Making Slavery History focuses on how commemorative practices and historical arguments about the American Revolution set the course for antislavery politics in the nineteenth century. The particular setting is a time and place in which people were hyperconscious of their roles as historical actors and narrators: Massachusetts in the period between the Revolution and the Civil War. This book shows how local abolitionists, both black and white, drew on their state's Revolutionary heritage to mobilize public opposition to Southern slavery. When it came to securing the citizenship of free people of color within the Commonwealth, though, black and white abolitionists diverged in terms of how they idealized black historical agency.
Although it is often claimed that slavery in New England is a history long concealed, Making Slavery History finds it hidden in plain sight. From memories of Phillis Wheatley and Crispus Attucks to representations of black men at the Battle of Bunker Hill, evidence of the local history of slavery cropped up repeatedly in early national Massachusetts. In fixing attention on these seemingly marginal presences, this book demonstrates that slavery was unavoidably entangled in the commemorative culture of the early republic-even in a place that touted itself as the "cradle of liberty."
Transcending the particular contexts of Massachusetts and the early American republic, this book is centrally concerned with the relationship between two ways of making history, through social and political transformation on the one hand and through commemoration, narration, and representation on the other. Making Slavery History examines the relationships between memory and social change, between histories of slavery and dreams of freedom, and between the stories we tell ourselves about who we have been and the possibilities we perceive for who we might become.

With Italy under Napoleonic rule at the beginning of the nineteenth century, the antiquarian topic of anti-romanism became a pillar of the Italian nation-building process and, in turn, was used against the dominant French culture. The history of the Italian nation predating the Roman Empire supported the idea of an Italian cultural primacy and proved crucial in the creation of modern Italian nationalism. Towards the end of the nineteenth century, Italian studies of Roman history would drape a dark veil over the earliest history of Italy while Fascism openly claimed the legacy of the Roman Empire. Italic antiquity would, however, remain alive through all those years, intersecting with the political and cultural life of modern Italy. In this book, De Francesco examines the different uses of the constantly reasserted antiquity of the Italian nation in history, archaeology, palaeoethnology, and anthropology from the Napoleonic period to the collapse of Fascism.

Sir William Richard Gowers was one of the pre-eminent clinical neurologists of the nineteenth century. He is best remembered for his discovery of the eponymous 'Gowers' sign', for his invention of the patella hammer, and for authoring the classic two-volume neurology textbook Manual of Diseases of the Nervous System. To date Dr Gowers has been the subject of only one published biography, while some aspects of Gowers' work have been chronicled in historical works regarding the history of neurology. This book goes into greater detail than ever, presenting the life story behind a great Victorian brain. Generously illustrated throughout with family photographs and original sketches, the authors cover Gowers' early years, his clinical work at Queen Square, his accolades, and friendships with explorers and famous authors. Co-authored by an academic with special access to the Gowers family archives and two leading neurologists, this book is the first definitive reference work on the life of William Richard Gowers, and will be of great interest to neurologists, neuroscientists, medical historians, and laypersons with an interest in neurology and mental illness.

Migration is the most imprecise and difficult of all aspects of pre-industrial population to measure. It was a major element in economic and social change in early modern Britain, yet, despite a wealth of detailed research in recent years, there has been no systematic survey of its importance. This book reviews a wide range of aspects of population migration, and their impacts on British society, from Tudor times to the main phase of the Industrial Revolution.

This study explores the consumption practices of the landed aristocracy of Georgian England. Focussing on three families and drawing on detailed analysis of account books, receipted bills, household inventories, diaries and correspondence, Consumption and the Country House charts the spending patterns of this elite group during the so-called consumer revolution of the eighteenth century. Generally examined through the lens of middling families, homes and motivations, this book explores the ways in which the aristocracy were engaged in this wider transformation of English society. Analysis centres on the goods that the aristocracy purchased, both luxurious and mundane; the extent to which they pursued fashionable modes and goods; the role that family and friends played in shaping notions of taste; the influence of gender on taste and refinement; the geographical reach of provisioning and the networks that lay behind this consumer activity, and the way this all contributed to the construction of the country house. The country house thus emerges as much more than a repository of luxury and splendour; it lay at the heart of complex networks of exchange, sociability, demand, and supply. Exploring these processes and relationships serves to reanimate the country house, making it an active site of consumption rather than simply an expression of power and taste, and drawing it into the mainstream of consumption histories. At the same time, the landed aristocracy are shown to be rounded consumers, driven by values of thrift and restraint as much as extravagant desires, and valuing the old as well as the new, not least as markers of their pedigree and heritance.

In September of 1809 during the opening night of Macbeth at the newly rebuilt Covent Garden theatre the audience rioted over the rise in ticket prices. Disturbances took place on the following sixty-six nights that autumn and the Old Price riots became the longest running theatre disorder in English history. This book describes the events in detail, sets them in their wider context, and uses them to examine the interpenetration of theatre and disorder. Previous understandings of the riots are substantially revised by stressing populist rather than class politics. Baer concentrates on the theatricality of audiences, the role of the stage in shaping English self-image and the relationship between contention and consensus. In so doing, theatre and theatricality are rediscovered as explanations for the cultural and political structures of the Georgian period. Based on meticulous research in theatre and governmental records, newspapers, private correspondence, and satirical prints and other ephemera, this study is an unusually interesting and original contribution to the social and political history of early 19th-century Britain.

How did realist fiction alter in the effort to craft forms and genres receptive to the dynamism of an expanding empire and globalizing world? Do these nineteenth-century variations on the "geopolitical aesthetic" continue to resonate today? Crossing literary criticism, political theory, and longue duree history, The Victorian Geopolitical Aesthetic explores these questions from the standpoint of nineteenth-century novelists such as Wilkie Collins, George Eliot, Gustave Flaubert, and Anthony Trollope, as well as successors including E. M. Forster and the creators of recent television serials. By looking at the category of "sovereignty" at multiple scales and in diverse contexts, Lauren M. E. Goodlad shows that the ideological crucible for "high" realism was not a hegemonic liberalism. It was, rather, a clash of modern liberal ideals struggling to distintricate themselves from a powerful conservative vision of empire while striving to negotiate the inequalities of power which a supposedly universalistic liberalism had helped to generate. The material occasion for the Victorian era's rich realist experiments was the long transition from an informal empire of trade that could be celebrated as liberal to a neo-feudal imperialism that only Tories could warmly embrace. The book places realism's geopolitical aesthetic at the heart of recurring modern experiences of breached sovereignty, forgotten history, and subjective exile. The Coda, titled "The Way We Historicize Now", concludes the study with connections to recent debates about "surface reading", "distant reading", and the hermeneutics of suspicion.

Although much has been written about Lyon during the Great Terror of 1793-1794, this is the first detailed, integrated study of the four turbulent years which left France's second city marked out for savage repression by the Jacobin Republic. Taking account of recent research, the author emphasizes the interaction of social tensions with political rivalries in the succession of crises which set Lyon on a collision course with the national government. Deep social divisions had a close bearing on the two most notable features of the city's revolutionary history: the precocious emergence of a popular democratic movement, and the violent radicalism of the Lyonnais Jacobins. Through close study of these factors, the book contributes to the history of Jacobinism and political participation during the first European democratic revolution. It also throws light on Lyon's part in the `federalist' revolt against Jacobinism in 1793 and on the causes of the Great Terror. A postscript surveys the impact of the Terror on the defeated city.

Sacrifice has always been central to the study of religion yet attempts to understand and assess the concept have usually been controversial. The present book, which is the result of several years of interdisciplinary collaboration, suggests that in many ways the fascination with sacrifice has its roots in modernity itself. Theological developments following the Reformation, the rediscovery of Greek tragedies, and the encounter with the practice of human sacrifice in the Americas triggered a complex and passionate debate in the sixteenth century which has never since abated. Contributors to this volume, leading experts from theology, anthropology, and literary and cultural studies, describe and discuss how this modern fascination for the topic of sacrifice has evolved, how it has shaped theological debate, the literary imagination, and anthropological theory. Individual chapters discuss in depth major theological trajectories, theories of sacrifice including those of Marcel Mauss and Rene Girard, and current feminist criticism. They engage with sacrifice in the context of religious and philosophical thought, works of literature and film. They explore different yet overlapping aspects of modernity's obsession with sacrifice. The book does not intend to impose a single narrative over all these diverse contributions but brings them into a conversation around a common centre.

This Handbook re-examines the concept of early modern history in a European and global context. The term 'early modern' has been familiar, especially in Anglophone scholarship, for four decades and is securely established in teaching, research, and scholarly publishing. More recently, however, the unity implied in the notion has fragmented, while the usefulness and even the validity of the term, and the historical periodisation which it incorporates, have been questioned. The Oxford Handbook of Early Modern European History, 1350-1750 provides an account of the development of the subject during the past half-century, but primarily offers an integrated and comprehensive survey of present knowledge, together with some suggestions as to how the field is developing. It aims both to interrogate the notion of 'early modernity' itself and to survey early modern Europe as an established field of study. The overriding aim will be to establish that 'early modern' is not simply a chronological label but possesses a substantive integrity. Volume I examines 'Peoples and Place', assessing structural factors such as climate, printing and the revolution in information, social and economic developments, and religion, including chapters on Orthodoxy, Judaism and Islam.

The essays in this Handbook, written by an international team of distinguished scholars, combine to explore the way in which fascism is understood by contemporary scholarship, as well as pointing to areas of continuing dispute and discussion.
From a focus on Italy as, chronologically at least, the 'first Fascist nation', the contributors cover a wide range of countries, from Nazi Germany and the comparison with Soviet Communism to fascism in Yugoslavia and its successor states. The book also examines the roots of fascism before 1914 and its survival, whether in practice or in memory, after 1945. The analysis looks at both fascist ideas and practice, and at the often uneasy relationship between the two.
The book is not designed to provide any final answers to the fascist problem and no quick definition emerges from its pages. Readers will rather find there historical debate. On appropriate occasions, the authors disagree with each other and have not been forced into any artificial "consensus," offering readers the chance to engage with the debates over a phenomenon that, more than any other single factor, led humankind into the catastrophe of the Second World War.

This study develops resources in the work of Charles S. Peirce (1839-1914) for the purposes of contemporary philosophy. It contextualizes Peirce's prevailing influences and provides greater context in relation to the currents of nineteenth-century thought. Dr Gary Slater articulates 'a nested continua model' for theological interpretation, which is indebted to Peirce's creation of 'Existential Graphs', a system of diagrams designed to provide visual representation of the process of human reasoning. He investigates how the model can be applied by looking at recent debates in historiography. He deals respectively with Peter Ochs and Robert C. Neville as contemporary manifestations of Peircean philosophical theology. This work concludes with an assessment of the model's theological implications.

Church-of-Englandism and its Catechism Examined, printed in 1817 and published in 1818, was part of Bentham's sustained attack on English political, legal, and ecclesiastical establishments. Bentham argues that the purpose of the Church's system of education, in particular the schools sponsored by the Church-dominated National Society for the Education of the Poor, was to instil habits of insincerity into the population at large, and thereby protect the abuses which were profitable both to the clergy and the ruling classes in general. Bentham recommends the 'euthanasia' of the Church, and argues that government sponsored proposals were in fact intended to propagate the system of abuse rather than reform it. An appendix based on original manuscripts, which deals with the relationship between Church and state, is published here for the first time. This authoritative version of the text is accompanied by an editorial introduction, comprehensive annotation, collations of several extracts published during Bentham's lifetime, and subject and name indexes.

In this celebrated, landmark history of the Balkans, Misha Glenny investigates the roots of the bloodshed, invasions and nationalist fervour that have come to define our understanding of the south-eastern edge of Europe. In doing so, he reveals that groups we think of as implacable enemies have, over the centuries, formed unlikely alliances, thereby disputing the idea that conflict in the Balkans is the ineluctable product of ancient grudges. And he exposes the often-catastrophic relationship between the Balkans and the rest of Europe, raising profound questions about recent Western intervention. Updated to cover the last decade's brutal conflicts in Kosovo and Macedonia, the surge of organised crime in the region, the rise of Turkey and the rocky road to EU membership, The Balkans remains the essential and peerless study of Europe's most complex and least understood region.

This extraordinary book provides a detailed account of the relationship between classical antiquity and the British colonial presence in India. It examines some of the great figures of the colonial period such as Gandhi, Nehru, Macaulay, Jowett, and William Jones, and covers a range of different disciplines as it sweeps from the eighteenth century to the end of the British Raj in the twentieth. Using a variety of materials, including archival documents and familiar texts, Vasunia shows how classical culture pervaded the thoughts and minds of the British colonizers. His book highlights the many Indian receptions of Greco-Roman antiquity and analyses how Indians turned to ancient Greece and Rome during the colonial period for a variety of purposes, including anti-colonialism, nationalism, and collaboration. Offering a unique cross-cultural study, this volume will be of interest to literary scholars and historians of the classical world, the British Empire, and South Asia.

Continuing its distinguished tradition of focusing on central political, sociological, and cultural issues of Jewish life in the last century, Volume XXVI of the annual Studies in Contemporary Jewry examines the visual revolution that has overtaken Jewish cultural life in the twentieth century onwards, with special attention given to the evolution of Jewish museums. Bringing together leading curators and scholars, Visualizing and Exhibiting Jewish Space and History treats various forms of Jewish representation in museums in Europe and the United States before the Second World War and inquires into the nature and proliferation of Jewish museums following the Holocaust and the fall of Communism in Western and Eastern Europe. In addition, a pair of essays dedicated to six exhibitions that took place in Israel in 2008 to mark six decades of Israeli art raises significant issues on the relationship between art and gender, and art and politics. An introductory essay highlights the dramatic transformation in the appreciation of the visual in Jewish culture. The scope of the symposium offers one of the first scholarly attempts to treat this theme in several countries.
Also featured in this volume are a provocative essay on the nature of antisemitism in twentieth-century English society; review essays on Jewish fundamentalism and recent works on the subject of the Holocaust in occupied Soviet territories; and reviews of new titles in Jewish Studies..

Conflicts and controversies at home and abroad have led Americans to focus on Islam more than ever before. In addition, more and more of their neighbors, colleagues, and friends are Muslims. While much has been written about contemporary American Islam and pioneering studies have appeared on Muslim slaves in the antebellum period, comparatively little is known about Islam in Victorian America. This biography of Alexander Russell Webb, one of the earliest American Muslims to achieve public renown, seeks to fill this gap.
Webb was a central figure of American Islam during the late nineteenth and early twentieth centuries. A native of the Hudson Valley, he was a journalist, editor, and civil servant. Raised a Presbyterian, Webb early on began to cultivate an interest in other religions and became particularly fascinated by Islam. While serving as U.S. consul to the Philippines in 1887, he took a greater interest in the faith and embraced it in 1888, one of the first Americans known to have done so. Within a few years, he began corresponding with important Muslims in India. Webb became an enthusiastic propagator of the faith, founding the first Islamic institution in the United States: the American Mission. He wrote numerous books intended to introduce Islam to Americans, started the first Islamic press in the United States, published a journal entitled The Moslem World, and served as the representative of Islam at the 1893 World's Parliament of Religions in Chicago. In 1901, he was appointed Honorary Turkish Consul General in New York and was invited to Turkey, where he received two Ottoman medals of merits.
In this first-ever biography of Webb, Umar F. Abd-Allah examines Webb'slife and uses it as a window through which to explore the early history of Islam in America. Except for his adopted faith, every aspect of Webb's life was, as Abd-Allah shows, quintessentially characteristic of his place and time. It was because he was so typically American that he was able to serve as Islam's ambassador to America (and vice versa). As America's Muslim community grows and becomes more visible, Webb's life and the virtues he championed - pluralism, liberalism, universal humanity, and a sense of civic and political responsibility - exemplify what it means to be an American Muslim.

As a young man, Samuel Johnson, one of the most celebrated English authors of the eighteenth century, translated A Voyage to Abyssinia by Jeronimo Lobo, a tome by a Portuguese missionary about the country now known as Ethiopia. Far from being a potboiler, this translation left an indelible imprint on Johnson. Demonstrating its importance through a range of research and attentive close readings, Abyssinia's Samuel Johnson highlights the lasting influence of an African people on Johnson's oeuvre.
Wendy Laura Belcher uncovers traces of African discourse in Johnson's only work conceived for the stage, Irene; several of his short stories; and, of course, his most famous fiction, The History of Rasselas, Prince of Abissinia. Throughout, Belcher provides a much needed perspective on the power of the discourse of the other to infuse European texts. Most pointedly, she illuminates how the Western literary canon is globally produced, developing the powerful metaphor of spirit possession to suggest that some texts in the European canon are best understood as energumens--texts that are spoken through. Her model of discursive possession offers a new way of theorizing transcultural intertextuality, in particular how Europe's others have co-constituted European representations. Drawing on sources in English, French, Portuguese, and Ge'ez, this study challenges the conventional wisdom on Johnson's work, from the inspiration for the name Rasselas and the nature of Johnson's religious beliefs to what makes Rasselas so strange.
A rich monograph that fuses eighteenth-century studies, comparative literature, and postcolonial theory, Abyssinia's Samuel Johnson adds a fresh perspective on and a wealth of insights into the great, enigmatic man of letters.

The rhymes in poems are important to understanding how poets write; and in the nineteenth century, rhyme conditioned the ways in which poets heard both themselves and each other writing. Sound Intentions studies the significance of rhyme in the work of Wordsworth, Keats, Tennyson, Christina Rossetti, Hopkins and other poets, including Coleridge, Byron, Elizabeth Barrett Browning, Swinburne, and Hardy. The book's stylistic reading of nineteenth-century poetry argues for Wordsworth's centrality to issues of intention and chance in poets' work, and offers a reading of the formal choices made in poetry as profoundly revealing points of intertextual relation. Sound Intentions includes detailed consideration of the critical meaning of both rhyme and repetition, bringing to bear an emphasis on form as poetry's crucial proving-ground. In a series of detailed readings of important poems, the book shows how close formal attention goes beyond critical formalism, and can become a way of illuminating poets' deepest preoccupations, doubts, and beliefs. Wordsworth's sounding of his own poetic voice, in blank verse as well as rhyme, is here taken as a model for the ways in which later nineteenth-century poets attend to the most perplexing and important voicings of their own poetic originality.

The present volume contains three essays, 'Of Sexual Irregularities', 'Sextus', and 'General Idea of Not Paul, but Jesus', written in the mid-1810s but never before been published in authoritative form. Bentham presents the utilitarian case for sexual liberty on the grounds that the gratification of the sexual appetite constituted the purest form of pleasure, in opposition to the traditional Christian view that the only morally acceptable form of sexual activity was between one man and one woman, within the confines of marriage, for the purpose of procreation. Bentham offers classical Greece and Rome, where certain male same-sex relationships were regarded as normal, as alternative models of sexual morality, condemns the hostile portrayal of homosexuals in eighteenth-century literature, and calls for the removal of sanctions, whether imposed by religion, law, or public opinion, from all forms of consensual sexual activity, at least in so far as practised in private. Bentham was, moreover, persuaded by Malthus's argument that population growth tended to outstrip food supply. In these circumstances, non-procreative sexual activity had the additional benefit of not contributing to an increase in the size of the population. In the course of his discussion, Bentham expresses forthright views on various aspects of sexuality.

An artist in her thirties weaves and unravels connections between the loom and the computer, DNA and technology, dreams and decisions Thread Ripper is a multi-strand novel about weaving, women, and programming. In Copenhagen, a tapestry-weaver embarks on her first big commission, a digitally woven tapestry. As she works, she draws illuminating connections between all the stuff that life is made from - DNA, plant tissue, algorithms, text and textile - and that which disrupts it - radiation, pests, entropy and doubt. In another strand, we follow Ada Lovelace, the 1830s mathematician and pioneer of computer programming. And Penelope, the faithful wife of Odysseus, who wove and unpicked a shroud to put off her 108 suitors. Contemplative yet clear-sighted, Amalie Smith's hybrid textile of a novel bares the aching but crucial interwovenness of art and life.

Written from the perspective of the various denominations that thrived in the 19th century, this comprehensive survey of the middle period in America's religious past actually starts a little earlier, in the 1780s. In the aftermath of the American Revolution, the citizens of the newly-minted republic had to cope with more than the havoc wreaked on churches and denominations by the war. They also tasted for the first time the effects of two novel ideas incorporated in the Constitution and the First Amendment: the separation of church and state and the freedom to practice any religion.

Grant Wacker takes readers on a lively tour of the numerous religions and the major historical challenges--from the Civil War and westward expansion to immigration and the Industrial Revolution--that defined the century. The narrative focuses on the rapid growth of evangelical Protestants, in denominations such as Methodists, Presbyterians, and Baptists, and their competition for dominance with new immigrants' religions such as Catholicism and Judaism. The author discusses issues ranging from temperance to Sunday schools and introduces the personalities--sometimes colorful, sometimes saintly, and often both--of the men and women who shaped American religion in the 19th century, including Methodist bishop Francis Asbury, ex-slave Sojourner Truth, Christian Science founder Mary Baker Eddy, and evangelist Dwight L. Moody.

Religion in American Life explores the evolution, character, and dynamics of organized religion in America from 1500 to the present day. Written by distinguished religious historians, these books weave together the varying stories that compose the religious fabric of the United States, from Puritanism to alternative religious practices. Primary source material coupled with handsome illustrations and lucid text make these books essential in any exploration of America's diverse nature. Each book includes a chronology, suggestions for further reading, and index.