertie White, quiet and conservative, dreams of getting married and having children. In 1951, their childhood worlds collide in Atlantic City. Keeping in touch as pen pals, they reunite over the years ... always near the ocean.

Powerful and moving, this novel follows Cee Cee and Bertie's extraordinary friendship over the course of thirty years as they transform from adolescents into adults. A bestselling novel that became a hugely successful film, "Beaches" is funny, heartbreaking, and a tale that should be a part of every woman's library.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

For Profit and For Good opens up for critical examination a sector of higher education that surprisingly is rarely scrutinized in depth: the corporate institutions that have made up the fastest growing sector of US higher education in this century. It explores in detail the development of one such institution, Walden University, from its emergence out of the social turmoil and progressive education movement of the 1960s, through the succeeding decades, characterized by changes on every front. It looks frankly at the impact of these forces on the university's original mission and describes the university's response to them. It investigates the idea of whether the resources and incentives of being for-profit have changed higher education in a way that benefits not only investors but also learners, their workplaces, and the larger community. Business models of management, technological developments, and changes in an ever-evolving society are issues every university faces and seeing how this institution grappled with them will be instructive. Fundamentally, this book addresses the essential ethical question of whether the for-profit sector in higher education adds value, and, if so, what that added value might be. This book will be of interest to researchers and students of the history of education, alternatives in higher education, the economics of education, education administration, reform and new developments in higher education, online learning, and policy studies in education. It is also relevant for policy makers and other managers in edubusiness.

“Fashion is an instrument for change, to shift us emotionally. Through biomimicry I look at the forces behind the forms in nature, these patterns and natural cycles are my guide to explore new forms of femininity for a more conscious and sustainable fashion for the future.� - Iris van Herpen Sculpting the Senses offers an overview of Iris van Herpen's work over the past 16 years. It not only shows the most iconic designs, but also explores her forward-looking vision of fashion on a deeper level. On the basis of 100 dresses, it becomes clear how much the designer challenges our vision of "Haute Couture". Sculpting the Senses immerses you in Van Herpen's sensory universe and unites fashion, contemporary art, design and science on the basis of nine themes that together form the essence of Van Herpen's work.

This book focuses on the building of a crypto economy as an alternative economic space and discusses how the crypto economy should be governed. The crypto economy is examined in its productive and financialised aspects, in order to distil the need for governance in this economic space. The author argues that it is imperative for regulatory policy to develop the economic governance of the blockchain-based business model, in order to facilitate economic mobilisation and wealth creation. The regulatory framework should cater for a new and unique enterprise organisational law and the fund-raising and financing of blockchain-based development projects. Such a regulatory framework is crucially enabling in nature and consistent with the tenets of regulatory capitalism. Further, the book acknowledges the rising importance of private monetary orders in the crypto economy and native payment systems that do not rely on conventional institutions for value transfer. A regulatory blueprint is proposed for governing such monetary orders as 'commons' governance. The rise of Decentralised Finance and other financial innovations in the crypto economy are also discussed, and the book suggests a framework for regulatory consideration in this dynamic landscape in order to meet a balance of public interest objectives and private interests. By setting out a reform agenda in relation to economic and financial governance in the crypto economy, this forward-looking work argues for the extension of 'regulatory capitalism' to this perceived 'wild west' of an alternative economic space. It advances the message that an innovative regulatory agenda is needed to account for the economically disruptive and technologically transformative developments brought about by the crypto economy.