Drawing on her work with the Cold Case Investigative Research Institute at Bauder College and Ghost Hounds Paranormal Research Society, elite psychic medium and cold case researcher Reese Christian writes of the tragic past and the haunted present of Greater Atlanta. From Peachtree Street in the heart of downtown to the plantations and battlefields surrounding the city, join her in discovering the twisted histories of some of Atlanta's most infamous landmarks and forgotten moments.

Writing the Rebellion presents a cultural history of loyalist writing in early America. There has been a spate of related works recently, but Philip Gould's narrative offers a completely different view of the loyalist/patriot contentions than appears in any of these accounts. By focusing on the literary projections of the loyalist cause, Gould dissolves the old legend that loyalists were more British than American, and patriots the embodiment of a new sensibility drawn from their American situation and upbringing. He shows that both sides claimed to be heritors of British civil discourse, Old World learning, and the genius of English culture. The first half of Writing Rebellion deals with the ways "political disputation spilled into arguments about style, form, and aesthetics, as though these subjects could secure (or ruin) the very status of political authorship." Chapters in this section illustrate how loyalists attack patriot rhetoric by invoking British satires of an inflated Whig style by Alexander Pope and Jonathan Swift. Another chapter turns to Loyalist critiques of Congressional language and especially the Continental Association, which was responsible for radical and increasingly violent measures against the Loyalists. The second half of Gould's book looks at satiric adaptations of the ancient ballad tradition to see what happens when patriots and loyalists interpret and adapt the same text (or texts) for distinctive yet related purposes. The last two chapters look at the Loyalist response to Thomas Paine's Common Sense and the ways the concept of the author became defined in early America. Throughout the manuscript, Gould acknowledges the purchase English literary culture continued to have in revolutionary America, even among revolutionaries.

Orwell's personal account of his experiences and observations in the Spanish Civil War.

South African poet and political activist Dennis Brutus (1924-2009) wrote poetry of the most exquisite lyrical beauty and intense power. And through his various political activities, he played a uniquely significant role in mobilising and intensifying opposition to injustice and oppression - initially in South Africa, but later throughout the rest of the world as well. This book focuses on the life of Dennis Brutus in South Africa from his childhood until he went into exile on an exit permit in 1966. It is also an attempt to acknowledge Brutus' literary and political work and, in a sense, to reintroduce Brutus to South Africa. This book places his own voice at the centre of his life story. It is told primarily in his own words - through newspaper and journal articles, tape recordings, interviews, speeches, court records and correspondence. It draws extensively on archival material not yet available in the public domain, as well as on interviews with several people who interacted with Brutus during his early years in South Africa. In particular, it examines his participation in some of the most influential organisations of his time, including the Teachers' League of South Africa, the Anti-Coloured Affairs Department movement and the Coloured National Convention, the Co-ordinating Committee for International Recognition in Sport, the South African Sports Association and the South African Non-Racial Olympic Committee, which all campaigned against racism in South African sport. Brutus left behind an important legacy in literature involvement, in community affairs and politics in as well.

Why put Abraham Lincoln, the sometime corporate lawyer and American President, in dialogue with Karl Marx, the intellectual revolutionary? On the surface, they would appear to share few interests. Yet, though Lincoln and Marx never met one another, both had an abiding interest in the most important issue of the nineteenth-century Atlantic world-the condition of labor in a capitalist world, one that linked slave labor in the American south to England's (and continental Europe's) dark satanic mills. Each sought solutions-Lincoln through a polity that supported free men, free soil, and free labor; Marx by organizing the working class to resist capitalist exploitation. While both men espoused emancipation for American slaves, here their agreements ended. Lincoln thought that the free labor society of the American North provided great opportunities for free men missing from the American South, a kind of "farm ladder" that gave every man the ability to become a landowner. Marx thought such "free land" a chimera and (with information from German-American correspondents), was certain that the American future lay in the proletarianized cities. Abraham Lincoln and Karl Marx in Dialogue intersperses short selections from the two writers from their voluminous works, opening with an introduction that puts the ideas of the two men in the broad context of nineteenth-century thought and politics. The volume excerpts Lincoln's and Marx's views on slavery (they both opposed it for different reasons), the Civil War (Marx claimed the war concerned slavery and should have as its goal abolition; Lincoln insisted that his goal was just the defeat of the Confederacy), and the opportunities American free men had to gain land and economic independence. Through this volume, readers will gain a firmer understanding of nineteenth-century labor relations throughout the Atlantic world: slavery and free labor; the interconnections between slave-made cotton and the exploitation of English proletarians; and the global impact of the American Civil War.

The Oxford Handbook of The American Musical offers new and cutting-edge essays on the most important and compelling issues and topics in the growing, interdisciplinary field of musical-theater and film-musical studies. Taking the form of a "keywords" book, it introduces readers to the concepts and terms that define the history of the musical as a genre and that offer ways to reflect on the specific creative choices that shape musicals and their performance on stage and screen. The handbook offers a cross-section of essays written by leading experts in the field, organized within broad conceptual groups, which together capture the breadth, direction, and tone of musicals studies today.
Each essay traces the genealogy of the term or issue it addresses, including related issues and controversies, positions and problematizes those issues within larger bodies of scholarship, and provides specific examples drawn from shows and films. Essays both re-examine traditional topics and introduce underexplored areas. Reflecting the concerns of scholars and students alike, the authors emphasize critical and accessible perspectives, and supplement theory with concrete examples that may be accessed through links to the handbook's website.
Taking into account issues of composition, performance, and reception, the book's contributors bring a wide range of practical and theoretical perspectives to bear on their considerations of one of America's most lively, enduring artistic traditions. The Oxford Handbook of The AmericanMusical will engage all readers interested in the form, from students to scholars to fans and aficionados, as it analyses the complex relationships among the creators, performers, and audiences who sustain the genre.

The study of Roman sculpture has been an essential part of the disciplines of Art History and Classics since the eighteenth century. From formal concerns such as Kopienkritic (copy criticism) to social readings of plebeian and patrician art and beyond, scholars have returned to Roman sculpture to answer a variety of questions about Roman art, society, and history. Indeed, the field of Roman sculptural studies encompasses not only the full chronological range of the Roman world but also its expansive geography, and a variety of artistic media, formats, sizes, and functions. Exciting new theories, methods, and approaches have transformed the specialized literature on the subject in recent decades. Rather than creating another chronological ARCH15OXH of representative examples of various periods, genres, and settings, The Oxford Handbook of Roman Sculpture synthesizes current best practices for studying this central medium of Roman art, situating it within the larger fields of art history, classical archaeology, and Roman studies. This volume fills the gap between introductory textbooks-which hide the critical apparatus from the reader-and the highly focused professional literature. The handbook conveniently presents new technical, scientific, literary, and theoretical approaches to the study of Roman sculpture in one reference volume and complements textbooks and other publications that present well-known works in the corpus. Chronologically, the volume addresses material from the Early Republican period through Late Antiquity. The Oxford Handbook of Roman Sculpture not only contributes to the field of classical art and archaeology but also provides a useful reference for classicists and historians of the ancient world.

In 1794, two years before Tennessee became a state, the legislature of the Southwest Territory chartered Blount College in Knoxville as one of the first three colleges established west of the Appalachian Mountains. In 1807, the school changed its name to East Tennessee College. The school relocated to a 40-acre tract, known today as the Hill, in 1828 and was renamed East Tennessee University in 1840. The Civil War literally shut down the university. Students and faculty were recruited to serve on battlefields, and troops used campus facilities as hospitals and barracks. In 1869, East Tennessee University became the states land-grant institution under the auspices of the 1862 Morrill Act. In 1879, the state legislature changed the name of the institution to the University of Tennessee. By the early 20th century, the university admitted women, hosted teacher institutes, and constructed new buildings. Since that time, the University of Tennessee has established campuses and programs across the state. Today, in addition to a rich sports tradition, the University of Tennessee provides Tennesseans with unparalleled opportunities.

The Western Slope towns of Gunnison and Crested Butte are defined by their placement in the Colorado Rockies. Both are located in alpine valleys surrounded by 14,000-foot-high peaks with sparkling mountain-fed streams, and both dominate the Gunnison country, a unique wilderness covering over 4,000 square miles. Beginning over 400 years ago, Native Americans, fur traders, explorers, miners, railroaders, and cattlemen all made a place for themselves in the area. Today Gunnison, Crested Butte, and the Gunnison country remain isolated and tranquil. Recreation, tourism, and cattle ranching now reign supreme as Gunnison and Crested Butte attempt to preserve their distinctly Western heritage.

This book offers a unique perspective for understanding how and why the Second World War in Europe ended as it did-and why Germany, in attacking the Soviet Union, came far closer to winning the war than is often perceived. Why Germany Nearly Won: A New History of the Second World War in Europe challenges this conventional wisdom in highlighting how the re-establishment of the traditional German art of war-updated to accommodate new weapons systems-paved the way for Germany to forge a considerable military edge over its much larger potential rivals by playing to its qualitative strengths as a continental power. Ironically, these methodologies also created and exacerbated internal contradictions that undermined the same war machine and left it vulnerable to enemies with the capacity to adapt and build on potent military traditions of their own. The book begins by examining topics such as the methods by which the German economy and military prepared for war, the German military establishment's formidable strengths, and its weaknesses. The book then takes an entirely new perspective on explaining the Second World War in Europe. It demonstrates how Germany, through its invasion of the Soviet Union, came within a whisker of cementing a European-based empire that would have allowed the Third Reich to challenge the Anglo-American alliance for global hegemony-an outcome that by commonly cited measures of military potential Germany never should have had even a remote chance of accomplishing. The book's last section explores the final year of the war and addresses how Germany was able to hang on against the world's most powerful nations working in concert to engineer its defeat. Detailed maps show the position and movement of opposing forces during the key battles discussed in the book More than 30 charts, figures, and appendices, including detailed orders of battle, economic figures, and equipment comparisons

Tucked away from the bustle of nearby Raleigh and Durham, Person County, North Carolina, is an oasis of easygoing Southern charm. The photography of John Wesley Merritt, shutterbug and lifelong Roxboro resident, brilliantly captures the spirit of this idyllic setting as it was in the 1940s and 1950s.

Producing a vivid portrait of a bygone era, Merritt had the rare talent of preserving a whole way of life through the details he recorded on film from streets and shops to fields and farm stands. Captions and essays by Eddie Talbert reveal what the photographs do not. Hard times and good times, historic facts and interesting details are all collected here in a unique edition that celebrates a cherished era in Person County's history.

Since the late nineteenth century, fears that marriage is in crisis have reverberated around the world. Domestic Tensions, National Anxieties explores this phenomenon, asking why people of various races, classes, and nations frequently seem to be fretting about marriage. Each of the twelve chapters analyzes a specific time and place during which proclamations of marriage crisis have dominated public discourse, whether in 1920s India, mid-century France, or present-day Iran. While each nation has had its own reasons for escalating anxieties over marriage and the family, common themes emerge in how people have understood and debated crises in marriage. Collectively, the chapters reveal how diverse individuals have deployed the institution of marriage to talk not only about intimate relationships, but also to understand the nation, its problems, and various socioeconomic and political transformations. The volume reveals critical insights and showcases original research across interdisciplinary and national boundaries, making a groundbreaking contribution to current scholarship on marriage, family, nationalism, gender, and the law.

Ever since Karl Jasper's "axial age" paradigm, there have been a number of influential studies comparing ancient East Asian and Greco-Roman history and culture. Most of these have centered on the emergence of the world's philosophical and religious traditions, or on models of empire building. However, to date there has been no comparative study involving literatures of multiple traditions in the ancient East Asian and Mediterranean cultural spheres. At first glance, it would appear that the literary cultures of early Japan and Rome share little in common with each other. Yet both were intimately connected with the literature of antecedent "reference cultures," China and Greece respectively. These connections had far-reaching legal, ethical, material, linguistic, bibliographical, and literary consequences that made for distinctive Sino-Japanese and Greco-Roman dynamics. Exploring writers from Otomo no Yakamochi to Sugawara no Michizane and Sei Shonagon and from Cicero and Virgil to Ovid and Martianus Capella, Classical World Literatures captures the striking similarities between the ways Early Japanese writers wrote their own literature through and against the literary precedents of China and the ways Latin writers engaged and contested Greek precedents. Chapters engage in issues ranging from early narratives of literary history, cultural foundation figures, literature of the capital and poetry of exile, to strategies of cultural comparison in the form of parody and satire or synoptic texts. The book also brings to light suggestive divergences that are rooted in geopolitical, linguistic, sociohistorical, and aesthetic differences between Early Japanese and Roman literary cultures. Author Wiebke Denecke examines how Japanese and Latin writers were affected by an awareness of their own belatedness, how their strategies in telling of the origins of their own literatures evolved, and how notions about simplicity, ornateness, and cultural decline came to be blamed on the influence of their cultural ancestors. Proposing an innovative methodology of "deep comparison" for the cross-cultural comparison of premodern literary cultures and calling for an expansion of world literature debates into the ancient and medieval worlds, Classical World Literatures is both a theoretical intervention and an invitation to reading and re-reading four major literary traditions of the classical world in an innovative and illuminating light.

The story of Victoria Falls Safari Lodge, one of the world's best-loved hotels, is also the tale of a region rich in cultural and natural history.

As the lodge celebrates its 30th anniversary we tell the story of the hotel, the people and the region - a chronicle of a journey 180 million years in the making.