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The first coherent overview of Green's troubled career, features 36 tracks, covering the years 1968-88. Comprises both Fleetwood Mac, & solo material. Slipcase. Sanctuary. 2004.
Digitally remastered and expanded reissue of this 1967 album by Mayall and his Bluesbreakers, the only studio album to feature future Fleetwood Mac leader Peter Green on guitar. Features an additional 14 tracks including studio cuts and radio sessions. 28 tracks total. Universal. 2006
19 of their finest, including 'F.B.I.', 'Kon-Tiki', 'GuitarTango', 'Wonderful Land', 'Atlantis' and 'The Savage'.1997 Disky release.
Countless blues-rock guitar greats emerged during the late '60s -- the most recognizable names being Jimi Hendrix and Eric Clapton. But one who usually gets overlooked is the great Peter Green, who led Fleetwood Mac early in their career. To coincide with the mammoth six-disc box set The Complete Blue Horizon Sessions, a single-disc compilation was issued, The Best of Peter Green's Fleetwood Mac (with both releases sharing the same front cover artwork). Although the latter version of Fleetwood Mac is more renowned, it was this early version that influenced a legion of subsequent rock acts, including Aerosmith (who covered Mac's "Rattlesnake Shake"), Judas Priest (who covered "Green Manalishi"), and Gary Moore (who went so far as to purchase Green's favorite Les Paul...from Green himself). And upon investigating this extensive 20-track set, you'll understand why, as the aforementioned tracks, as well as "Albatross," "Stop Messin' Round," and "Shake Your Moneymaker" are all bluesy gems. The Best of Peter Green's Fleetwood Mac is an exceptional document of Fleetwood Mac's early years. ~ Greg Prato
John Mayalls Bluesbreakers classic album from 1968 has been digitally remastered and now boasts an extra two bonus tracks including the single version of '2401' and the song 'Wish You Were Here' only previously available on the Decca compilation, Primal Solos. Decca. 2007.
Live performance from the respected singer-songwriter, recorded at the Paradiso in Amsterdam in 2003. Trout used the concert as the actual recording session for his next album, without retakes or overdubs.
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