Your cart is empty
Anger, hurt, loss, rejection … these feelings are familiar to the families who, in the early 1970s, were forced from their homes in Harfield Village in Cape Town’s southern suburbs. Siona O’Connell brings their stories to light. She examines the lost ways of life, the sense of home and belonging.
David Brown’s images show what life was like in Harfield before the removals, and his images are echoed by recent photos of the same former residents.
When Siya Kolisi leads the Springboks out onto the field at the Rugby World Cup in September 2019, it will be the crowning glory of an incredible journey that began on the impoverished streets of Zwide, a township outside Port Elizabeth. As the first black South African to captain a Springbok rugby team, Kolisi’s remarkable story is unique and deserves to be heard.
His mother was a teenager when he was born. She left him in the care of his grandmother who brought him up until she died (in his arms) when Siya was twelve. He found love and acceptance playing junior rugby with the African Bombers club until his talent was spotted by the prestigious Grey High School who offered Siya a full scholarship that changed his life. He adapted well to the posh private school, but it was on the rugby field where he excelled. Siya was rewarded with a call-up the SA schools team and a contract to join the Western Province rugby union.
Author Jeremy Daniel tracks Siya’s journey from running wild on the streets of Zwide, through some crucial games in high school, into the Western Province rugby set-up and his fight to become Springbok captain. He goes deep inside the systems that identify junior talent, the characters who shaped his journey and the moments where he showed who he really was. Siya never forgot where he came from, and ultimately adopted his mother’s other two children after she died when he was in high school.
His life has not been without controversy, and his marriage to a fiery young white woman was a lightning rod for racial politics. But he is a shining beacon of hope for South Africa, he is massively popular and there is a huge appetite from the public to know about his life and to support him as Springbok captain.
Cape Town, 2018. South Africa’s mother city is wracked by drought. The prospect of premier Helen Zille’s ‘Day Zero’ – the day when all taps run dry – is driving its citizens into a frenzy. When it’s announced that Mayor Patricia de Lille is off the water crisis, the predicament reaches its zenith and politicians turn upon each other.
And so begins a stupendous battle within the Democratic Alliance: who will lead Cape Town? It’s during this time that author and researcher Crispian Olver applies to the City of Cape Town to gain access to certain official documents as part of a research project. He is baffled when his application is rejected without explanation, but this only strengthens his resolve to explore how the city of his childhood is run. In particular, he has his sights set on the relationship between city politicians and property developers.
Olver interviews numerous individuals, including many ‘chopped’ from the city administration. What he uncovers is a pandora’s box of backstabbing, in-fighting and backroom deals. He explores dodgy property developments at Wescape and Maiden’s Cove, delves into attempts to ‘hijack’ civic associations, and exposes the close yet precautious relationship between the mayor and City Hall’s so-called ‘laptop boys’. But his main goal is to understand what led to the political meltdown within the Democratic Alliance, and the defection of De Lille to form her own party.
Parcel of Death recounts the little-told life story of Onkgopotse Abram Tiro, the first South African freedom fighter the apartheid regime pursued beyond the country’s borders to assassinate with a parcel bomb.
On 29 April 1972, Tiro made one of the most consequential revolutionary addresses in South African history. Dubbed the Turfloop Testimony, Tiro’s anti-apartheid speech saw him and many of his fellow student activists expelled, igniting a series of strikes in tertiary institutions across the country. By the time he went into exile in Botswana, Tiro was president of the Southern African Student Movement (SASM), permanent organiser of the South African Student Organisation (SASO) and a leading Black Consciousness proponent, hailed by many as the ‘godfather’ of the June 1976 uprisings.
Parcel of Death uses extensive and exclusive interviews to highlight significant influences and periods in Tiro’s life, including the lessons learned from his rural upbringing in Dinokana, Zeerust, the time he spent working on a manganese mine, his role as a teacher and the impact of his faith in shaping his outlook. It is a compelling portrait of Tiro’s story and its lasting significance in South Africa’s history.
‘A biography of Onkgopotse Tiro, who was at once a catalyst and an active change agent in the South African struggle for freedom, is long overdue. For generations to come, this book will be a source of valuable information and inspiration.’ – MOSIBUDI MANGENA
As an award-winning photojournalist and part of the Bang-Bang Club, Greg Marinovich has covered war and conflict all over Africa and the world. In Shots From The Edge he recounts his experiences in these conflict zones, recalling interviews with the perpetrators and the victims of violence, from rebels, child soldiers and terrorists to peacekeepers, aid workers, rape survivors, orphans and amputees. The book takes the reader throughout South Africa, and to Angola, Mozambique, Somalia, Rwanda, Bosnia, Chechnya, Palestine and many other contested zones.
With compassion and care, Marinovich documents more than two decades’ worth of turbulent history and reveals the people involved in the conflict. Some of the moments are deeply moving and profound; others so surreal as to blur into insanity. From coming under fire with United Nations peacekeeping troops in the Lašva Valley and being escorted around Mogadishu by a crew of gunmen for hire, to running through the streets of Johannesburg as Inkatha and the ANC face off at Shell House, the reader is exposed to people, places and experiences that would otherwise be difficult to comprehend.
The accounts in Shots From The Edge are at once insightful, tragic, shocking and occasionally humorous, but above all they are a poignant reminder of the brutality and indignity of war, and man’s capacity for cruelty.
In 2016, the country watched as eight journalists stood up to the public broadcaster to dissent against the censorship imposed by COO Hlaudi Motsoeneng and the capture of the newsroom. They would become known as the SABC8. While many may remember the headlines, photos and footage that circulated during that time, few know the real story: the way lives were changed while history was being made.
Now, Foeta Krige, one of the SABC8, shares his version of events: how it came about that eight very different journalists from within the public broadcaster, each with their own unique background and motivation, were brought together by circumstance to fight the mighty SABC in the name of media freedom. This forms the backdrop for a lesser-known story – one of death threats, intimidation, assault and the eventual death of Suna Venter. Her death shocked the nation and baffled investigators. Was it a natural death caused by stress, or were there more sinister forces involved? To understand why her death was red-flagged, it is necessary to retrace her steps and how they converged with those of the seven other journalists.
Krige takes the reader back to the day when everything started, telling the gripping, and often harrowing, story behind the sensational headlines.
In 2015 and 2016 waves of student protest swept across South African campuses under the banner of FeesMustFall. This book offers a historical perspective, analysing regional influences on the ideologies that have underpinned South African student politics from the 1960s to the present. The author considers the history of student organisations in the Northern Transvaal (today Limpopo Province) and the ways in which students and youth influenced political change on a national scale, over generations.
The University of the North at Turfloop played an integral role in building the South African Students’ Organisation (SASO) in the late 1960s and propagating Black Consciousness in the 1970s; in the 1980s it became an ideological battleground where Black Consciousness advocates and ANC-affiliates competed for influence. Limpopo has remained a hotbed of political activism in the country. Generations of nationally prominent student and youth activists became politically conscientised here – among them Julius Malema, Onkgopotse Tiro, Cyril Ramaphosa, Frank Chikane and Peter Mokaba.
Turfloop (University of Limpopo) has remained politically significant in the post-apartheid era: it was here in 2007 that Julius Malema supported Jacob Zuma’s ascension to the South African presidency during the ANC’s pivotal party conference that resulted in the ousting of Thabo Mbeki.
Africa Reimagined is a passionately argued appeal for a rediscovery of our African identity. Going beyond the problems of a single country, Hlumelo Biko calls for a reorientation of values, on a continental scale, to suit the needs and priorities of Africans. Building on the premise that slavery, colonialism, imperialism and apartheid fundamentally unbalanced the values and indeed the very self-concept of Africans, he offers realistic steps to return to a more balanced Afro-centric identity.
Historically, African values were shaped by a sense of abundance, in material and mental terms, and by strong ties of community. The intrusion of religious, economic and legal systems imposed by conquerors, traders and missionaries upset this balance, and the African identity was subsumed by the values of the newcomers. Biko shows how a reimagining of Africa can restore the sense of abundance and possibility, and what a rebirth of the continent on Pan-African lines might look like. This is not about the churn of the news cycle or party politics – although he identifies the political party as one of the most pernicious legacies of colonialism. Instead, drawing on latest research, he offers a practical, pragmatic vision anchored in the here and now.
By looking beyond identities and values imposed from outside, and transcending the divisions and frontiers imposed under colonialism, it should be possible for Africans to develop fully their skills, values and ingenuity, to build institutions that reflect African values, and to create wealth for the benefit of the continent as a whole.
A younger generation of South Africans are developing important and innovative ways of understanding South Africa’s past, challenging narratives that have, over the last decades, been informed by notions of forgiveness and reconciliation. Carli Coetzee uses the image of history-rich blood to explore these approaches to intergenerational memory. In this book, she revisits older archives and analyses contemporary South African cultural and literary forms.
The emphasis on blood challenges the privileged status skin has had as an explanatory category in thinking about identity. Instead, Coetzee emphasises intergenerational transfer and continuity. She argues that a younger generation is contesting the terms through which to understand contemporary South Africa and interpreting the legacies of the past that remain under the visible layer of skin.
The chapters each concern blood: Mandela’s prison cell as laboratory for producing bloodless freedom, the kinship relations created and resisted in accounts of Eugene de Kock in prison, Ruth First’s concern with information leaks in her accounts of her time in prison, the first human-to-human heart transplant and its relation to racialised attempts to salvage white identity, the #Fallist moment, the Abantu Book Festival, and activist scholarship and creative art works that use blood as a trope for thinking about change and continuity.
The future of mining in South Africa is hotly contested. Wide-ranging views from multiple quarters rarely seem to intersect, placing emphasis on different questions without engaging in holistic debate.
This book aims to catalyse change by gathering together fragmented views into unifying conversations. It highlights the importance of debating the future of mining in South Africa and for reaching consensus in other countries across the mineral-dependent globe.
It covers issues such as the potential of platinum to spur industrialisation, land and dispossession on the platinum belt, the roles of the state and capital in mineral development, mining in the era of the Fourth Industrial Revolution, the experiences of women in and affected by mining since the late 19th century and mine worker organising: history and lessons and how post-mine rehabilitation can be tackled.
It was inspired not only by an appreciation of South Africa’s extensive mineral endowments, but also by a realisation that, while the South African mining industry performs relatively well on many technical indicators, its management of broader social issues leaves much to be desired. It needs to be deliberated whether the mining industry can play as critical a role going forward as it did in the evolution of the country’s economy.
They Called Me Queer is a collection written by Africans who self-identify as lesbian, gay, bisexual, transgender, queer, intersex and asexual (LGBTQIA+).
Across the continent, and throughout the world, South Africa has become known for its tolerance towards us, the LGBTQIA+ community. However, even if being who we are is legal, we live in a devastatingly segregated and unequal society, where the combination of race, class, gender and sexual identities still heavily impacts every part of our lives. This collection of stories is a testimony to who we are. It is an assertion of our struggles, but also our triumphs, our joys.
These are our stories of acceptance and rejection, of young love and old lovers, of the agonising thrills of coming out and coming into ourselves, of our sex lives, of our families and communities.
Writing by Haji Mohamed Dawjee, Lwando Scott, Ling Sheperd, Maneo Mohale, Chase Rhys, Wanelisa Xaba, Jamil F Khan, Khanya Kemami, Janine Adams, Craig Lucas and others.
What does it take to deceive those closest to you? How do you lead a double life and not lose yourself? Is there ever a point of return? Jonathan Ancer explores these questions in the tales of SA’s spies: from the navy superspy on the Russian payroll to the party girl who fell in love with Cuba and the idealistic students used and abused in apartheid’s intelligence war.
Ancer gets under the skin of what it takes to betray those closest to you – and what it is means to be betrayed.
A quest is never what you expect it to be.
Elizabeth Madeline Martin spends her days in a retirement home in Cape Town, watching the pigeons and squirrels on the branch of a tree outside her window. Bedridden, her memory fading, she can recall her early childhood spent in a small wood-and-iron house in Blackridge on the outskirts of Pietermaritzburg. Though she remembers the place in detail – dogs, a mango tree, a stream – she has no idea of where exactly it is. ‘My memory is full of blotches,’ she tells her daughter Julia, ‘like ink left about and knocked over.’
Julia resolves to find the Blackridge house: with her mother lonely and confused, would this, perhaps, bring some measure of closure? A journey begins that traverses family history, forgotten documents, old photographs, and the maps that stake out a country’s troubled past – maps whose boundaries nature remains determined to resist. Kind strangers, willing to assist in the search, lead to unexpected discoveries of ancestors and wars and lullabies. Folded into this quest are the tender conversations between a daughter and a mother who does not have long to live.
Taken as one, The Blackridge House is a meditation on belonging, of the stories we tell of home and family, of the precarious footprint of life.
It was a dark and stormy night in 1991 when a magician took over the bridge of the Oceanos, an ageing passenger liner travelling up the Wild Coast.
The captain was nowhere to be found. The ship started taking in water in the auxiliary engine room just a few hours after it had set sail from East London. Panicking, the crew scrambled into the lifeboats, leaving passengers largely to fend for themselves. The ship’s entertainment staff bravely started to calm passengers and coordinated the abandon-ship operation and rescue effort.
The story of this dramatic rescue, which made headlines across the world, is told from the perspective of all the key role players and describes their extraordinary heroism.
In this riveting undercover spy drama, Bradley Steyn tells the story of his journey from a boy caught in the middle of the Strijdom Square massacre, to acting out his PTSD working for the apartheid security branch. Finally he ends up being recruited by MK and used to infiltrate the crazed right-wing whose mission is to destabilise a South Africa on the brink of peace.
With these forces pushing the nation towards a bloody race war, will his time run out before they discover he is working for Mandela's spies?
This astonishing true-life thriller reveals for the first time some of the dirty secrets of a dirty war.
Chris Barnard needed the help of exceptional men and women to stay ahead of the fast-developing science of transplantation. One of these exceptional men were Winston Wicomb, the darker brother of the famous Randall.
He had to be hidden as a child to prevent the Apartheid inspectors from discovering his family’s racial identity. He had to endure the rampant racism that existed in South Africa at school and in the army… Winston, who had to fix cars in the backyard to make ends meet, had a curious encounter with Chris Barnard and got appointed in his research laboratory. Winston had to develop an apparatus with which hearts could be kept alive to enable transport.
This is the story of an unlikely hero; a man who changed transplantation forever, and a South African citizen who never got the recognition he deserved.
It’s a story of perseverance. And hope. Even... love.
Between 1913 and 1989 some four million South Africans were forcibly removed from their homes to enforce residential segregation along racial lines. This study records and interprets the memories of some of the Capetonians who were relocated as a result of the infamous Group Areas Act.
Former resients of Windermere, Tramway Road in Sea Point, District Six, Lower Claremont, and Simon's Town narrate their experiences. The work shows how different - even conflicting - versions of popular memories are historically significant for individuals and communities, and for the professionals and academics who work with them.
Most important, it demonstrates how the sharing of oral histories and memories allows people to rebuild a sense of self and community.
What was it like to be a freedom fighter in the 1980s? Eighteen members of the ANC’s military underground tell their stories, describing their backgrounds, their roles in the armed struggle and their lives since the fall of apartheid.
In 1987, the apartheid minister of law and order boasted that the security forces had crushed Umkhonto we Sizwe in the Western Cape. He could not have been more wrong. The Ashley Kriel Detachment, named after one of their slain comrades, conducted over thirty operations between late 1987 and early 1990, playing a crucial role in the defeat of an unjust system. In Voices from the Underground, eighteen members of the AKD give accounts of their involvement in the armed struggle. The book traces their varying journeys into MK, via student activism, trade unions, religious organisations and UDF politics. It details their training in Angola, Botswana, Tanzania, Cuba and South Africa, and their experiences of detention and interrogation. Members recall the stresses of couriering arms and explosives across police roadblocks, hiding in safe houses and evading capture. They talk about the operations they executed, the measures they took to avoid civilian casualties, and their responses to security breaches and the deaths of comrades in the line of duty.
Above all, this is a book about people, showing the effects of apartheid on their lives, their reasons for joining the armed struggle, the challenges of surviving in the underground while raising children, and their experiences of returning to civilian life or, in some cases, integrating into the SANDF.
Voices from the Underground gives a human face to ordinary people who took up arms to fight a violent state for the freedom of all South Africans.
When, in the 1990s, Wilhelm Verwoerd openly spoke out against his grandfather's racist policies and joined the ANC, he was ejected from the family. Working in Northern Ireland, making peace between former enemies, he feels the urge to return to his homeland, to make peace with his own family.
Between listening to searing stories of friends and neigbours’ suffering under apartheid, he reads Betsie Verwoerd’s intimate private diaries. This moving memoir examines the complexities of having Verwoerd blood in your veins in the full knowledge that Verwoerd has blood on his hands.
A nuanced and intimate look at family loyalty, betrayal, and the demands of restitution in South Africa.
In 1937 a group of young Capetonians, socialist intellectuals from the Workers’ Party of South Africa and the Non-European Unity Movement, embarked on a remarkable public education and cultural project they called the New Era Fellowship (NEF). Through public debates, lectures, study circles and cultural events a new cultural and political project was born in Cape Town. Taking a position of non-collaboration and non-racialism, the NEF played a vital role in challenging society’s responses to events ranging from the problem of taking up arms during the Second World War for an empire intent on stripping people of colour of their human rights, to the Hertzog Bills, which foreshadowed apartheid in all its ruthless effectiveness.
The group included some of the city’s most talented scholar-activists, among them Isaac Tabata, Ben Kies, A C Jordan, Phyllis Ntantala, Mda Mda and members of the famed Gool and Abdurahman families. Their aim was to disrupt and challenge not only prevailing political narratives but the very premises – class and race – on which they were based.
By the 1950s their ideas had spread to a second generation of talented individuals who would disseminate them in the high schools of Cape Town. In time, some would exert their influence on national politics beyond the confines of the Cape. Among these were former minister of justice, Dullah Omar, academic Hosea Jaffe, educationist Neville Alexander and author Richard Rive.
This book is a testament to how the NEF was at the forefront of redefining the discourse of racialism and nationalism in South Africa.
How To Steal A Country describes the vertiginous decline in political leadership in South Africa from Mandela to Zuma and its terrible consequences. Robin Renwick’s account reads in parts like a novel – a crime novel – for Sherlock Holmes old adversary, Professor Moriarty, the erstwhile Napoleon of Crime, would have been impressed by the ingenuity, audacity and sheer scale of the looting of the public purse, let alone the impunity with which it has been accomplished.
Based on Renwick’s personal experiences of the main protagonists, it describes the extraordinary influence achieved by the Gupta family for those seeking to do business with state-owned enterprises in South Africa, and the massive amounts earned by Gupta related companies from their associations with them. The ensuing scandals have engulfed Bell Pottinger, KPMG, McKinsey and other multinationals. The primary responsibility for this looting of the state however, rests squarely with President Zuma and key members of his government. But South Africa has succeeded in establishing a genuinely non-racial society full of determined and enterprising people, offering genuine hope for the future. These include independent journalists, black and white, who refuse to be silenced, and the judges, who have acted with courage and independence.
The book concludes that change will come, either by the ruling party reverting to the values of Mandela and Archbishop Tutu, or by the reckoning it otherwise will face one day.
When opportunity strikes, television producer Deon Maas joins the boatloads of migrants heading for Germany. Faced with the choice of taking all his possessions along or selling everything, he opts for the latter. With a duffel bag and his four dogs, he departs for the First World.
Decadent Berlin blows his mind but also leaves him at a loss for words. As he criss-crosses the city, scratching at its pulsating underbelly, he marvels at German idiosyncrasies, and is roped into this new world by an array of vegan anarchists, eclectic musicians, football hooligans and graffiti artists.
As he tries to settle in, he has to deal with everything from obnoxious bureaucrats to nosy neighbours. In the process, Maas debunks a few myths about the First World: it’s not a perfect place where everything works, and German efficiency is definitely overrated.
By confronting the loss of his support network and adapting to a different political and social context, he learns exactly how deep his African roots go and what it takes to find your place in Europe as a white African.
The late eighties was a highly politicised environment. Willem Laubscher was healing some of the world’s best-known political prisoners, amongst them Walter Sisulu and Govan Mbeki. When Nelson Mandela was scheduled for a similar operation, all hell broke loose.
The National Party was quietly plotting to smuggle Mandela out of the country, possibly hoping that he would escape, while the ANC was scoring points by casting doubt on the medical services that white doctors like Laubscher was willing to provide to the political prisoners. A relatively simple medical operation turned into an international diplomatic crisis. Meanwhile, in most ironic of twists, the security police was taking desperate measures to ensure Mandela’s safety – the country could simply not afford an assassination attempt.
Willem Laubscher was the medical practitioner in the eye of this storm; Nelson Mandela was the calm strategist who had held out against pressure from both the jittery NP government and the increasingly boisterous ANC, with Winnie Mandela already larger than life, stoking the media and exploiting every available loophole to embarrass the government.
This is the story of a few weeks of diplomatic chaos, and a security operation that completely overshadowed the medical procedure Mandela was scheduled for. Read all about it now in this 64-page memoir of that provocative time, Operation Mandela.
Throughout the past 50 years, the courts have been a battleground for contesting political forces as more and more conflicts that were once fought in Parliament or in streets, or through strikes and media campaigns, find their way to the judiciary.
Certainly, the legal system was used by both the apartheid state and its opponents. But it is in the post-apartheid era, and in particular under the rule of President Jacob Zuma, that we have witnessed a dramatic increase in ‘lawfare’: the migration of politics to the courts.
The authors show through a series of case studies how just about every aspect of political life ends up in court: the arms deal, the demise of the Scorpions, the Cabinet reshuffle, the expulsion of the EFF from Parliament, the nuclear procurement process, the Cape Town mayor…
Showcasing the work of more than 200 women writers of African descent, this major international collection celebrates their contributions to literature and international culture.
Twenty-five years ago, Margaret Busby’s groundbreaking anthology Daughters Of Africa illuminated the “silent, forgotten, underrated voices of black women” (Washington Post). Published to international acclaim, it was hailed as “an extraordinary body of achievement… a vital document of lost history” (Sunday Times). New Daughters Of Africa continues that mission for a new generation, bringing together a selection of overlooked artists of the past with fresh and vibrant voices that have emerged from across the globe in the past two decades, from Antigua to Zimbabwe with numerous South African contributors. Key figures join popular contemporaries in paying tribute to the heritage that unites them. Each of the pieces in this remarkable collection demonstrates an uplifting sense of sisterhood, honours the strong links that endure from generation to generation, and addresses the common obstacles women writers of colour face as they negotiate issues of race, gender and class, and confront vital matters of independence, freedom and oppression.
Custom, tradition, friendships, sisterhood, romance, sexuality, intersectional feminism, the politics of gender, race, and identity—all and more are explored in this glorious collection of work from over 200 writers. New Daughters Of Africa spans a wealth of genres—autobiography, memoir, oral history, letters, diaries, short stories, novels, poetry, drama, humour, politics, journalism, essays and speeches—to demonstrate the diversity and remarkable literary achievements of black women.
New Daughters Of Africa features a number of well-known South African contributors including Gabeba Baderoon, Nadia Davids, Diana Ferrus, Vangile Gantsho, Barbara Masekela, Lebogang Mashile and Sisonke Msimang.
You may like...
The Rise & Demise Of The Afrikaners
Hermann Giliomee Paperback
People's War - New Light On The Struggle…
Anthea Jeffery Paperback
Light Through The Bars - Understanding…
Babychan Arackathara Paperback
The Resurrection Of Winnie Mandela
Sisonke Msimang Paperback
Land Of My Ancestors - An Epic South…
Botlhale Tema Paperback R153 Discovery Miles 1 530
The Eight Zulu Kings - From Shaka To…
John Laband Paperback
Gunship Over Angola - The Story Of A…
Steve Joubert Paperback (1)
Paul Kruger - Toesprake En…
Johan Bergh Hardcover (2)
Southern African Muckraking - 300 Years…
Anton Harber Paperback
The Man Who Killed Apartheid - The Life…
Harris Dousemetzis, Gerry Loughran Paperback