Scorned by critics at the time of its release, Miles Davis' 1972 album 'On The Corner' is now seen as a forerunner of Post Punk, Hip Hop, Drum and Bass and Electronic music, thanks to its revolutionary recording techniques.

Miles wanted to reconnect with a younger audience, who had forsaken him for rock and funk, and the experimental 'On The Corner' was his answer. Leaning more heavily on a drum and bass groundwork, the overdubs consisted of free improvisations held in the studio. 'On The Corner' isn't one of Miles easiest records to listen to, but it can yield the most fruits. Now released with completely re-mastered audio.

180 grams audiophile vinyl / Remastered audio / Gatefold sleeve

The first coherent overview of Green's troubled career, features 36 tracks, covering the years 1968-88. Comprises both Fleetwood Mac, & solo material. Slipcase. Sanctuary. 2004.

In 2000, BGO released Notice to Appear/A Banquet in Blues, which contained two complete albums -- Notice to Appear (1976, originally released on ABC) and A Banquet in Blues (1975, also originally on ABC) -- by John Mayall on one compact disc. ~ John Bush

ENDLESS BOOGIE features a host of session musicians including, interestingly enough, Steve Miller on six cuts. The variety and range these musicians add to Hooker's straight-up blues stylings makes for a textured and interesting combination. Hooker's tunes touch on the traditional themes: feeling down ("Sitting In My Dark Room"), getting a good woman ("I Got A Good 'Un"), money troubles ("House Rent Boogie") and standing at the crossroads ("Standing At The Crossroads"). Hooker's irresistibly gritty guitar and voice, combined with fine session work and the novelty of unusual elements like electric piano, makes this disc one of his best collaborative projects.