What could Roman Catholicism and Mormonism possibly have to learn from each other? On the surface, they seem to diverge on nearly every point, from their liturgical forms to their understanding of history. With its ancient roots, Catholicism is a continuous tradition, committed to the conservation of the creeds, while Mormonism teaches that the landscape of Christian history is riddled with sin and apostasy and is in need of radical revision and spiritual healing. Moreover, successful proselyting efforts by Mormons in formerly Catholic strongholds have increased opportunities for misunderstanding, polemic, and prejudice. However, in this book a Mormon theologian and a Catholic theologian in conversation address some of the most significant issues that impact Christian identity, including such central doctrines as authority, grace, Jesus, Mary, and revelation, demonstrating that these traditions are much closer to each other than many assume. Both Catholicism and Mormonism have ambitiously universal views of the Christian faith, and readers will be surprised by how close Catholics and Mormons are on a number of topics and how these traditions, probed to their depths, shed light on each other in fascinating and unexpected ways. Catholic-Mormon Dialogue is an invitation to the reader to engage in a discussion that makes understanding the goal, and marks a beginning for a dialogue that will become increasingly important in the years to come.

Mexican statues and paintings of figures like the Virgin of Guadalupe and the Lord of Chalma are endowed with sacred presence and the power to perform miracles. Millions of devotees visit these miraculous images to request miracles for health, employment, children, and countless everyday matters. When requests are granted, devotees reciprocate with votive offerings. Collages, photographs, documents, texts, milagritos, hair and braids, clothing, retablos, and other representative objects cover walls at many shrines. Miraculous Images and Votive Offerings in Mexico studies such petitionary devotion-primarily through extensive fieldwork at several shrines in Guanajuato, Jalisco, Queretaro, San Luis Potosi, and Zacatecas. Graziano is interested in retablos not only as extraordinary works of folk art but: as Mexican expressions of popular Catholicism comprising a complex of beliefs, rituals, and material culture; as archives of social history; and as indices of a belief system that includes miraculous intercession in everyday life. Previous studies focus almost exclusively on commissioned votive paintings, but Graziano also considers the creative ex votos made by the votants themselves. Among the many miraculous images treated in the book are the Cristo Negro de Otatitlan, Nino del Cacahuatito, Senor de Chalma, and the Virgen de Guadalupe. The book is written in two voices, one analytical to provide an understanding of miracles, miraculous images, and votive offerings, and the other narrative to bring the reader closer to lived experiences at the shrines. This book appears at a moment of transition, when retablos are disappearing from church walls and beginning to appear in museum exhibitions; when the artistic value of retablos is gaining prominence; when the commercial value of retablos is increasing, particularly among private collectors outside of Mexico; and when traditional retablo painters are being replaced by painters with a more commercial and less religious approach to their trade. Graziano's book thus both records a disappearing tradition and charts the way in which it is being transformed.

Vincent de Paul, the Lazarist Mission, and French Catholic Reform offers a major re-assessment of the thought and activities of the most famous figure of the seventeenth-century French Catholic Reformation, Vincent de Paul. Confronting traditional explanations for de Paul's prominence in the devot reform movement that emerged in the wake of the Wars of Religion, the volume explores how he turned a personal vocational desire to evangelize the rural poor of France into a congregation of secular missionaries, known as the Congregation of the Mission or the Lazarists, with three inter-related strands of pastoral responsibility: the delivery of missions, the formation and training of clergy, and the promotion of confraternal welfare. Alison Forrestal further demonstrates that the structure, ethos, and works that de Paul devised for the Congregation placed it at the heart of a significant enterprise of reform that involved a broad set of associates in efforts to transform the character of devotional belief and practice within the church. The central questions of the volume therefore concern de Paul's efforts to create, characterize, and articulate a distinctive and influential vision for missionary life and work, both for himself and for the Lazarist Congregation, and Forrestal argues that his prominence and achievements depended on his remarkable ability to exploit the potential for association and collaboration within the devot environment of seventeenth-century France in enterprising and systematic ways. This is the first study to assess de Paul's activities against the wider backdrop of religious reform and Bourbon rule, and to reconstruct the combination of ideas, practices, resources, and relationships that determined his ability to pursue his ambitions. A work of forensic detail and complex narrative, Vincent de Paul, the Lazarist Mission, and French Catholic Reform is the product of years of research in ecclesiastical and state archives. It offers a wholly fresh perspective on the challenges and opportunities entailed in the promotion of religious reform and renewal in seventeenth-century France.

What is the secret of John Henry Newman's enduring appeal? It perhaps lies in the freshness and persuasiveness and brilliance of his descriptions of Christianity. The word Newman often uses to describe the process of becoming a Christian is not 'faith' or 'belief' but 'realization'. The moment when 'one opens one's heart to a truth'. This collection of sermons - the ones Newman himself thought were his best - is the ideal introduction to one of the greatest writers in the Christian tradition.

Manyhave called her a saint. She won the Nobel Peace Prize in 1979 and India'shighest civilian honor, the Jewel of India, in 1980. Pope John Paul II declaredher "Blessed," beatifying her in 2003. For nearly fifty years at the head ofCalcutta's Missionaries of Charity, the Albanian-born Agnes GonxhaBojaxhiu, better known as Mother Teresa, advocatedfor the poor and homeless, ministered to the sick, provided hospice for theafflicted, and embodied the very essence of humanitarianism. Now, revised andupdated, Kathryn Spink's definitive, authorized biography is "simply the best ...around," according to James Martin, SJ, author of The Jesuit Guide to(Almost) Everything. "Thoroughly researched, sensitively written andunfailingly inspiring, Kathryn Spink's book should be, after Mother Teresa'sown writings, your first resource for understanding one of the greatest saintsin Christian history."

The End of an Elite is the first scholarly study in English of the bishops of the French church at the outbreak of the French Revolution. The 130 members of the episcopate formed an elite within an elite, the First Estate of France. Nigel Aston explores the role of the episcopate in national and provincial politics in the last years of the ancien regime. He traces the policies and patronage of episcopal ministers such as Lomienie de Brienne and J.-M. Champion de Cice, who were as much politicians as pastors, and examines their relationships with their fellow bishops. Dr Aston emphasizes the leading role of the bishops in the Assemblies of Notables and offers a fresh interpretation of clerical elections to the Estates-General of 1789. This is an intensively researched and immensely readable account, which will be invaluable to all historians of late eighteenth-century France.

How can religion contribute to democracy in a secular age? What can the millennia-old Catholic tradition say to church-state controversies in the United States and around the world? Secularism, Catholicism, and the Future of Public Life, presents a dialogue between Douglas W. Kmiec, a prominent scholar of American constitutional law and Catholic legal thought, and an international cast of experts from a range of fields. In his essay, "Secularism Crucified?," Kmiec illustrates the profound tensions around religion and secularism through an examination of the Lautsi case, a European judicial decision that supported the presence of crucifixes in Italian classrooms. Laying out a church-state typology, Kmiec argues for clarifying U.S. church-state jurisprudence, and advances principles to prudently limit the over-stretching impulse of religious conscience claims. In the process, he engages secular thinkers, popes, U.S. Supreme Court rulings, and President Barack Obama. The respondents, scholars of legal theory, international relations, journalism, religion, and social science, challenge Kmiec and illustrate ways in which both scholars and citizens should understand religion, democracy, and secularism. Their essays bring together current events in Catholic life, recent social theory, and issues such as migration, the Arab Spring, and social change.

A number of critics and scholars argue for the notion of a distinctly Catholic variety of imagination, not as a matter of doctrine or even of belief, but rather as an artistic sensibility. They figure the blend of intellectual, emotional, spiritual and ethical assumptions that proceed from Catholic belief constitutes a vision of reality that necessarily informs the artist's imaginative expression. The notion of a Catholic imagination, however, has lacked thematic and theological coherence. To articulate this intuition is to cross the problematic interdisciplinary borders between theology and literature; and, although scholars have developed useful methods for undertaking such interdisciplinary "border-crossings," relatively few have been devoted to a serious examination of the theological aesthetic upon which these other aesthetics might hinge.
In A Theology of Criticism, Michael Patrick Murphy proposes a new framework to better define the concept of a Catholic imagination. He explores the many ways in which the theological work of Hans Urs von Balthasar (1905-1988) can provide the model, content, and optic for distinguishing this type of imagination from others. Since Balthasar views art and literature precisely as theologies, Murphy surveys a broad array of poetry, drama, fiction, and film and sets it against central aspects of Balthasar's theological program. In doing so, Murphy seeks to develop a theology of criticism.
This interdisciplinary work recovers the legitimate place of a distinct "theological imagination" in critical theory, showing that Balthasar's voice both challenges and complements contemporary developments. Murphy also contends that postmodern interpretivemethodology, with its careful critique of entrenched philosophical assumptions and reiterated codes of meaning, is not the threat to theological meaning that many fear. On the contrary, by juxtaposing postmodern critical methodologies against Balthasar's visionary theological range, a space is made available for literary critics and theologians alike. More important, the critic is provided with the tools to assess, challenge, and celebrate the theological imagination as it is depicted today.

Belief in the Jesuit Conspiracy is one of the most important and enduring conspiracy theories in modern European history, and France was one of its major focuses. In this scholarly and detailed survey, Geoffrey Cubitt examines the range of polemical literature through which the prevalent conviction of Jesuitical plots was expressed, and explores political attitudes both within and outside the Catholic church. Cubitt uses the available evidence to contrast perceptions and reality, and to trace the development of a widespread and powerful myth. The Jesuit Myth offers valuable insights into the political and religious climate of nineteenth-century France.

The first edition of the new Catechism went out across the world in many language versions. This gave the local Churches the chance to study it in depth. Through their bishops and teachers they responded with comments on texts that needed refinement. The present edition was developed in the light of these comments and published in Latin as the definitive Editio Typica. This book is the English translation of the Editio Typica.

Rene Girard holds up the gospels as mirrors that reveal our broken humanity, and shows that they also reflect a new reality that can make us whole. Like Simone Weil, Girard looks at the Bible as a map of human behavior, and sees Jesus Christ as the turning point leading to new life.

The title echoes Jesus' words: "I saw Satan falling like lightning from heaven". Girard persuades us that even as our world grows increasingly violent the power of the Christ-event is so great that the evils of scapegoating and sacrifice are being defeated even now. A new community, God's nonviolent kingdom, is being realized -- even now.

Most readers first encounter Augustine's love for Scripture's words in the many biblical allusions of his masterwork, the Confessions. Augustine does not merely quote texts, but in many ways makes Scripture itself tell the story. In his journey from darkness to light, Augustine becomes Adam in the Garden of Eden, the Prodigal Son of Jesus' parable, the Pauline double personality at once devoted to and rebellious against God's law. Throughout he speaks the words of the Psalms as if he had written them. Crucial to Augustine's self-portrayal is his skill at transposing himself into the texts. He sees their properties and dynamics as his own, and by extension, every believing reader's own. In Christ Meets Me Everywhere, Michael Cameron argues that Augustine wanted to train readers of Scripture to transpose themselves into the texts in the same way he did, by the same process of figuration that he found at its core. Tracking Augustine's developing practice of self-transposition into the figures of the biblical texts over the course of his entire career, Cameron shows that this practice is the key to Augustine's hermeneutics.

Between 1920 and 1994, the Catholic Church was Rwanda's most dominant social and religious institution. In recent years, the church has been critiqued for its perceived complicity in the ethnic discourse and political corruption that culminated with the 1994 genocide. In analyzing the contested legacy of Catholicism in Rwanda, Rwanda Before the Genocide focuses on a critical decade, from 1952 to 1962, when Hutu and Tutsi identities became politicized, essentialized, and associated with political violence. This study-the first English-language church history on Rwanda in over 30 years-examines the reactions of Catholic leaders such as the Swiss White Father Andre Perraudin and Aloys Bigirumwami, Rwanda's first indigenous bishop. It evaluates Catholic leaders' controversial responses to ethnic violence during the revolutionary changes of 1959-62 and after Rwanda's ethnic massacres in 1963-64, 1973, and the early 1990s. In seeking to provide deeper insight into the many-threaded roots of the Rwandan genocide, Rwanda Before the Genocide offers constructive lessons for Christian ecclesiology and social ethics in Africa and beyond.

This timely and up to date new edition of Biomedicine and Beatitude features an entirely new chapter on the ethics of bodily modification. It is also updated throughout to reflect the pontificate of Pope Francis, recent concerns including ethical issues raised by the COVID-19 pandemic, and feedback from the many instructors who used the first edition in the classroom

Of the spiritual odysseys which dominate the literature of nineteenth-century England, Newman's Apologia Pro Vita Sua is universally acknowledged as one of the greatest and yet one of the most difficult. Newman wrote the Apologia in 1864, as a reply to Charles Kingsley's attack on his veracity and that of his fellow Roman Catholic clergy; the following year he revised it extensively and thereafter amended new impressions almost until his death in 1890. This fine edition, long unavailable, has been reissued for the centenary; it includes all the variants resulting from Newman's revisions, in both the printed texts and the surviving manuscripts.

How can we transmit a living, personal Catholic faith to future generations? By coming to know Jesus Christ, and following him as his disciples.

As we emerge from a pandemic into a post-Christian world, these are times of immense challenge and enormous opportunity for the Catholic Church in the United States. Consider these statistics: