Palette knives look simple but are surprisingly versatile. Longer narrower blades will flex against the painting surface, allowing the artist to smear paint thinly over large areas. Thinner, more pointed blades are great for adding detail, or for sketching in the outlines of distant features of landscapes.This range of palette knives offer great value for money. This is a # 4 blade.This palette knife has the following measurements: Length of the Blade: 78mmMaximum Width of Blade: 15mmLength of the tip: 8mm No crankHandle Length: 100mm

Montana : Acrylic : Empty Marker : 0.7mm

These latex gloves will give you protection when working with hazardous materials, resins or solvents. Please note, some people are allergic to latex. Please stop using these gloves if you experience discomfort. Comes in a box of of 100.

Abstract is the result of three years of research by the Sennelier expert lab team. It is a fine acrylic paint which matches all of Sennelier's traditional characteristics. Its pigment concentration is quite incredible for this area of the market – it gives it a creamy-to-thick consistency which we've called “Heavy Body”, along with an incomparable covering power. The paste is a pleasure to handle with a brush, a palette knife or straight out of the soft pack . Its ease of application onto multiple surfaces makes it very popular with students, professional painters , street artists, and many more creative people.Packaged in a flexible pouch offering all kinds of benefits:- Since it fits comfortably into your hand it’s much easier to use. The pouch is so strong that you can take it with you wherever you go and, unlike a tube, it can stand up to pressure even if you accidentally step on it!- The paint is better preserved because air cannot get inside the pouch.You can use the paint completely: there is no waste and no air bubbles which may cause the paint to spill out.

Colour number/code: 664

Series number: 2

Chemical Description: Complex sodium alumino-silicate containing sulphur

Colour index name: PB29

Colour index number: 77007

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: T



Only the purest pigments and the highest grades are used in Artists' Acrylics, formulated individually to ensure the cleanest, most brilliant colours. Winsor & Newton have developed a new unique binder that is translucent when wet and dries clear. It is this that ensures there is virtually no shift in colour at all and colours remain as brilliant when dry as they are when wet.

Artists' Acrylic offers the smooth, thick, short, buttery consistency preferred by most acrylic artists, with no stringiness. This juicy and painterly colour enables paints to be blended more easily and mixed with mediums or even water for water colour techniques. Whilst maintaining individual pigment characteristics these paints have achieved a uniform buttery consistency across the range, making it easier for the artist to handle during painting. These colours retain brushstrokes and the profile of the paint for excellent impasto effects. They also dilute gradually as water or medium is added, giving artists the maximum control over their paint.

With Original and Heavy Body versions, System 3 acrylics are highly versatile, water-based acrylic colours. They offer an excellent painting experience at an economical price. Only high-quality pigments are used in the manufacture of the System 3 acrylic ranges, offering significantly greater loading than in other acrylic ranges available in this class. System 3’s comprehensive range of colours offers excellent light-fastness, permanence, durability and covering power.

All colours can be thinned with water to pale washes, or used directly from the pot or tube; each form dries quickly to create an insoluble film. The quick drying properties of the range enable the artist to work quickly, superimposing or juxtaposing colours without unnecessary fuss.

All System 3 Original and Heavy Body colours are fully intermixable and suitable for interior use. As they are not lightfast, fluorescent colours are not recommended for exterior use; all other colours are both lightfast and durable.

These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.

Pigment Classification: Synthetic Inorganic Chemical Description: Titanium Dioxide Rutile Opacity/Transparency: 2 Lightfastness Rating: I Permanency: Exc Colour index name: PW 6 Colour index number: 77891 Munsell Notation Listing: Hue White Value 10 Chroma 1.1

Viscosity Range: 22000- 24000 CPS Gloss Average: 43.15 CIE L*a*b* Values: L*98.28 a*-0.9 b*1.67 Tint Strength: 42.25

Acrylic Studio contains the same resin as Acrylic Artist Colour, and many of the same pigments; the pigments selected for this range have been chosen for their permanence, purity and colour intensity, always keeping in mind the purpose of offering an excellent product at a moderate and uniform price.

Acrylic Studio colours do not contain fillers of any kind, so that the colours have great strength and chromatic purity. They are opaque or transparent, depending on the nature of the pigment, and dry to a semi matte finish. The range of 26 colours does not contain any toxic pigments or derivatives of heavy metals, and does not create waste products which may harm the environment. The name and colour index number of the pigments are stated on the labels and in the colourchart, so that the artist can study mixtures and develop their own colours with complete control.

The heavy body consistency of Acrylic Studio permits all techniques, allows the artist to mix the colours with all mediums as well as extraneous materials and can also be simply diluted with water for more transparent applications.

Colour Name: Titanium White

Colour Index: PW6

Lightfastness: Highest degree of lightfastness/

Opacity: Opaque

Colour number/code: 074

Series number: 1

Chemical Description: Synthetic iron oxide

Colour index name: PR101

Colour index number: 77491

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: T



Only the purest pigments and the highest grades are used in Artists' Acrylics, formulated individually to ensure the cleanest, most brilliant colours. Winsor & Newton have developed a new unique binder that is translucent when wet and dries clear. It is this that ensures there is virtually no shift in colour at all and colours remain as brilliant when dry as they are when wet.

Artists' Acrylic offers the smooth, thick, short, buttery consistency preferred by most acrylic artists, with no stringiness. This juicy and painterly colour enables paints to be blended more easily and mixed with mediums or even water for water colour techniques. Whilst maintaining individual pigment characteristics these paints have achieved a uniform buttery consistency across the range, making it easier for the artist to handle during painting. These colours retain brushstrokes and the profile of the paint for excellent impasto effects. They also dilute gradually as water or medium is added, giving artists the maximum control over their paint.

Only the purest pigments and the highest grades are used in Artists' Acrylics, formulated individually to ensure the cleanest, most brilliant colours. Winsor & Newton have developed a new unique binder that is translucent when wet and dries clear. It is this that ensures there is virtually no shift in colour at all and colours remain as brilliant when dry as they are when wet.

Artists' Acrylic offers the smooth, thick, short, buttery consistency preferred by most acrylic artists, with no stringiness. This juicy and painterly colour enables paints to be blended more easily and mixed with mediums or even water for water colour techniques. Whilst maintaining individual pigment characteristics these paints have achieved a uniform buttery consistency across the range, making it easier for the artist to handle during painting. These colours retain brushstrokes and the profile of the paint for excellent impasto effects. They also dilute gradually as water or medium is added, giving artists the maximum control over their paint.

These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.

Pigment Classification: Synthetic Inorganic Chemical Description: Titanium Dioxide Rutile Opacity/Transparency: 2 Lightfastness Rating: I Permanency: Exc Colour index name: PW 6 Colour index number: 77891 Munsell Notation Listing: Hue White Value 10 Chroma 1.1

Viscosity Range: 22000- 24000 CPS Gloss Average: 43.15 CIE L*a*b* Values: L*98.28 a*-0.9 b*1.67 Tint Strength: 42.25

ASH : Paint Combs/Spatulas 17cm - 4 x Assorted Piece Set

Daler Rowney : Stay Wet Palette Refill Pack small 10x11in 3 sheets reservoir paper & 12 sheets membrane paper

A selection of 42 shapes with polished stainless steel blades made with hand ground hardened steel to guarantee constant flexibility, rounded natural bulbing wood handles and brass ferrule.

Pad of 50 glossy tear-off disposable palettes made from quality vegetable parchment. They are impervious to oil, acrylic or alkyd colour and are available in 2 sizes.

Series: 1Lightfastness: 1Opacity: Opaque Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour. 100 professional colour spectrum Exceptionally smooth, thick buttery consistency Retains brush strokes and palette knife marks Great for thick/impasto applications and painting techniques Flexible when dry; thick films remain free of cracks and chips Available in tubes and jars USES AND TECHNIQUES Impasto: Thick applications with brush stroke and knife marks Traditional Acrylic Painting on canvas or panel Experimental Acrylic Painting Collage and Mixed Media Acrylic Printmaking: Screen Printing, Mono Prints, Block Prints Please note: due to trading agreements we are unable to ship this product to Russia.

Colour number/code: 113

Series number: 3

Chemical Description: Cadmium zinc sulphide

Colour index name: PY35

Colour index number: 77205

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: O



Only the purest pigments and the highest grades are used in Artists' Acrylics, formulated individually to ensure the cleanest, most brilliant colours. Winsor & Newton have developed a new unique binder that is translucent when wet and dries clear. It is this that ensures there is virtually no shift in colour at all and colours remain as brilliant when dry as they are when wet.

Artists' Acrylic offers the smooth, thick, short, buttery consistency preferred by most acrylic artists, with no stringiness. This juicy and painterly colour enables paints to be blended more easily and mixed with mediums or even water for water colour techniques. Whilst maintaining individual pigment characteristics these paints have achieved a uniform buttery consistency across the range, making it easier for the artist to handle during painting. These colours retain brushstrokes and the profile of the paint for excellent impasto effects. They also dilute gradually as water or medium is added, giving artists the maximum control over their paint.

Large decorators palette knife with a hardwood handle and a carbon steel blade. Suitable for a wide range of applications and techniques.

Blade dimensions: 4" x 1.5" (10 x 3.7cm)

These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.

Pigment Classification: Synthetic Inorganic Chemical Description: Polysulfide of Sodium-Alumino-Silicate Opacity/Transparency: 6 Lightfastness Rating: I Permanency: Exc

This colour is sensitive to a combination of moisture and Ultra Violet radiation and is not recommended for outdoor use.

Colour index name: PB 29 Colour index number: 77007 Munsell Notation Listing: Hue 8.0 PB Value 2 Chroma 4.5

Viscosity Range: 23000- 27000 CPS Gloss Average: 23.89 CIE L*a*b* Values: L*24.36 a*12.28 b*-25.74 Tint Strength: 79.94

Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility and good adhesion. Fluid Acrylics are ideal for spraying, brushing and staining. Produced from lightfast pigments, not dyes, they offer very strong colours with very thin consistencies.

Pigment Classification: Inorganic Chemical Description: Titanium Dioxide Rutile Opacity/Transparency: 2 Lightfastness Rating: I Permanency: Exc Colour index name: PW 6 Colour index number: 77891 Munsell Notation Listing: Hue White Value 10 Chroma 1.1

Viscosity Range: 900-1000 CPS Gloss Average: 43.15 CIE L*a*b* Values: L*98.28 a*-0.9 b*1.67 Tint Strength: 42.25

These revolutionary silicone painting tools are available in different types of firmness, different sizes and different shapes, so you can work with practically any medium and consistency of paint.The Ivory Tip is soft and designed to be responsive with fluids and soft colours. Within each range, the Taper Point allows you to apply and carve paint, blend charcoal and pastel, create clear linear strokes and make broad forceful marks. The Cup Round moves heavy paint, controls thick colour, creates soft edged strokes and blends pastel and charcoal. The Cup Chisel allows you to adjust contours and edges, carve paint and remove paint, whereas the Flat Chisel will allow you to blend paint, mix paint on the palette and create flat even strokes of colour. The Angle Chisel creates expressive strokes, works from thick to thin and makes precise marks.Great with...Watercolour - Develop new watercolour techniques and surface textures. Masking Fluid - Apply and remove masking fluid then clean the tip effortlessly with a simple wipe, no more ruined brushes! Pastel and Charcoal - Smudge and blend to create depth of colour or add fine detail to your work.Cleaning is easy. For acrylics, watercolours or drawing materials just dip the tip in water and wipe clean. With stubborn colours wipe the tip with alcohol or solvent. For oil based paints and printing inks dip the tip in solvent and wipe clean. Do not leave Colour Shapers to soak in solvent. If you forget to clean up, dont worry, allow the paint or adhesive to dry, then simply peel it off.This is a Flat Chisel : Size 6.

With Original and Heavy Body versions, System 3 acrylics are highly versatile, water-based acrylic colours. They offer an excellent painting experience at an economical price. Only high-quality pigments are used in the manufacture of the System 3 acrylic ranges, offering significantly greater loading than in other acrylic ranges available in this class. System 3’s comprehensive range of colours offers excellent light-fastness, permanence, durability and covering power.

All colours can be thinned with water to pale washes, or used directly from the pot or tube; each form dries quickly to create an insoluble film. The quick drying properties of the range enable the artist to work quickly, superimposing or juxtaposing colours without unnecessary fuss.

All System 3 Original and Heavy Body colours are fully intermixable and suitable for interior use. As they are not lightfast, fluorescent colours are not recommended for exterior use; all other colours are both lightfast and durable.

Colour number/code: 644

Series number: 1

Chemical Description: Titanium Dioxide

Colour index name: PW6

Colour index number: 77891

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: O



Acrylic colour is becoming increasingly popular because it is so versatile. It can be used on the widest variety of surfaces, (providing they are grease free and properly prepared); paper, canvas, hardboard, timber, sculpture, brickwork and plaster - so you can use it whatever your painting style.

It can be applied both thinly and thickly and at any dilution in between and is easy to use and clean up. Galeria ensures the artist has an acrylic with the best all round handling characteristics and performance at an affordable price.

Galeria, can be used straight form the tube/pot, it can be thinned or thickened with a medium or water. This variety in consistency makes Galeria suitable for both oil and water colour techniques.

CI name: PW4Light-fastness: *****Opacity: Semi-transparent

Finest Artists’ Acrylic guarantees best applicability with high flow resistance. Due to the extremely high solid content of Finest Artists’ Acrylic, elastic and contour-stable drying is guaranteed. Finest Artists’ Acrylic Fluid is significantly more fluid due to its reduced viscosity.With Finest Artists’ Acrylic, there is practically no colour shift between the wet and dry states. The usual highest light fastness level for Schmincke colours of either 4 or 5 stars indicates the quality of these premium acrylic paints. Finest Artists’ Acrylic has a pleasant odour. All the colours do not yellow and the dried paint layers are durable, flexible and water resistant. Finest Artists’ Acrylic can be used directly from the tube, and fluid can be used directly from the bottle, both either undiluted or diluted with water. The comprehensive assortment of painting mediums with a wide range of pastes and effect gels provides further creative possibilities.

Colour number/code: 465

Series number: 1

Chemical Description: Ultramarine, Bone black

Colour index name: PB29, PBk9

Colour index number: 77007, 77267

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: O



Only the purest pigments and the highest grades are used in Artists' Acrylics, formulated individually to ensure the cleanest, most brilliant colours. Winsor & Newton have developed a new unique binder that is translucent when wet and dries clear. It is this that ensures there is virtually no shift in colour at all and colours remain as brilliant when dry as they are when wet.

Artists' Acrylic offers the smooth, thick, short, buttery consistency preferred by most acrylic artists, with no stringiness. This juicy and painterly colour enables paints to be blended more easily and mixed with mediums or even water for water colour techniques. Whilst maintaining individual pigment characteristics these paints have achieved a uniform buttery consistency across the range, making it easier for the artist to handle during painting. These colours retain brushstrokes and the profile of the paint for excellent impasto effects. They also dilute gradually as water or medium is added, giving artists the maximum control over their paint.