The Piano Lesson - New Yorker Cover, originally published on December 4th, 2006. The covers of The New Yorker have entertained and enlightened the magazine's readers for nearly a century. With unmatched visual sophistication and wit, they let no subject escape their scrutiny. A roster of extraordinary artists continues to create indelible images that are infinitely varied in style and tone, whether whimsical, provocative, serene, or lough-out-loud funny. From the iconic Eustace Tilley to spot-on images of contemporary life, The New Yorker's covers are always the talk of the town.

A woman wearing a flowing maroon robe and yellow pointed hat plays the sitar as it is perched atop a colourful peacock with exotic feathers.

Harry Potter’s Quidditch adventures wouldn’t be complete without catching the golden snitch against his Slytherin counterparts. And neither will this puzzle without your help! Help Harry Potter win the match by putting together this 1000 piece jigsaw puzzle celebrating his time at Hogwarts.

The way to Platform 9¾ has been closed off! How will Harry Potter and Ron Weasley get to Hogwarts? What will two enterprising young wizards do? Why, fly their enchanted Ford Anglia instead, of course! After all, what else are invisibility boosters for in the first place. Help Harry and Ron arrive to school in one piece by putting together this 100 piece mini puzzle of this famous scene from Harry Potter and the Chamber of Secrets. Illustration by original Harry Potter book cover artist, Mary GransPré. At 7” x 9” once completed our mini puzzles are great for plane rides, coffee tables, or even just to stick in your pocket in case you find yourself with a bit of time on your hands. Made in the USA from recycled chipboard.

This silly spoof on Seurat's 'A Sunday Afternoon on the Island of La Grande Jatte' has a similar pointalism style while showing instead a Central Park scene. People stand by icecream stands, listen to boomboxes and eat hotdogs while watching tiny boats floating in a nearby lake on a beatiful summer day.

A busy day at the beach. Seems as though everyone has the same idea this sweltering July day. This crazy crowd is doing everything under the sun; tanning, chatting, eating, splashing, swimming, ogling, and having a general good ol' time. New Yorker cover from July 8, 1939 by Richard Taylor.

Get ready to giggle while you play your next hand. A different beer, wine, or spirit related cartoon on every card. Fifty four cartoons in all.

A man sits on top one of many colourful stacks of books, reading under a cloudy, yet brilliant blue sky. Any bibliophile would love to join him!

All of the members of Dumbledore's Army have gathered in the Room of Requirement to practice their magic. Now it's up to you to help Harry and Hermione teach their fellow witches and wizards all of the skills they need to know to defend themselves from dark wizards by piecing together this 1000 piece jigsaw puzzle.

Made in the USA from recycled chipboard with a linen paper finish to reduce glare.

The covers of The New Yorker have entertained and enlightened the magazine's readers for nearly a century. With unmatched visual sophistication and wit, they let no subject escape their scrutiny. A roster of extraordinary artists continues to create indelible images that are infinitely varied in style and tone, whether whimsical, provocative, serene, or lough-out-loud funny. From the iconic Eustace Tilley to spot-on images of contemporary life, The New Yorker's covers are always the talk of the town.

Every proud dog owner thinks their dog is the smartest. But this brainy golden retriever might just top them all as he calmly reads a novel and sips a cup of coffee. How smartly civilized of him! Now if we could just get him to stop shedding. The covers of The New Yorker have entertained and enlightened the magazine's readers for nearly a century. With unmatched visual sophistication and wit, they let no subject escape their scrutiny. A roster of extraordinary artists continues to create indelible images that are infinitely varied in style and tone, whether whimsical, provocative, serene, or lough-out-loud funny. From the iconic Eustace Tilley to spot-on images of contemporary life, The New Yorker's covers are always the talk of the town.

From the birds chirping in the budding trees to the music flowing from the open windows, the city sounds create a soundtrack to spring.

The covers of The New Yorker have entertained and enlightened the magazine's readers for nearly a century. With unmatched visual sophistication and wit, they let no subject escape their scrutiny. A roster of extraordinary artists continues to create indelible images that are infinitely varied in style and tone, whether whimsical, provocative, serene, or lough-out-loud funny. From the iconic Eustace Tilley to spot-on images of contemporary life, The New Yorker's covers are always the talk of the town.

The camp is bustling with activities! From splashing in the lake to biking on the trails to a game of croquet, this camp will keep even the most restless camper busy.

Two full felines sit on top of a brick wall, grimacing under a rosy pink background. As they enjoy their purr-fect time together, their tails meet to form an affectionate heart.

Shakespeare in the Park. . .Literally. Seven different Shakespeares amuse themselves in Central Park reading, biking, drumming, rowing, running, walking a dog and enjoying a snack.

The view through the store front window of an eclectic art shop shows us the perfect place to pick up some paint supplies, carved sculptures, or some original works of art. An art student negotiates for some paint brushes with the store clerk at the back counter.

Christian Bérard, a darling of the Parisian theater and fashion set, was tapped to illustrate Vogue’s June 15, 1939, Fashions for Summer issue. His beribboned coquette was more than a fashion plate; she represented the season itself. “These adds up to summer,” the magazine noted, “bright sun, warm sand, and a purely theoretical beach costume in giddy colours.” The get-up might have been made up, but fashion’s love affair with Shocking Pink, the hue named and popularized by designer Elsa Schiaparelli, with whom Bérard often collaborated, was real and lasting.

As war loomed, fashion clung to the idea of la vie en rose. In its March 1, 1939, issue, Vogue reported from the Paris Openings that designers offered “a new breath of life—The Air of Innocence.” Fresh indeed was the cover painted by expatriate Illinoisan artist Carl “Eric” Erickson of “Agnès’ vernal hat—a lawn of clipped green tulle planted with flowers and called, with a bow toward America, ‘Prairie.’”