Die slawe aan die Kaap het as draers en skeppers van kultuur, ten spyte van onderdrukking, ’n groot invloed uitgeoefen op die ontwikkeling van die samelewing aan die suidpunt van Afrika en veral van ’n inheemse, kreoolse kultuur.

In hierdie boek word die slawe se rol in die ontstaan van dié eiesoortige kultuur vir die eerste keer verken.

A riveting, kaleidoscopic account of nine tumultuous days, as the assassination of Nelson Mandela’s protégé by a white supremacist threatens to derail South Africa’s democratic transition and plunge the nation into civil war.

Johannesburg, Easter weekend, 1993. Nelson Mandela has been free for three years and is in power sharing talks with President FW de Klerk when a white supremacist shoots the Black leader’s popular young heir apparent, Chris Hani, in hopes of igniting an all-out war. Will he succeed in plunging South Africa into chaos, safeguarding apartheid for perhaps years to come?

In The Plot to Save South Africa, acclaimed South African journalist Justice Malala recounts the gripping story of the next nine days, as the government and Mandela’s ANC seek desperately to restore the peace and root out just how far up into the country’s leadership the far-right plot goes. Told from the points of view of over a dozen characters on all sides of the conflict, Malala offers an illuminating look at successful leadership in action and a terrifying reminder of just how close a country we think of today as a model for racial reconciliation came to civil war.

Feeling an exile in the country of his birth, the talented journalist and leading black intellectual Bloke Modisane left South Africa in 1959. It was shortly after the apartheid government had bulldozed Sophiatown, the township of his childhood. His biting indictment of apartheid, Blame Me on History, was published in 1963 – and banned shortly afterwards.

Modisane offers a harrowing account of the degradation and oppression faced daily by black South Africans. His penetrating observations and insightful commentary paint a vivid picture of what it meant to be black in apartheid South Africa. At the same time, his evocative writing transports the reader back to a time when Sophiatown still teemed with life.

This 60th-anniversary edition of Modisane’s autobiography serves as an example of passionate resistance to the scourge of racial discrimination in our country, and is a reminder not to forget our recent past.

In April 1965, Che Guevara set out clandestinely from Havana to Congo to head a force of some 150 veteran Cuban soldiers to assist the Congolese Patrice Lumumba Battalion, four years after the assassination of the democratically elected socialist president of Congo, Patrice Lumumba. Because this diary deals with what Che admits was a “failure”, he examines every painful detail about what went wrong in order to draw constructive lessons for planned future guerrilla movements.

Unique among his books, Congo Diary gives us Che’s brutal honesty and his story-telling ability as he recounts this fascinating episode of guerrilla warfare unblinkingly and without sugar coating or jargon.

Considered by some to be Che’s best book, it is also one of the few that he had a chance to edit for publication after writing it.

Twenty-five years have passed since South Africans were being shot, hacked or burned to death in political conflict. The memory of the trauma has faded where some 20 500 people were killed between 1984 and 1994. Conventional wisdom claims that they died at the hands of a state-backed Third Force. The more accurate explanation is that they died as a result of the people’s war the ANC unleashed.

After the people’s war began in September 1984, intimidation and political killings rapidly accelerated. At the same time, a remarkably effective propaganda campaign put the blame for violence on the National Party government and its alleged Inkatha surrogate. Sympathy for the ANC soared, while its rivals suffered crippling losses in credibility and support. By 1993 the ANC was able to dominate the negotiating process, as well as to control the militarily undefeated police and army and bend them to its will. By May 1994 it had trounced its rivals and taken over government. Many books have been written on South Africa's political transition, but none deals adequately with the people's war. This book does. It shows the extraordinary success of the people’s war in giving the ANC a virtual monopoly on power, as well as the great cost at which this was done. Apart from the terror and killings it sparked, the people’s war set in motion forces that cannot easily be tamed. Contemporary South Africa and the problems it confronts cannot be fully understood without a knowledge of the scars and damaging legacy of the people’s war.

For this new edition of her seminal work, Anthea Jeffery has revised and abridged her book. She has also included a brief overview of the ANC’s National Democratic Revolution, for which the people’s war was intended to prepare the way. Since 1994, the NDR has incrementally been implemented in many different spheres. It is also now being speeded up in its current and more ‘radical’ phase.

A dozen years in the making, The Inheritors weaves together the stories of three ordinary South Africans over five tumultuous decades in a sweeping and exquisite look at what really happens when a country resolves to end white supremacy.

Dipuo grew up on the south side of a mine dump that segregated Johannesburg’s black townships from the white-only city. Some nights, she hiked to the top. To a South African teenager in the 1980s—even an anti-apartheid activist like Dipuo—the divide that separated her from the glittering lights on the other side appeared eternal. But in 1994, the world’s last explicit racial segregationist regime collapsed to make way for something unprecedented.

With penetrating psychological insight, intimate reporting, and bewitching prose, The Inheritors tells the story of a country in the throes of a great reckoning. Through the lives of Dipuo, her daughter Malaika, and Christo—one of the last white South Africans drafted to fight for the apartheid regime—award-winning journalist Eve Fairbanks probes what happens when people once locked into certain kinds of power relations find their status shifting. Observing subtle truths about race and power that extend well beyond national borders, she explores questions that preoccupy so many of us today: How can we let go of our pasts, as individuals and as countries? How should historical debts be paid? And how can a person live an honorable life in a society that—for better or worse—they no longer recognize?

An inspiring memoir from Red Bull's senior engineer Calum Nicholas that will open up the world of F1 like never before.

Life in the Pitlane will detail the realities of life off the track; the good and the bad, with a particular spotlight on diversity and inclusion within the sport, and all the entertaining stories and behind the scenes details fans of F1 will be looking for.

Replete with all the high-octane tales and behind the scenes details you'd expect from a life lived next to the fast lane, Life in the Pitlane will bring a brand new perspective to this incredibly exciting corner of the market, as the inimitable Calum Nicholas reflects on his career in the sport so far, as well as the future he hopes lies ahead. Unflinching in his appraisal of F1 and where it's at in terms of diversity and inclusion, Calum hopes to spark industry-changing conversations and initiatives.

While Life in the Pitlane will address some difficult topics, it is, ultimately, a book designed to inspire its reader - because no matter what the odds have been, Calum has always found a way to make it work.

Could we ever see Vladimir Putin in the dock for his crimes? What about a Western ally like Benjamin Netanyahu? Putting a country's leader on trial once seemed unimaginable. But as Steve Crawshaw describes in Prosecuting the Powerful - a blend of powerful eyewitness reporting and gripping history - the possibilities of justice have been transformed.

Crawshaw includes recent stories from the front lines of justice in Ukraine, Israel/Palestine and at The Hague, as well as his earlier encounters with war criminals like Slobodan Milošević. He tells the stories of those who have demanded protection for civilians and accountability for war criminals - from the Swiss businessman who is the reason why we have the Geneva Conventions today and the prosecutors at Nuremberg to the Syrian police photographer who helped put one of Bashar al-Assad's torturers behind bars. He also follows the extraordinary unfolding story of two of the world's most powerful and well-connected leaders currently under indictment at the International Criminal Court in The Hague.

From Gaza to Bucha and beyond, survivors seek justice for the crimes committed against them. But for that to happen, governments must finally abandon their double standards and have the courage to support prosecutions of those who commit atrocities, whether opponents or allies.

For all the current darkness, this is a historic opportunity. The scales of justice can and must be balanced. Now is the moment.

How were whites implicated in and shaped by apartheid culture and society, and how did they contribute to it?

In Ordinary Whites in Apartheid Society, historian Neil Roos traces the lives of ordinary white people in South Africa during the apartheid years, beginning in 1948 when the National Party swept into power on the back of its catchall apartheid slogan. Drawing on his own family’s story and others, Roos explores how working-class white peoples frequently defied particular aspects of the apartheid state but seldom opposed or even acknowledged the idea of racial supremacy, which lay at the heart of apartheid society.

This cognitive dissonance afforded them a way to simultaneously accommodate and oppose apartheid and allowed them to later claim they never supported the apartheid system. Ordinary Whites in Apartheid Society offers a telling reminder that the politics and practice of race, in this case apartheid-era whiteness, derive not only from the top, but also from the bottom.

A sweeping account of the social and political world of the Roman emperors by 'the world's most famous classicist' (Guardian).

Cruel control freaks, diligent workaholics or extravagant teenagers? What were the emperors of Rome really like?

In her international best-seller SPQR, Mary Beard told the thousand-year story of ancient Rome. Now, she shines her spotlight on the emperors who ruled the Roman empire, from Julius Caesar (assassinated 44 BCE) to Alexander Severus (assassinated 235 CE).

Emperor of Rome is not your usual chronological account of Roman rulers, one after another: the mad Caligula, the monster Nero, the philosopher Marcus Aurelius. Beard asks bigger questions: What power did emperors actually have? Was the Roman palace really so bloodstained?

Emperor of Rome goes directly to the heart of Roman (and our own) fantasies about what it was to be Roman, offering an account of Roman history as it has never been presented before.

Tonele en rolspelers uit die Anglo-Boereoorlog kry nuwe lewe in hierdie unieke versameling foto’s wat lewensgetrou ingekleur is. Dit bring vars perspektief op een van die belangrikste historiese gebeurtenisse in die Suid-Afrikaanse geskiedenis.

In die Anglo-Boereoorlog of Suid-Afrikaanse Oorlog het die twee Boererepublieke van Transvaal en die Oranje-Vrystaat teen die Britse Ryk te staan gekom. Hierdie verwoestende oorlog sou vir dekades lank nog ’n uitwerking hê op die Suid-Afrikaanse politieke, ekonomiese en sosiale landskap.

Lesers sal talle ikoniese foto’s in Die AngloBoereoorlog in kleur raaksien, maar ook verskeie wat nog nooit tevore gepubliseer is nie. Honderde boeke het die afgelope 120 jaar oor die oorlog verskyn, maar dit is die eerste een in volkleur.

Maggie is a remarkable firsthand account of a teenage girl’s experiences during the AngloBoer War.

Margaretha (Maggie) Jooste was only 13 years old when the AngloBoer War broke out and her life was irrevocably changed. After months of house arrest in their Heidelberg (Transvaal) home, she, her mother and younger siblings were sent away to concentration camps in Natal. There they experienced hunger, deprivation and loss, but also surprising acts of kindness from British guards.

This very personal account is a story of hardships, but also one of humanity and friendships over enemy lines. A golden threat is the close bond between the Jooste family and the Englishspeaking Russells who lived as neighbours and friends before the war broke out. While the British soldiers and Boer commandos fought the war, the Russells secretly provided food to the Joostes to help them survive, and supported them after the war.

A poignant and deeply moving, but also heartbreaking, true story.

If a mere seven more MPs had voted with Prime Minister JBM Hertzog in favour of neutrality, South Africa’s history would have been quite different.

Parliament’s narrow decision to go to war in 1939 led to a seismic upheaval throughout the 1940s: black people streamed in their thousands from rural areas to the cities in search of jobs; volunteers of all races answered the call to go ‘up north’ to fight; and opponents of the Smuts government actively hindered the war effort by attacking soldiers and committing acts of sabotage. World War Two upended South Africa’s politics, ruining attempts to forge white unity and galvanising opposition to segregation among African, Indian and coloured communities. It also sparked debates among nationalists, socialists, liberals and communists such as the country had never previously experienced.

As Richard Steyn recounts so compellingly in 7 Votes, the war’s unforeseen consequence was the boost it gave to nationalism, both Afrikaner and African, that went on to transform the country in the second half of the 20th century. The book brings to life an extraordinary cast of characters, including wartime leader Jan Smuts, DF Malan and his National Party colleagues, African nationalists from Anton Lembede and AB Xuma to Walter Sisulu and Nelson Mandela, the influential Indian activists Yusuf Dadoo and Monty Naicker, and many others.

There has been a lot of furore in the United States about Critical Race Theory (CRT). Opponents to it claim that it has saturated society at different levels, including the alleged indoctrination of school children and the poisoning of the media and public life. The assertion is that it is divisive and racist towards white people. It is sometimes referred to derisively in the shorthand ‘woke’. This panic has now reached our shores. Critical whiteness studies is an offshoot of CRT that Thandiwe Ntshinga believes is desperately needed in South Africa.

She pokes holes in the belief that leaving whiteness undisturbed for analysis creates justice and normalcy. Instead, she says perpetually studying every other identity can only create the assumption that they are perpetually the problem. By design.

The title of this book comes from one of the first comments she received on Tiktok when discussing her findings and research.

Buckle up for a tour of South Africa – your guide the inimitable Sihle Khumalo.

Born in South Africa, and having lived here for almost fifty years, Khumalo reflects on the past and ponders the future of this captivating yet complex country. He delves into the history of the names given to our towns and cities (from Graaff-Reinet to Schweizer-Reneke to Zastron) and in the process raises issues we might not have interrogated fully.

This is a thought-provoking account by a South African who asks uncomfortable questions and forces his compatriots to contemplate what the future of this country (or cowntry) might hold. Why ‘cowntry’, Sihle? Consider the shady characters who’ve been milking this piece of land for centuries. And the fact that some politicians mispronounce the word ‘country’. But who knows? Maybe it is not mispronunciation – perhaps they’re giving us a message: the people in power are milking this country and it’s all just a game…

Hugo ka Canham presents an understanding of life and death based on indigenous and black ways of knowing that he terms Mpondo theory.

In Riotous Deathscapes, Hugo ka Canham presents an understanding of life and death based on indigenous and black ways of knowing that he terms Mpondo theory. Focusing on amaMpondo people from rural Mpondoland, in South Africa’s Eastern Cape, Canham outlines the methodologies that have enabled the community’s resilience and survival.

He assembles historical events and a cast of ancestral and living characters, following the tenor of village life, to offer a portrait of how Mpondo people live and die in the face of centuries of abandonment, trauma, antiblackness, and death. Canham shows that Mpondo theory is grounded in and develops in relation to the natural world, where the river and hill are key sites of being and resistance. Central too, is the interface between ancestors and the living, in which life and death become a continuity and a boundlessness that white supremacy and neoliberalism cannot interdict.

By charting a course of black life in Mpondoland, Canham tells a story of blackness on the African continent and beyond.

In South Africa, two unmistakable features describe post-Apartheid politics. The first is the formal framework of liberal democracy, including regular elections, multiple political parties and a range of progressive social rights. The second is the politics of the ‘extraordinary’, which includes a political discourse that relies on threats and the use of violence, the crude re-racialization of numerous conflicts, and protests over various popular grievances. In this highly original work, Thiven Reddy shows how conventional approaches to understanding democratization have failed to capture the complexities of South Africa’s post-Apartheid transition. Rather, as a product of imperial expansion, the South African state, capitalism and citizen identities have been uniquely shaped by a particular mode of domination, namely settler colonialism. South Africa, Settler Colonialism and the Failures of Liberal Democracy is an important work that sheds light on the nature of modernity, democracy and the complex politics of contemporary South Africa.

"For a couple of months in the near perfect summer of 1990/1991, Jacob Zuma came to stay in my house in Norwood, Johannesburg… Twenty five years later, my former house guest has all but morally bankrupted Nelson Mandela's ruling African National Congress. President Zuma's vision-free leadership, corrupt personal behaviour and attempts to use his political power to distort the judicial system render him no better than Italy's corrupt bunga-bunga partying ex-prime minister, Silvio Berlusconi."

So begins God, Spies And Lies, the most explosive insider’s account since Mandela came to power, a never-before-seen insider’s account of how South Africa got here -- and how things went wrong. It takes you into the room with Nelson Mandela and Thabo Mbeki, into the Oval Office of the US President and the British Prime Minister’s Chequers country estate, as the fate of southern Africa was being set before and after 1994.

Among its revelations are:

• How Nelson Mandela studied the Afrikaner Broederbond to end white rule at the same time as he set up the military wing, Umkhonto we Sizwe in 1961
• The story of the apartheid spy who fooled the white liberal elite
• What made George Bush Senior change his mind about white rule in Southern Africa
• How Robert Mugabe fooled South African intelligence
• Why South Africa missed the Information Economy
• What disillusioned Thabo Mbeki with the British Labour Party
• How Jacob Zuma came under the spell of the Chinese Communist Party.
• What it would take to get the country back on track

John Matisonn has had a bird’s eye view of South Africa’s progress through apartheid and democracy. As a political correspondent, foreign correspondent and one of the pioneers of democratic South Africa’s free broadcasting environment, he interacted with every ANC leader since Oliver Tambo and every government leader from John Vorster to Jacob Zuma. Now for the first time this seasoned and erudite insider reveals the secrets of a 40 year career observing the politicians, their spies and the journalists who wrote about them. As a patriot, he argues that the way to a better future can be found through an unvarnished examination of the past.

Throughout the past 50 years, the courts have been a battleground for contesting political forces as more and more conflicts that were once fought in Parliament or in streets, or through strikes and media campaigns, find their way to the judiciary.

Certainly, the legal system was used by both the apartheid state and its opponents. But it is in the post-apartheid era, and in particular under the rule of President Jacob Zuma, that we have witnessed a dramatic increase in ‘lawfare’: the migration of politics to the courts.

The authors show through a series of case studies how just about every aspect of political life ends up in court: the arms deal, the demise of the Scorpions, the Cabinet reshuffle, the expulsion of the EFF from Parliament, the nuclear procurement process, the Cape Town mayor…

Contesting one’s place remains central to confronting the lingering impact of colonisation and apartheid, emerging as it does out of the intermingling of our environments, histories, languages and experiences. In this volume, architects, anthropologists, artists, urban planners, activists and historians examine the ways in which people are rethinking, repurposing and reusing colonial and apartheid architecture and infrastructure. They seek to engage with ways in which history, art and architecture practices contest and subvert these protracted conditions in terms of social justice, development, conservation, heritage, land reclamation and urban renewal.

The focus is on colonial environments in different parts of South Africa and Africa to understand the history of disputed places and responses of remembrance, communal consideration, revival and conflict. In recent years, public awareness of the physical and environmental reminders of this past has been sharpened by sporadic campaigns and ongoing disputes around land, gentrification, repatriation and heritage. Globally, there has been a wave of public outcry and contestation about the place of racist names and statues in public spaces, litigation over abandoned and toxic sites, with calls for removal and restitution as an integral part of decolonisation. And there has been recognition of the lived experiences, knowledge and activities through which people and communities build their heritage.

In this context, questions about the place of colonial and apartheid planning and architecture and their past acquire salience and urgency in the present.

Renowned South African photographer Ranjith Kally captured iconic scenes throughout his career, such as his portrait Umkumbane, which has come to symbolise the shimmering jazz age of African townships in the 1950s.

When Miriam Makeba returned to Maseru, Lesotho, for a concert for black South Africans at the height of apartheid, Ranjith, too ventured to Lesotho and returned home with a remarkable image of an exiled singer poised between joy and heartbreak. And in a series of unflinching portraits, he documented with probity the horror of the forced removals in Natal.

As one of our country’s most prolific photojournalists, Ranjith’s pictures provide us with a glimpse into the tensions of the past and the events that shaped our future.

The Poisoners is a history of four devastating chapters in the making of the region, seen through the disturbing use of toxins and accusations of poisoning circulated by soldiers, spies, and politicians in Zimbabwe and South Africa.

Imraan Coovadia’s fascinating new book exposes the secret use of poisons and diseases in the Rhodesian bush war and independent Zimbabwe, and the apparent connection to the 2001 anthrax attacks in the United States; the enquiry into the chemical and biological warfare programme in South Africa known as Project Coast, discovered through the arrest and failed prosecution of Dr Wouter Basson; the use of toxic compounds such as Virodene to treat patients at the height of the Aids epidemic in South Africa, and the insistence of the government that proven therapies like Nevirapine, which could have saved hundreds of thousands of lives, were in fact poisons; and the history of poisoning and accusations of poisoning in the modern history of the African National Congress, from its guerrilla camps in Angola to Jacob Zuma’s suggestion that his fourth wife collaborated with a foreign intelligence agency to have him murdered.

But The Poisoners is not merely a book of history. It is also a meditation, by a most perceptive commentator, on the meaning of race, on the unhappy history of black and white in southern Africa, and on the nature of good and evil.

Dana Snyman is volksbesit. Met Die binneland in verken dié geliefde skrywer ons land en sy mense vandag.

Dana reis landin, op soek na sekerheid en lig. Hy rou oor dié wat weggeval het, soos die ikoniese Fred Mouton. Hy gesels met Pipo die clown, die karwag wat Adriaan Vlok onthou en oom Bok Horn wat 'n leeu uitoorlê het.

In die nadraai van die pandemie, met beurtkrag, oorlog in Oekraïne en die politiek, begin mense moed opgee, ook oor hulself. Maar Dana vind hoop, liefde - en geloof.

The battle of Blood River, or Ncome, on 16 December 1838 has long been regarded as a critical moment in the history of South Africa. It is the culminating victory by the land-hungry Boers who had migrated out of the British-ruled Cape and invaded the Zulu kingdom in 1837.

Many Afrikaners long acclaimed their triumph as the God-given justification for their subsequent dominion over Africans. By contrast, Africans celebrate the war with pride for its significance in their valiant struggle against colonial aggression.

In this telling of the Boer invasion, John Laband deals even-handedly with the warring sides in the conflict, explaining both victory and defeat in the many battles that marked the war. Crucially, he takes the Zulu evidence into full account to present the less familiar Zulu perspective and to explain the decisions taken by the Zulu leaders, as they grappled with the existential threat of the Boer invasion.

The protagonists are placed in the context of a subcontinent experiencing a time of turmoil in the early nineteenth century. A time that saw the displacement of populations and migrations, the emergence of new, warlike African kingdoms such as that of the amaZulu, and the inexorable and violent advance of colonial settlement and rule.

With M-Net, Koos Bekker convinced the business world he had the magic touch. But it was only the start of an entrepreneurial journey that would bring him immense wealth.

Bekker swept in at Naspers, transforming an Afrikaans printer into a global technology giant, earning investors trillions and himself a good few billion. But how? What were the methods employed by this boerseun from Heidelberg?

Financial journalist TJ Strydom distils it down to 15 steps, each calculated and effective, sketching out the winning ways of the elusive media mogul. Bekker often gets the credit for the investment in China’s Tencent, a single punt that rivals South Africa’s entire mining sector in the wealth it created this century. But should he be the one lauded for this achievement?