On March 21, 1960, a line of 150 white policemen fired 1344 rounds into a crowd of several thousand people assembled outside a police station, protesting against the Apartheid regime's racist "pass" laws. The gunfire left in its wake sixty-seven dead and one hundred and eighty six wounded. Most of the people who were killed were shot in the back, hit while running away.
The Sharpeville Massacre, as the event has become known, marked the start of armed resistance in South Africa, and prompted worldwide condemnation of South Africa's Apartheid policies. In Sharpeville, Tom Lodge explains how and why the Massacre occurred, looking at the social and political background to the events of March 1960 as well as the long-term consequences of the shootings. Lodge offers a gripping account of the Massacre itself as well as the wider events that accompanied the tragedy, particularly the simultaneous protest in Cape Town which helped prolong the political crisis that developed in the wake of the shootings. Just as important, he sheds light on the long term consequences of these events. He explores how the Sharpeville events affected the perceptions of black and white political leadership in South Africa as well as South Africa's relationship with the rest of the world, and he describes the development of an international "Anti-Apartheid" movement in the wake of the shootings.
In South Africa today, March 21 is a public holiday, Human Rights Day, and for many people, it remains a day of mourning and memorial. This book illuminates this pivotal event in South African history.

A provocative re-examination of a major romantic composer, Rethinking Schumann provides fresh approaches to Schumann's oeuvre and its reception from the perspectives of literature, visual arts, cultural history, performance studies, dance, and film. Traditionally, research has focused on biographical links between the composer and his music, encouraging the assumption that Schumann was solitary, divorced from reality, and frequently associated with "untimeliness." These eighteen new essays argue from a multitude of perspectives that Schumann was in fact very much a man of his time, informed not only by music but also the culture and society around him. The book further reveals that the composer's reputation has been shaped significantly by, for example, changes in attitudes towards German romanticism and its history, and recent developments in musical scholarship and performance. Rethinking Schumann takes into account cultural and social-institutional frameworks, engages with ongoing and new issues of reception and historiography, and offers fresh music-analytical insights. As a whole, the essays assemble a portrait of the artist that reflects the different ways in which Schumann has been understood and misunderstood over the past two hundred years. The volume is, in short, a timely reassessment of this ultimately non-untimely figure's legacy.
While the essays consider some of Schumann's most famous music (Dichterliebe, Kinderszenen and the Piano Quintet), they also provide crucial adjustment to judgments against the composer's later works by explaining their musical features not as the result of diminishing creative capacity but as reflections of the political and social situations of mid-nineteenth-century German culture and technological developments. Schumann is revealed to have been a musician engaged by and responsive to his surroundings, whose reputation was formed to a great extent by popular culture, both in his own lifetime as he responded to particular poets and painters, and later, as his life and works were responded to by subsequent generations.

The second of three volumes charting the history of the Modernist Magazine in Britain, North America, and Europe, this collection offers the first comprehensive study of the wide and varied range of 'little magazines' which were so instrumental in introducing the new writing and ideas that came to constitute literary and cultural modernism.
This book contains forty-four original essays on the role of periodicals in the United States and Canada. Over 120 magazines are discussed by expert contributors, completely reshaping our understanding of the construction and emergence of modernism. The chapters are organised into thirteen sections, each with a contextual introduction by the editors, and consider key themes in the landscape of North American modernism such as: 'free verse'; drama and criticism; regionalism; exiles in Europe; the Harlem Renaissance; and radical politics. In incisive critical essays we learn of familiar 'little magazines' such as Poetry, Others, transition, and The Little Review, as well as less well-known magazines such as Rogue, Palms, Harlem, and The Modern Quarterly. Of particular interest is the placing of 'little magazines' alongside pulps, slicks, and middlebrow magazines, demonstrating the rich and varied periodical field that constituted modernism in the United States and Canada.
To return to the pages of these magazines returns us to a world where the material constraints of costs and anxieties over censorship and declining readerships ran alongside the excitement of a new poem or manifesto. This collection therefore confirms the value of magazine culture to the field of modernist studies; it provides a rich and hitherto under-examined resource which both brings to light the debate and dialogue out of which modernism evolved and helps us recover the vitality and potential of that earlier discussion.

It is a cliche that tsarist Russia had two rival capitals: St. Petersburg, Russia's "window to Europe"; and Moscow, city of palaces and onion domes, the tradition-bound metropolis of the Orthodox heartland. Enlightened Metropolis challenges this cultural myth by examining the tsarist regime's efforts to turn Moscow into a European city. In the eighteenth century, Europeans and even some Russians scorned Moscow as part of Asia, and the tsars themselves thought it a benighted place that endangered both their political security and their effort to Westernize their country and gain respect for Russia abroad. Beginning with Catherine the Great, they sought to remake Moscow on the model of St. Petersburg by reconstructing its buildings and institutions, fostering a Westernized "middle estate" and constructing a new image of Moscow as an enlightened metropolis. Drawing on the methodologies of urban, social, institutional, cultural, and intellectual history, Enlightened Metropolis asks: How was the city's urban environment - buildings, institutions, streets, smells - transformed in the nine decades from Catherine's accession to the death of Nicholas I? How did these changes affect the everyday lives of the inhabitants, and did a "middle estate" in fact come into being? Did Moscow's urban modernization resemble that of Western cities, and how was it affected by the disastrous occupation by Napoleon in 1812? Lastly, how was Moscow's modernization interpreted by writers, artists, and social commentators in Russia and the West from the Enlightenment to the mid-nineteenth century?

In this groundbreaking study, Anthony B. Pinn challenges the long held assumption that African American theology is solely theist, arguing that this assumption has stunted African American theological discourse and excluded a rapidly growing segment of the African American population - non-theists. Rejecting the assumption of theism as the African American orientation, Pinn poses a crucial question: What is a non-theistic theology? The End of God-Talk outlines the first systematic African American non-theistic theology. Pinn offers a new center for theological inquiry, grounded in a more scientific notion of the human than the imago Dei ideas that dominates African American theistic theologies. He proposes a turn to Henry David Thoreau, Frederick Douglass, Harriet Tubman, and Alice Walker in order to effect a sense of ethical conduct consistent with African American non-theistic humanism. The End of God-Talk ends with an exploration of the religious significance of ordinary spaces and activities as settings for humanist theological engagement. Through a turn to embodied human life as the proper arena and content of theologizing, Pinn opens up a new theological path with important implications for ongoing work in African American religious studies.

Nearly a century before it became known as Silicon Valley, the Santa Clara Valley was world-renowned for something else: the succulent fruits and vegetables grown in its fertile soil. Virtually all farms were owned by whites, but the soil was largely worked by Asian immigrants. In Harvesting the American Dream, Cecilia Tsu tells the overlooked and intertwined histories of the land of the Santa Clara Valley and the Asian immigrants who cultivated it. Weaving together the story of the three overlapping waves of Asian migration from China, Japan, and the Philippines in the nineteenth and twentieth centuries, Tsu offers a comparative history that sheds light on white and Asian Californians' understandings of race, gender, and national identity. From the mid-nineteenth century on, white farmers had an increased need for labor, and Chinese immigrants willingly and disproportionately filled it. Despite this common labor arrangement, the idea of the independent family farm, worked solely by family members, became even more deeply entrenched, particularly in the West. Farm owners justified the labor of Chinese men as sojourning immigrants disconnected from family, capable of only menial agricultural work. They also viewed Asian crops as marginal, which justified their increasing reliance on foreign workers. Popular belief that the Chinese lacked a coherent family structure was later extended to the Japanese, even though immigrant families began settling in the Valley in the late 1910s. As the earlier family farm framework divided along crop and family lines fell apart, it was adapted, this time barring women from field work. The direct threat of Japanese family farming to the white family farm ideal, Tsu argues, played a significant role in the rise of discrimination against Asians through immigrant exclusion, denial of citizenship, and alien land laws. However, the mutual dependence that characterized Asian-white relations in the Santa Clara Valley prevented the area from becoming a hotbed of racial tension. Efforts to hold on to the white family farm ideal during the Depression led nonwhite laborers, primarily Filipino and Mexican, to be eyed suspiciously, as red-sympathizing foreigners whose involvement in labor militancy revealed a dormant anti-Americanism. Tsu simultaneously tells the story of this agricultural world from the perspectives of the Asian workers who sought to create their own American dream. They saw farming as not just a source of income, but also a way to bolster their community standing. Although they did not share a common heritage, the groups interacted with each other constantly and peacefully, patronizing each others' shops, working for the same landowners, sometimes living in the same area, and encountering many of the same stereotypes.

The Buddhist monk Tanxu surmounted extraordinary obstacles--poverty, wars, famine, and foreign occupation--to become one of the most prominent monks in China, founding numerous temples and schools, and attracting crowds of students and disciples wherever he went. Now, in Heart of Buddha, Heart of China, James Carter draws on untapped archival materials to provide a book that is part travelogue, part history, and part biography of this remarkable man.
This revealing biography shows a Chinese man, neither an intellectual nor a peasant, trying to reconcile his desire for a bold and activist Chinese nationalism with his own belief in China's cultural and social traditions, especially Buddhism. As it follows Tanxu's extraordinary life, the book also illuminates the pivotal events in China's modern history, showing how one individual experienced the fall of China's last empire, its descent into occupation and civil war, and its eventual birth as modern nation. Indeed, Tanxu lived in a time of almost constant warfare--from the Sino-Japanese War of 1895, to the Boxer Uprising, the Russo-Japanese War, the Japanese occupation, and World War II. He and his followers were robbed by river pirates, and waylaid by bandits on the road. Caught in the struggle between nationalist and communist forces, Tanxu finally sought refuge in the British colony of Hong Kong. At the time of his death, at the age of 89, he was revered as "Master Tanxu," one of Hong Kong's leading religious figures.
Capturing all this in a magnificent portrait, Carter gives first-person immediacy to one of the most turbulent periods in Chinese history.

The Global History of Paleopathology is the first comprehensive global compendium on the history of paleopathology, an interdisciplinary scientific discipline that focuses on the study of ancient disease. Offering perspectives from regions that have traditionally had long histories of paleopathology, such as the United States and parts of Europe, this volume also presents important work by an international roster of scholars who are writing their own regional and cultural histories in the field. The book identifies major thinkers and figures who have contributed to paleopathology, as well as significant organizations and courses that have sponsored scientific research and communication, most notably the Paleopathology Association. The volume concludes with an eye towards the future of the discipline, discussing methods and research at the leading edge of paleopathology, particularly those that employ the analysis of ancient DNA and isotopes.

Daughters of Hecate unites for the first time research on the problem of gender and magic in three ancient Mediterranean societies: early Judaism, Christianity, and Graeco-Roman culture. The book illuminates the gendering of ancient magic by approaching the topic from three distinct disciplinary perspectives: literary stereotyping, the social application of magic discourse, and material culture.
The volume challenges presumed associations of women and magic by probing the foundations of, processes, and motivations behind gendered stereotypes, beginning with Western culture's earliest associations of women and magic in the Bible and Homer's Odyssey. Daughters of Hecate provides a nuanced exploration of the topic while avoiding reductive approaches. In fact, the essays in this volume uncover complexities and counter-discourses that challenge, rather than reaffirm, many gendered stereotypes taken for granted and reified by most modern scholarship.
By combining critical theoretical methods with research into literary and material evidence, Daughters of Hecate interrogates gendered stereotypes that are as relevant now as for understanding antiquity or the early modern witch hunts.

The Metamorphosis of Leadership in a Democratic Mexico is a broad analysis of Mexico's changing leadership over the past eight decades, stretching from its pre-democratic era (1935-1988), to its democratic transition (1988-2000) to its democratic period (2000-the present). In it, Roderic Camp, one of the most distinguished scholars of Mexican politics, seeks to answer two questions: 1) how has Mexican political leadership evolved since the 1930s and in what ways, beyond ideology, has the shift from a semi-authoritarian, one-party system to a democratic, electoral system altered the country's leadership? and 2) which aspects of Mexican leadership have been most affected by this shift in political models and when and why did the changes in leadership occur? Rather than viewing Mexico's current government as a true democracy, Camp sees it as undergoing a process of consolidation, under which the competitive electoral process has resulted in a system of governing institutions supported by the majority of citizens and significant strides toward plurality. Accordingly, he looks at the relationship between the decentralization of political power and the changing characteristics, experiences and paths to power of national leaders.
The book, which represents four decades of Camp's work, is based upon a detailed study of 3000 politicians from the 1930s through the present, incorporating regional media accounts and Camp's own interviews with Mexican presidents, cabinet members, assistant secretaries, senators, governors, and party presidents.

W. E. B. Du Bois is an improbable candidate for a project in religion. His skepticism of and, even, hostility toward religion is readily established and canonically accepted. Indeed, he spent his career rejecting normative religious commitments to institutions and supernatural beliefs. In this book, Jonathon Kahn offers a fresh and controversial reading of Du Bois that seeks to overturn this view. Kahn contends that the standard treatment of Du Bois turns a deaf ear to his writings. For if we're open to their religious timbre, those writings-from his epoch-making The Souls of Black Folk to his unstudied series of parables that depict the lynching of an African American Christ-reveal a virtual obsession with religion. Du Bois's moral, literary, and political imagination is inhabited by religious rhetoric, concepts and stories. Divine Discontent recovers and introduces readers to the remarkably complex and varied religious world in Du Bois's writings. It's a world of sermons, of religious virtues such as sacrifice and piety, of jeremiads that fight for a black American nation within the larger nation. Unlike other African American religious voices at the time, however, Du Bois's religious orientation is distinctly heterodox--it exists outside the bounds of institutional Christianity. Kahn shows how Du Bois self-consciously marshals religious rhetoric, concepts, typologies, narratives, virtues, and moods in order to challenge traditional Christian worldview in which events function to confirm a divine order. Du Bois's antimetaphysical religious voice, he argues, places him firmly in the American tradition of pragmatic religious naturalism typified by William James. This innovative reading of Du Bois should appeal to scholars of American religion, intellectual history, African American Studies, and philosophy of religion.

Volume XXIX/2 of History of Universities contains the customary mix of learned articles and book reviews which makes this publication such an indispensable tool for the historian of higher education. This special issue, guest edited by Alexander Broadie, particularly focuses on Seventeenth-Century Scottish Philosophers and their Philosophy. The volume is, as always, a lively combination of original research and invaluable reference material.

Stephen C. Berkwitz's Buddhist Poetry and Colonialism examines five works by a single poet to demonstrate how Buddhism in Sri Lanka was shaped and transformed by encounters with Portuguese colonizers and missionaries in the sixteenth and seventeenth centuries. By following the written works of Alagiyavanna Mukaveti (1552-1625?) from the court of a powerful Sinhala king through the cultural upheavals of warfare and Christian missions and finally to his eventual conversion to Catholicism and employment under the Portuguese Crown, this book uses the poetry of a single author to reflect upon how Sinhala verse fashioned new visions of power and religious identity when many of the traditional Buddhist institutions were in retreat. Berkwitz traces the development of Alagiyavanna's poetry as a medium for celebrating the fame of rulers, devotion to the Buddha and his Dharma, morality and truth in the Buddha's religion, and the glories of Portuguese rule in Sri Lanka. Employing an interdisciplinary approach that combines Buddhist Studies, History, Literary Criticism, and Postcolonial Studies, the author constructs a picture of the effects of colonialism on Buddhist literature and culture at an early juncture in the history of the encounter between Asia and Europe.

From Shakespeare's Hamlet to Burton's Anatomy to Hilliard's miniatures, melancholy has long been associated with the emotional life of Renaissance England. But what other forms of sadness existed alongside, or even beyond, melancholy, and what kinds of selfhood did they help create? Beyond Melancholy explores the vital distinctions Renaissance writers made between grief, godly sorrow, despair, and melancholy, and the unique interactions these emotions were thought to produce in the mind, body, and soul. While most medical and philosophical writings emphasized the physiological and moral dangers of the 'dis-ease' of sadness, warning that in its most extreme form it could damage the body and even cause death, new Protestant teachings about the nature of devotion and salvation suggested that sadness could in fact be a positive, even transformative, experience, helping to humble believers' souls and bring them closer to God. The result of such dramatically conflicting paradigms was a widespread ambiguity about the value of sadness and a need to clarify its significance through active and wilful interpretation - something this book calls 'emotive improvisation'. Drawing on a wide range of Renaissance medical, philosophical, religious, and literary texts - including, but not limited to, moral treatises on the passions, medical text books, mortality records, doctors' case notes, sermons, theological tracts, devotional and elegiac poetry, letters, life-writings, ballads, and stage-plays - Beyond Melancholy explores the emotional codes surrounding the experience of sadness and the way writers responded to and reinterpreted them. In doing so it demonstrates the value of working across source materials too often divided along disciplinary lines, and the special importance of literary texts to the study of the emotional past.

In Debating the Saints' Cults in the Age of Gregory the Great, Dal Santo argues that the Dialogues, Pope Gregory the Great's most controversial work, should be considered from the perspective of a wide-ranging debate about the saints which took place in early Byzantine society. Like other contemporary works in Greek and Syriac, Gregory's text debated the nature and plausibility of the saints' miracles and the propriety of the saints' cult. Rather than viewing the early Byzantine world as overwhelmingly pious or credulous, the book argues that many contemporaries retained the ability to question and challenge the claims of hagiographers and other promoters of the saints' miracles. From Italy to the heart of the Persian Empire at Ctesiphon, a healthy, sceptical, rationalism remained alive and well. The book's conclusion argues that doubt towards the saints reflected a current of political dissent in the late East Roman or Byzantine Empire, where patronage of Christian saints' shrines was used to sanction imperial autocracy. These far-reaching debates also re-contextualize the emergence of Islam in the Near East.

What do people do all day? What did women and men do to make a living in early modern Europe, and what did their work mean? As this book shows, the meanings depended both on the worker and on the context. With an innovative analytic method that is yoked to a specially-built database of source materials, this book revises many received opinions about the history of gender and work in Europe. The applied verb-oriented method finds the 'work verbs' that appear incidentally in a wide variety of early modern sources and then analyzes the context in which they appear. By tying information technologies and computer-assisted analysis to the analytic powers - both quantitative and qualitative - of professional historians, the method gets much closer to a participatory observation of the micro-patterns of early modern life than was once believed possible. It directly addresses a number of broad problems often debated by historians of gender and early modern Europe. First, it discusses the problem of assessing more accurately the incidence, character and division of work. Second, it analyzes the configurations of work and human difference. Third, it deals with the extent to which work practices created notions of difference - gender difference but also other forms of difference - and, conversely, to what extent work practices contributed to notions of sameness and gender convergence. Finally, it studies the impact of processes of change. Drawing on sources from Sweden, the authors show the importance of multiple employment, the openness of early modern households, the significance of marriage and marital status, the gendered nature of specific tasks, and the ways in which state formation and commercialization were entangled in people's everyday lives.

When the Christian Right burst onto the scene in the late 1970s, many political observers were shocked. But, God's Own Party demonstrates, they shouldn't have been. The Christian Right goes back much farther than most journalists, political scientists, and historians realize. Relying on extensive archival and primary source research, Daniel K. Williams presents the first comprehensive history of the Christian Right, uncovering how evangelicals came to see the Republican Party as the vehicle through which they could reclaim America as a Christian nation. The conventional wisdom has been that the Christian Right arose in response to Roe v. Wade and the liberal government policies of the 1970s. Williams shows that the movement's roots run much deeper, dating to the 1920s, when fundamentalists launched a campaign to restore the influence of conservative Protestantism on American society. He describes how evangelicals linked this program to a political agenda-resulting in initiatives against evolution and Catholic political power, as well as the national crusade against communism. Williams chronicles Billy Graham's alliance with the Eisenhower White House, Richard Nixon's manipulation of the evangelical vote, and the political activities of Jerry Falwell, Pat Robertson, and others, culminating in the presidency of George W. Bush. Though the Christian Right has frequently been declared dead, Williams shows, it has come back stronger every time. Today, no Republican presidential candidate can hope to win the party's nomination without its support. A fascinating and much-needed account of a key force in American politics, God's Own Party is the only full-scale analysis of the electoral shifts, cultural changes, and political activists at the movement's core-showing how the Christian Right redefined politics as we know it.

Emotions are as old as humankind. But what do we know about them and what importance do we assign to them? Emotional Lexicons is the first cultural history of terms of emotion found in German, French, and English language encyclopaedias since the late seventeenth century. Insofar as these reference works formulated normative concepts, they documented shifts in the way the educated middle classes were taught to conceptualise emotion by a literary medium targeted specifically to them. As well as providing a record of changing language use (and the surrounding debates), many encyclopaedia articles went further than simply providing basic knowledge; they also presented a moral vision to their readers and guidelines for behaviour. Implicitly or explicitly, they participated in fundamental discussions on human nature: Are emotions in the mind or in the body? Can we "read" another person's feelings in their face? Do animals have feelings? Are men less emotional than women? Are there differences between the emotions of children and adults? Can emotions be "civilised"? Can they make us sick? Do groups feel together? Do our emotions connect us with others or create distance? The answers to these questions are historically contingent, showing that emotional knowledge was and still is closely linked to the social, cultural, and political structures of modern societies. Emotional Lexicons analyses European discourses in science, as well as in broader society, about affects, passions, sentiments, and emotions. It does not presume to refine our understanding of what emotions actually are, but rather to present the spectrum of knowledge about emotion embodied in concepts whose meanings shift through time, in order to enrich our own concept of emotion and to lend nuances to the interdisciplinary conversation about them.

Defining Deutschtum: Political Ideology, German Identity, and Music-Critical Discourse in Liberal Vienna offers a nuanced look at the intersection of music, cultural identity, and political ideology in late-nineteenth-century Vienna. Drawing on an extensive selection of writings in the city's political press, correspondence, archival documents, and a large body of recent scholarship in late Habsburg cultural and political history, author David Brodbeck argues that Vienna's music critics were important agents in the public sphere whose writings gave voice to distinct, sometimes competing ideological positions. These conflicting positions are exemplified especially well in their critical writings about the music of three notable composers of the day who were Austrian citizens but not ethnic Germans: Carl Goldmark, a Jew from German West Hungary, and the Czechs Bed?ich Smetana and Antonin Dvo?ak.
Often at stake in the critical discourse was the question of who and what could be deemed "German" in the multinational Austrian state. For critics such as Eduard Hanslick and Ludwig Speidel, traditional German liberals who came of age in the years around 1848, "Germanness" was an attribute that could be earned by any ambitious bourgeois-including Jews and those of non-German nationality-by embracing German cultural values. The more nationally inflected liberalism evident in the writings of Theodor Helm, with its particularist rhetoric of German national property in a time of Czech gains at German expense, was typical of those in the next generation, educated during the 1860s. The radical student politics of the 1880s, with its embrace of racialist antisemitism and irredentist German nationalism, just as surely shaped the discourse of certain young Wagnerian critics who emerged at the end of the century. This body of music-critical writing reveals a continuum of exclusivity, from a conception of Germanness rooted in social class and cultural elitism to one based in blood.
Brodbeck neatly counters decades of musicological scholarship and offers a unique insight into the diverse ways in which educated German Austrians conceived of Germanness in music and understood their relationship to their non-German fellow citizens. Defining Deutschtum is sure to be an essential text for scholars of music history, cultural studies, and late 19th century Central European culture and society."

The Oxford Handbooks series is a major new initiative in academic publishing. Each volume offers an authoritative and state-of-the-art survey of current thinking and research in a particular area. Specially commissioned essays from leading international figures in the discipline give critical examinations of the progress and direction of debates. Oxford Handbooks provide scholars and graduate students with compelling new perspectives upon a wide range of subjects in the humanities and social sciences.
Plato is the best known, and continues to be the most widely studied, of all the ancient Greek philosophers. The twenty-one newly commissioned articles in the Oxford Handbook of Plato provide in-depth and up-to-date discussions of a variety of topics and dialogues. The result is a useful state-of-the-art reference to the man many consider the most important philosophical thinker in history.
Each article is an original contribution from a leading scholar, and they all serve several functions at once: they survey the lay of the land; express and develop the authors' own views; and situate those views within a range of alternatives.
This Handbook contains chapters on metaphysics, epistemology, love, language, ethics, politics, art and education. Individual chapters are are devoted to each of the following dialogues: the Republic, Parmenides, Theaetetus, Sophist, Timaeus, and Philebus. There are also chapters on Plato and the dialogue form; on Plato in his time and place; on the history of the Platonic corpus; on Aristotle's criticism of Plato, and on Plato and Platonism.

This book contains fifteen essays, each first presented as the annual Tanner Lecture at the conference of the Mormon History Association by a leading scholar. Renowned in their own specialties but relatively new to the study of Mormon history at the time of their lectures, these scholars approach Mormon history from a wide variety of perspectives, including such concerns as gender, identity creation, and globalization. Several of these essays place Mormon history within the currents of American religious history-for example, by placing Joseph Smith and other Latter-day Saints in conversation with Ralph Waldo Emerson, Nat Turner, fellow millenarians, and freethinkers. Other essays explore the creation of Mormon identities, demonstrating how Mormons created a unique sense of themselves as a distinct people. Historians of the American West examine Mormon connections with American imperialism, the Civil War, and the wider cultural landscape. Finally the essayists look at continuing Latter-day Saint growth around the world, within the context of the study of global religions. Examining Mormon history from an outsider's perspective, the essays presented in this volume ask intriguing questions, share fresh insights and perspectives, analyze familiar sources in unexpected ways, and situate research on the Mormon past within broader scholarly debates.

This volume is the first major English-language commentary on the Epistle to Diognetus since that of Henry G. Meecham in 1949. Its purpose is twofold: to provide careful consideration to the essential introductory issues of authorship and setting, structure and integrity, theology, relationship to scripture, and historical trajectory as they apply to the transmission of the text; and to offer commentary focused on the movement of the author's argument and objectives in construction of the narrative, taking advantage of critical considerations of the apology within recent scholarship. In the final analysis the volume arrives at the premise that the core materials of Diognetus were likely delivered first in an oral context whose setting remains unknown and were thereafter recorded by a later hand as the framework of chapters 1-10. A subsequent editor (perhaps Clement of Alexandria) added the concluding materials of chapters 11-12 together with the insertion of numerous hymnic segments and theological phrases throughout chapters 1-10. These additions were inspired by Johannine tradition and reflect the setting of a living faith community. The text of Diognetus thus reflects an evolutionary process that moves from oral performance to literary record, from moral teaching to theological homily. The format of the volume is designed to welcome the non-specialist to the text of Diognetus while exposing the reader to the best of both earlier and more recent critical comments on the writing and its tradition.

Americans often look back on Paris between the world wars as a charming escape from the enduring inequalities and reactionary politics of the United States. In this bold and original study, Brooke Blower shows that nothing could be further from the truth. She reveals the breadth of American activities in the capital, the lessons visitors drew from their stay, and the passionate responses they elicited from others. For many sojourners-not just for the most famous expatriate artists and writers- Paris served as an important crossroads, a place where Americans reimagined their position in the world and grappled with what it meant to be American in the new century, even as they came up against conflicting interpretations of American power by others.
Interwar Paris may have been a capital of the arts, notorious for its pleasures, but it was also smoldering with radical and reactionary plots, suffused with noise, filth, and chaos, teeming with immigrants and refugees, communist rioters, fascism admirers, overzealous police, and obnoxious tourists. Sketching Americans' place in this evocative landscape, Blower shows how arrivals were drawn into the capital's battles, both wittingly and unwittingly. Americans in Paris found themselves on the front lines of an emerging culture of political engagements-a transatlantic matrix of causes and connections, which encompassed debates about "Americanization" and "anti-American" protests during the Sacco-Vanzetti affair as well as a host of other international incidents. Blower carefully depicts how these controversies and a backdrop of polarized European politics honed Americans' political stances and sense of national distinctiveness.
A model of urban, transnational history, Becoming Americans in Paris offers a nuanced portrait of how Americans helped to shape the cultural politics of interwar Paris, and, at the same time, how Paris helped to shape modern American political culture.

At the start of the Civil War, Knoxville, Tennessee, with a population of just over 4,000, was considered a prosperous metropolis little reliant on slavery. Although the surrounding countryside was predominantly Unionist in sympathy, Knoxville itself was split down the middle, with Union and Confederate supporters even holding simultaneous political rallies at opposite ends of the town's main street. Following Tennessee's secession, Knoxville soon became famous (or infamous) as a stronghold of stalwart Unionism, thanks to the efforts of a small cadre who persisted in openly denouncing the Confederacy. Throughout the course of the Civil War, Knoxville endured military occupation for all but three days, hosting Confederate troops during the first half of the conflict and Union forces throughout the remainder, with the transition punctuated by an extended siege and bloody battle during which nearly forty thousand soldiers fought over the town.
In Lincolnites and Rebels, Robert Tracy McKenzie tells the story of Civil War Knoxville-a perpetually occupied, bitterly divided Southern town where neighbor fought against neighbor. Mining a treasure-trove of manuscript collections and civil and military records, McKenzie reveals the complex ways in which allegiance altered the daily routine of a town gripped in a civil war within the Civil War and explores the agonizing personal decisions that war made inescapable. Following the course of events leading up to the war, occupation by Confederate and then Union soldiers, and the troubled peace that followed the war, Lincolnites and Rebels details in microcosm the conflict and paints a complex portrait of a border state, neither wholly North norSouth.
Finalist, Jefferson Davis Award, Museum of the Confederacy