Though the distance between opera and popular music seems immense today, a century ago opera was an integral part of American popular music culture, and familiarity with opera was still a part of American "cultural literacy." During the Ragtime era, hundreds of humorous Tin Pan Alley songs centered on operatic subjects-either directly quoting operas or alluding to operatic characters and vocal stars of the time. These songs brilliantly captured the moment when popular music in America transitioned away from its European operatic heritage, and when the distinction between low- and high-brow "popular" musical forms was free to develop, with all its attendant cultural snobbery and rebellion.
Author Larry Hamberlin guides us through this large but oft-forgotten repertoire of operatic novelties, and brings to life the rich humor and keen social criticism of the era. In the early twentieth-century, when new social forces were undermining the view that our European heritage was intrinsically superior to our native vernacular culture, opera-that great inheritance from our European forebearers-functioned in popular discourse as a signifier for elite culture. Tin Pan Opera shows that these operatic novelty songs availed this connection to a humorous and critical end. Combining traditional, European operatic melodies with the new and American rhythmic verve of ragtime, these songs painted vivid images of immigrant Americans, liberated women, and upwardly striving African Americans, striking emblems of the profound transformations that shook the United States at the beginning of the American century.

A study of the origin and development of the Ibadi Imamate ideal into its medieval Arabian and North African articulations, this study traces the distinctive features of the Ibadi imama to precedents among the early Kharijites, Rashidun Caliphs and pre-Islamic Arabs. Using the four "states of religion" (masalik al-din) as an organizing principle for its chapters, the book examines the four associated Imam-types that are appropriate to such states - the Imam al-Zuhur (Imam of Manifestation), Imam al-Difa'a (Imam of Defense), Imam al-Shari (the "Seller" Imam who triumphed over his enemies or "sold" himself to God in the attempt) and Imam al-Kitman (Imam of Secrecy) - and locates each Imam-type within a trajectory of Ibadi development. Some distinctive features of the Ibadi Imamate tradition, such as the shari Imam who selflessly fought for the establishment of the Ibadi polity, are shown to be rooted in the early Kharijite martyrdom narratives that were appropriated by the Ibadiyya and later transformed into systematic doctrines. Still others, such as the "weak" Imam who accepted provisional authority under the control of the 'ulama hearken back to pre-Islamic patterns of limited authority that subsequently found their way into early Islamic political norms. Working from a perspective that challenges the "exceptional" interpretation of Kharijite and Ibadite doctrine and practice, this study seeks to root much of Ibadi political theory in the same early traditions of Islamic political practice that later provided legitimacy to Sunni Muslim political theorists. The result is a historically grounded and complex presentation of the development of political doctrine among the sole remaining relative of the early Kharijites.

In Spectacular Men, Sarah E. Chinn investigates how working class white men looked to the early American theatre for examples of ideal manhood. Theatre-going was the primary source of entertainment for working people of the early Republic and the Jacksonian period, and plays implicitly and explicitly addressed the risks and rewards of citizenship. Ranging from representations of the heroes of the American Revolution to images of doomed Indians to plays about ancient Rome, Chinn unearths dozens of plays rarely read by critics. Spectacular Men places the theatre at the center of the self-creation of working white men, as voters, as workers, and as Americans.

In 2005, hurricane Katrina and its aftermath starkly revealed the continued racial polarization of America. Disproportionately impacted by the ravages of the storm, displaced black victims were often characterized by the media as "refugees." The characterization was wrong-headed, and yet deeply revealing. Sanctuary: African Americans and Empire traces the long history of this and related terms, like alien and foreign, a rhetorical shorthand that has shortchanged black America for over 250 years.
In tracing the language and politics that have informed debates about African American citizenship, Sanctuary in effect illustrates the historical paradox of African American subjecthood: while frequently the target of legislation (slave law, the Black Codes, and Jim Crow), blacks seldom benefited from the actions of the state. Blackness helped to define social, cultural, and legal aspects of American citizenship in a manner that excluded black people themselves. They have been treated, rather, as foreigners in their home country. African American civil rights efforts worked to change this. Activists and intellectuals demanded equality, but they were often fighting for something even more fundamental: the recognition that blacks were in fact human beings. As citizenship forced acknowledgement of the humanity of African Americans, it thus became a gateway to both civil and human rights.
Waligora-Davis shows how artists like Langston Hughes underscored the power of language to define political realities, how critics like W.E.B. Du Bois imagined democratic political strategies, and how they and other public figures have used their writing as a forum to challenge the bankruptcy of a social economy in which the value of human life is predicated on race and civil identity.

Fashion History: A Global View proposes a new perspective on fashion history. Arguing that fashion has occurred in cultures beyond the West throughout history, this groundbreaking book explores the geographic places and historical spaces that have been largely neglected by contemporary fashion studies, bringing them together for the first time. Reversing the dominant narrative that privileges Western Europe in the history of dress, Welters and Lillethun adopt a cross-cultural approach to explore a vast array of cultures around the globe. They explore key issues affecting fashion systems, ranging from innovation, production and consumption to identity formation and the effects of colonization. Case studies include the cross-cultural trade of silk textiles in Central Asia, the indigenous dress of the Americas and of Hawai'i, the cosmetics of the Tang Dynasty in China, and stylistic innovation in sub-Saharan Africa. Examining the new lessons that can be deciphered from archaeological findings and theoretical advancements, the book shows that fashion history should be understood as a global phenomenon, originating well before and beyond the fourteenth century European court, which is continually, and erroneously, cited as fashion's birthplace. Providing a fresh framework for fashion history scholarship, Fashion History: A Global View will inspire inclusive dress narratives for students and scholars of fashion, anthropology, and cultural studies.

The gift of the land of Israel by God is an essential element in Jewish identity, religiously and politically. That the gift came at the expense of the local Canaanites has stimulated deep reflections and heated debate in Jewish literature, from the creation of the Bible to the twenty-first century. The essays in this book examine the theological, ethical, and political issues connected with the gift and with the fate of the Canaanites, focusing on classical Jewish texts and major Jewish commentators, legal thinkers, and philosophers from ancient times to the present.

Tacitus' Annals is the central historical source for first-century C.E. Rome. It is prized by historians since it provides the best narrative material for the reigns of Tiberius, Claudius, and Nero, as well as a probing analysis of the imperial system of government. But the Annals should be seen as far more than an historical source, a mere mine for the reconstruction of the facts of Roman history. While the Annals is a superb work of history, it has also become a central text in the western literary, political, and even philosophical traditions - from the Renaissance to the French and American revolutions, and beyond. This volume attempts to enhance the reader's understanding of how this book of history could have such a profound effect. Chapters will address the purpose, form, and method of Roman historical writing, the ethnic biases of Tacitus, and his use of sources. Since Tacitus has been regarded as one of the first analysts of the psychopathology of political life, the book will examine the emperors, the women of the court, and the ambitious entourage of freedmen and intellectuals who surround every Roman ruler. The final chapter will examine the impact of Tacitus' Annals since their rediscovery by Boccaccio in the 14th century.

On October 19, 1781, General Cornwallis surrendered his British army to the combined American and French forces at Yorktown, Virginia. In addition to ending hostilities, this act represented the close of British colonial rule and the dawn of America's ascent as an independent country and eventual world power. The events of this revolutionary time were the foundation of a growing American identity, and tributes to the sacrifices and victories of these early patriots continue even today. Yorktown, Virginia, has been celebrating the surrender of the British in large, nationally renowned celebrations since its first anniversary. Local author Kathleen Manley chronicles the history of Yorktown and the victory celebrations that have been undertaken through the generations to remember this historic time in America's infancy.