Routes and Realms explores the ways in which Muslims expressed attachment to land from the ninth through the eleventh centuries, the earliest period of intensive written production in Arabic. In this groundbreaking first book, Zayde Antrim develops a "discourse of place," a framework for approaching formal texts devoted to the representation of territory across genres. The discourse of place included such varied works as topographical histories, literary anthologies, religious treatises, world geographies, poetry, travel literature, and maps.
By closely reading and analyzing these works, Antrim argues that their authors imagined plots of land primarily as homes, cities, and regions and associated them with a range of claims to religious and political authority. She contends that these are evidence of the powerful ways in which the geographical imagination was tapped to declare loyalty and invoke belonging in the early Islamic world, reinforcing the importance of the earliest regional mapping tradition in the Islamic world.
Routes and Realms challenges a widespread tendency to underestimate the importance of territory and to over-emphasize the importance of religion and family to notions of community and belonging among Muslims and Arabs, both in the past and today.

The gift of the land of Israel by God is an essential element in Jewish identity, religiously and politically. That the gift came at the expense of the local Canaanites has stimulated deep reflections and heated debate in Jewish literature, from the creation of the Bible to the twenty-first century. The essays in this book examine the theological, ethical, and political issues connected with the gift and with the fate of the Canaanites, focusing on classical Jewish texts and major Jewish commentators, legal thinkers, and philosophers from ancient times to the present.

Christopher Gill provides a new translation and commentary on the first half of Marcus Aurelius' Meditations, and a full introduction to the Meditations as a whole. The Meditations constitute a unique and remarkable work, a reflective diary or notebook by a Roman emperor, that is based on Stoic philosophy but presented in a highly distinctive way. Gill focuses on the philosophical content of the work, especially the question of how far it is consistent with Stoic theory as we know this from other sources. He argues that the Meditations are largely consistent with Stoic theory-more than has been often supposed. The work draws closely on core themes in Stoic ethics and also reflects Stoic thinking on the links between ethics and psychology or the study of nature. To make sense of the Meditations, it is crucial to take into account its overall aim, which seems to be to help Marcus himself take forward his own ethical development by creating occasions for reflection on key Stoic themes that can help to guide his life. This new edition will help students and scholars of ancient philosophy make sense of a work whose intellectual content and status have often been found puzzling. Along with volumes in the Clarendon Later Ancient Philosophers series on Epictetus and Seneca, it will help to chart the history of Stoic philosophy in the first and second century AD. The translation is designed to be accessible to modern readers and all Greek and Latin are translated in the introduction and commentary.

In Spectacular Men, Sarah E. Chinn investigates how working class white men looked to the early American theatre for examples of ideal manhood. Theatre-going was the primary source of entertainment for working people of the early Republic and the Jacksonian period, and plays implicitly and explicitly addressed the risks and rewards of citizenship. Ranging from representations of the heroes of the American Revolution to images of doomed Indians to plays about ancient Rome, Chinn unearths dozens of plays rarely read by critics. Spectacular Men places the theatre at the center of the self-creation of working white men, as voters, as workers, and as Americans.

The Panama Canal is a world-famous site central to the global economy, but the social, cultural, and political history of the country along this waterway is little known outside its borders. In Musica Tipica, author Sean Bellaviti sheds light on a key element of Panamanian culture, namely the story of cumbia or, as Panamanians frequently call it, "musica tipica," a form of music that enjoys unparalleled popularity throughout Panama. Through extensive archival and ethnographic research, Bellaviti reconstructs a twentieth-century social history that illuminates the crucial role music has played in the formation of national identities in Latin America. Focusing, in particular, on the relationship between cumbia and the rise of populist Panamanian nationalism in the context of U.S. imperialism, Bellaviti argues that this hybrid musical form, which forges links between the urban and rural as well as the modern and traditional, has been essential to the development of a sense of nationhood among Panamanians. With their approaches to musical fusion and their carefully curated performance identities, cumbia musicians have straddled some of the most pronounced schisms in Panamanian society.

Though the distance between opera and popular music seems immense today, a century ago opera was an integral part of American popular music culture, and familiarity with opera was still a part of American "cultural literacy." During the Ragtime era, hundreds of humorous Tin Pan Alley songs centered on operatic subjects-either directly quoting operas or alluding to operatic characters and vocal stars of the time. These songs brilliantly captured the moment when popular music in America transitioned away from its European operatic heritage, and when the distinction between low- and high-brow "popular" musical forms was free to develop, with all its attendant cultural snobbery and rebellion.
Author Larry Hamberlin guides us through this large but oft-forgotten repertoire of operatic novelties, and brings to life the rich humor and keen social criticism of the era. In the early twentieth-century, when new social forces were undermining the view that our European heritage was intrinsically superior to our native vernacular culture, opera-that great inheritance from our European forebearers-functioned in popular discourse as a signifier for elite culture. Tin Pan Opera shows that these operatic novelty songs availed this connection to a humorous and critical end. Combining traditional, European operatic melodies with the new and American rhythmic verve of ragtime, these songs painted vivid images of immigrant Americans, liberated women, and upwardly striving African Americans, striking emblems of the profound transformations that shook the United States at the beginning of the American century.

Guan Yu was a minor general in the early third century CE, who supported one of numerous claimants to the throne. He was captured and executed by enemy forces in 219. He eventually became one the most popular and influential deities of imperial China under the name Lord Guan or Emperor Guan, of the same importance as the Buddhist bodhisattva Guanyin. This is a study of his cult, but also of the tremendous power of oral culture in a world where writing became increasingly important. In this study, we follow the rise of the deity through his earliest stage as a hungry ghost, his subsequent adoption by a prominent Buddhist monastery during the Tang (617-907) as its miraculous supporter, and his recruitment by Daoist ritual specialists during the Song dynasty (960-1276) as an exorcist general. He was subsequently known as a rain god, a protector against demons and barbarians, and, eventually, a moral paragon and almost messianic saviour. Throughout his divine life, the physical prowess of the deity, more specifically Lord Guan's ability to use violent action for doing good, remained an essential dimension of his image. Most research ascribes a decisive role in the rise of his cult to the literary traditions of the Three Kingdoms, best known from the famous novel by this name. This book argues that the cult arose from oral culture and spread first and foremost as an oral practice.

Female characters assumed increasing prominence in the narratives of nineteenth- and early twentieth-century opera. And for contemporary audiences, many of these characters - and the celebrated women who played them - still define opera at its finest and most searingly affective, even if storylines leave them swooning and faded by the end of the drama. The presence and representation of women in opera has been addressed in a range of recent studies that offer valuable insights into the operatic stage as cultural space, focusing a critical lens at the text and the position and signification of female characters. Moving that lens onto the historical, The Arts of the Prima Donna in the Long Nineteenth Century sheds light on the singers who created and inhabited these roles, the flesh-and-blood women who embodied these fabled "doomed women" onstage before an audience. Editors Rachel Cowgill and Hilary Poriss lead a cast of renowned contributors in an impressive display of current approaches to the lives, careers, and performances of female opera singers. Essential theoretical perspectives reflect several broad themes woven through the volume-cultures of celebrity surrounding the female singer; the emergence of the quasi-mythical figure of the diva; explorations of the intricate and sundry arts associated with the prima donna, and with her representation in other media; and the diversity and complexity of contemporary responses to her. The prima donna influenced compositional practices, determined musical and dramatic interpretation, and affected management decisions about the running of the opera house, content of the season, and employment of other artists - a clear demonstration that her position as "first woman" extended well beyond the boards of the operatic stage itself. The Arts of the Prima Donna in the Long Nineteenth Century is an important addition to the collections of students and researchers in opera studies, nineteenth-century music, performance and gender/sexuality studies, and cultural studies, as well as to the shelves of opera singers and enthusiasts.

The Letters of Richard Cobden (1804-65) aims in four printed volumes to provide the first critical edition of Cobden's letters, publishing the complete text in as near the original form as possible, accompanied by full scholarly apparatus, together with an introduction to each volume re-assessing Cobden's importance in their light. As a whole these volumes will make available a unique source of the understanding of British liberalism in its European and international contexts, throwing new light on issues such as the repeal of the Corn Laws, British radical movements, the Crimean War, the Indian Mutiny, Anglo-French relations, and the American Civil War.
The second volume, drawing on over fifty archives world-wide, follows the career of Richard Cobden from that of the 'Manchester Manufacturer' who had gained celebrity in the repeal of the Corn Laws in 1846 to that of the dominant Radical leader on the British political scene between 1848 and 1853, widely considered by contemporaries equal in importance to the leaders of the Whig and Conservative parties. Cobden in this period was concerned with an inter-connected series of movements which sought in different ways to reduce aristocratic power in Victorian Britain. These included the reform of parliament (especially through the secret ballot), of landownership, of government finances, of the British empire, as well as the introduction of state education. At the same time we see the emergence of Cobden "the International Man," with a cosmopolitan following, playing a pivotal role in the global peace movement, and articulating a wide-ranging critique of British foreign policy, with regard to the dangers of French invasion, the aftermath of the Revolutions of 1848, British expansionism in India, and the ramifications of the Eastern Question as Britain drifted towards war in the Crimea. Although in his own day, Cobden's radical ideas increasingly separated him from many contemporaries, in the longer term they became a vital tributary of nineteenth-century British and international liberalism.

In this book, Aidan Doyle traces the history of the Irish language from the time of the Norman invasion at the end of the 12th century to independence in 1922, combining political, cultural, and linguistic history. The book is divided into seven main chapters that focus on a specific period in the history of the language; they each begin with a discussion of the external history and position of the Irish language in the period, before moving on to investigate the important internal changes that took place at that time. A History of the Irish Language makes available for the first time material that has previously been inaccessible to students and scholars who cannot read Irish, and will be a valuable resource not only for undergraduate students of the language, but for all those interested in Irish history and culture.

In 1636, residents at the convent of Santa Chiara in Carpi in northern Italy were struck by an extraordinary illness that provoked bizarre behavior. Eventually numbering fourteen, the afflicted nuns were subject to screaming fits, throwing themselves on the floor, and falling abruptly into a deep sleep. When medical experts' cures proved ineffective, exorcists ministered to the women and concluded that they were possessed by demons and the victims of witchcraft. Catering to women from elite families, the nunnery suffered much turmoil for three years and, remarkably, three of the victims died from their ills. A maverick nun and a former confessor were widely suspected to be responsible, through witchcraft, for these woes. Based primarily on the exhaustive investigation by the Inquisition of Modena, The Scourge of Demons examines this fascinating case in its historical context. The travails of Santa Chiara occurred at a time when Europe witnessed peaks in both witch-hunting and in the numbers of people reputedly possessed by demons. Female religious figures appeared particularly prone to demonic attacks, and Counter-Reformation Church authorities were especially interested in imposing stricter discipline on convents. Watt carefully considers how the nuns of Santa Chiara understood and experienced alleged possession and witchcraft, concluding that Santa Chiara's diabolical troubles and their denouement -- involving the actions of nuns, confessors, inquisitorial authorities, and exorcists -- were profoundly shaped by the unique confluence of religious, cultural, judicial, and intellectual trends that flourished in the 1630s. Jeffrey R. Watt is professor of history at the University of Mississippi.

The Hundred Years War was a struggle for control over the French throne, fought as a series of conflicts between England, France, and their respective allies. The Soldier in Later Medieval England is the outcome of a project which collects the names of every soldier known to have served the English Crown from 1369 to the loss of Gascony in 1453, the event which is traditionally accepted as the end-date of the Hundred Years War. The data gathered throughout the project has allowed the authors of this volume to compare different forms of war, such as the chevauchees of the late fourteenth century and the occupation of French territories in the fifteenth century, and thus to identify longer-term trends. It also highlights the significance of the change of dynasty in England in the early 1400s. The scope of the volume begins in 1369 because of the survival from that point of the 'muster roll', a type of documentary record in which soldiers names are systematically recorded. The muster roll is a rich resource for the historian, as it allows closer study to be made of the peerage, the knights, the men-at-arms (the esquires), and especially the lower ranks of the army, such as the archers, who contributed the largest proportion of troops to English royal service. The Soldier in Later Medieval England seeks to investigate the different types of soldier, their regional and national origins, and movement between ranks. This is a wide-ranging volume, which offers invaluable insights into a much-neglected subject, and presents many opportunities for future research.

In 2005, hurricane Katrina and its aftermath starkly revealed the continued racial polarization of America. Disproportionately impacted by the ravages of the storm, displaced black victims were often characterized by the media as "refugees." The characterization was wrong-headed, and yet deeply revealing. Sanctuary: African Americans and Empire traces the long history of this and related terms, like alien and foreign, a rhetorical shorthand that has shortchanged black America for over 250 years.
In tracing the language and politics that have informed debates about African American citizenship, Sanctuary in effect illustrates the historical paradox of African American subjecthood: while frequently the target of legislation (slave law, the Black Codes, and Jim Crow), blacks seldom benefited from the actions of the state. Blackness helped to define social, cultural, and legal aspects of American citizenship in a manner that excluded black people themselves. They have been treated, rather, as foreigners in their home country. African American civil rights efforts worked to change this. Activists and intellectuals demanded equality, but they were often fighting for something even more fundamental: the recognition that blacks were in fact human beings. As citizenship forced acknowledgement of the humanity of African Americans, it thus became a gateway to both civil and human rights.
Waligora-Davis shows how artists like Langston Hughes underscored the power of language to define political realities, how critics like W.E.B. Du Bois imagined democratic political strategies, and how they and other public figures have used their writing as a forum to challenge the bankruptcy of a social economy in which the value of human life is predicated on race and civil identity.

How do small groups of combat soldiers maintain their cohesion under fire? This question has long intrigued social scientists, military historians, and philosophers. Based on extensive research and drawing on graphic analysis of close quarter combat from the Somme to Sangin, the book puts forward a novel and challenging answer to this question. Against the common presumption of the virtues of the citizen soldier, this book claims that, in fact, the infantry platoon of the mass twentieth century army typically performed poorly and demonstrated low levels of cohesion in combat. With inadequate time and resources to train their troops for the industrial battlefield, citizen armies typically relied on appeals to masculinity, nationalism and ethnicity to unite their troops and to encourage them to fight. By contrast, cohesion among today's professional soldiers is generated and sustained quite differently. While concepts of masculinity and patriotism are not wholly irrelevant, the combat performance of professional soldiers is based primarily on drills which are inculcated through intense training regimes. Consequently, the infantry platoon has become a highly skilled team capable of collective virtuosity in combat. The increasing importance of training, competence and drills to the professional infantry soldier has not only changed the character of cohesion in the twenty-first century platoon but it has also allowed for a wider social membership of this group. Soldiers are no longer included or excluded into the platoon on the basis of their skin colour, ethnicity, social background, sexuality or even sex (women are increasingly being included in the infantry) but their professional competence alone: can they do the job? In this way, the book traces a profound transformation in the western way of warfare to shed light on wider processes of transformation in civilian society. This book is a project of the Oxford Programme on the Changing Character of War.

Fifth-century Athenian musical and political theorist Damon was the first to study music's psychological, behavioural, and political effects, profoundly influencing debates on music theory throughout antiquity. Considered by Isokrates to be the most intelligent Athenian of his age, Damon worked alongside Perikles during the most vibrant decades of Athens' democracy. Probably using fourth-century BC sources, Olympiodoros records that 'Damon taught Perikles the songs through which Perikles harmonized the city'. However, musical and political entanglements caused this teacher-theorist to be ostracized from Athens for ten years, at the height of Perikles' power. Reconstructing Damon is the first comprehensive study of the most important theorist of music and poetic meter in ancient Athens, detailing his extensive influence, and providing the first systematic collection, translation, and critical examination of all ancient testimonia for him. In doing so, this volume makes an important contribution to a number of key fields, including classical Greek music and music theory, fifth-century philosophy (particularly the sophists), political history including the growth of democracy, and the life and career of Perikles.

This book is about the famous Roman orator and statesman Cicero and his rhetorical and political strategy as a newcomer in Roman republican politics. Henriette van der Blom argues that Cicero advertised himself as a follower of chosen models of behaviour from the past - his role models - and in turn presented himself as a role model to others. This new angle provides fresh insights into the political and literary career of one of the best-known Romans, and into the political discourse of the late Roman Republic.

This study of prostitution addresses issues of female agency and experience, as well as contemporary fears about sexual coercion and the forced movement of girls/women, and police surveillance. Rather than treating prostitutes solely as victims or problems to be solved, as so often has been the case in much of the literature, Nancy M. Wingfield seeks to find the historical subjects behind fin-de-siecle constructions of prostitutes, to restore agency to the women who participated in commercial sex, illuminate their quotidian experiences, and to place these women, some of whom made a rational economic decision to sell their bodies, in the larger social context of late imperial Austria. Wingfield investigates the interactions of both registered and clandestine prostitutes with the vice police and other supervisory agents, including physicians and court officials, as well as with the inhabitants of these women's world, including brothel clients and madams, and pimps, rather than focusing top-down on the state-constructed apparatus of surveillance. Close reading of a broad range of primary and secondary sources shows that some prostitutes in late imperial Austria took control over their own fates, at least as much as other working-class women, in the last decades before the end of the Monarchy. And after 1918, bureaucratic transition did not necessarily parallel political transition. Thus, there was no dramatic change in the regulation of prostitution in the successor states. Legislation, which changed regulation only piecemeal after the war, often continued to incorporate forms of control, reflecting continuity in attitudes about women's sexuality.

Tacitus' Annals is the central historical source for first-century C.E. Rome. It is prized by historians since it provides the best narrative material for the reigns of Tiberius, Claudius, and Nero, as well as a probing analysis of the imperial system of government. But the Annals should be seen as far more than an historical source, a mere mine for the reconstruction of the facts of Roman history. While the Annals is a superb work of history, it has also become a central text in the western literary, political, and even philosophical traditions - from the Renaissance to the French and American revolutions, and beyond. This volume attempts to enhance the reader's understanding of how this book of history could have such a profound effect. Chapters will address the purpose, form, and method of Roman historical writing, the ethnic biases of Tacitus, and his use of sources. Since Tacitus has been regarded as one of the first analysts of the psychopathology of political life, the book will examine the emperors, the women of the court, and the ambitious entourage of freedmen and intellectuals who surround every Roman ruler. The final chapter will examine the impact of Tacitus' Annals since their rediscovery by Boccaccio in the 14th century.

Voices of Conscience analyzes how the link between politics and conscience was articulated and shaped throughout the seventeenth century by confessors who acted as counsellors to monarchs. Against the backdrop of the momentous intellectual, theological, and political shifts that marked this period, the study examines comparatively how the ethical challenges of political action were confronted in Spain and France and how questions of conscience became a major argument in the hegemonic struggle between the two competing Catholic powers. As Nicole Reinhardt demonstrates, 'counsel of conscience' was not a peripheral feature of early-modern political culture, but fundamental for the definition of politics and conscience. Tracing the rise and fall of confessors as counsellors reveals the parallel transformation of both, approaching a historical understanding of the modernisation of politics with the idea of an 'individual conscience' at its heart. Placed at the junction of norms and practices, royal confessors, directly or in oblique reflection, shaped the ways in which the royal conscience was identified and scrutinized. By the same token, the royal confessors' expertise and activities remained a source of anxiety and conflict that triggered wide debate on the relationship between State and Church, religion and politics. The notion of 'counsel of conscience', of which this book provides the first in-depth analysis, allows the reader to re-examine and challenge fundamental historical paradigms such as the emergence of 'absolutism', individualisation, and the division of public and private. Putting theological concepts and religious dimensions back into political theory and practice sheds new light, not only on the importance of counselling for early modern statecraft, but also on the reconfiguration of the normative frameworks underlying it.

Roger Sherman was the only founder to sign the Declaration and Resolves (1774), Articles of Association (1774), Declaration of Independence (1776), Articles of Confederation (1777, 1778), and Constitution (1787). He served on the five-man committee that drafted the Declaration of Independence, and he was among the most influential delegates at the Constitutional Convention. As a Representative and Senator in the new republic, he played important roles in determining the proper scope of the national government's power and in drafting the Bill of Rights. Even as he was helping to build a new nation, Sherman was a member of the Connecticut General Assembly and a Superior Court judge. In 1783, he and a colleague revised all of the state's laws. Roger Sherman and the Creation of the American Republic explores Sherman's political theory and shows how it informed his many contributions to America's founding. A central thesis of the work is that Sherman, like many founders, was heavily influenced by Calvinist political thought. This tradition had a significant impact on the founding generation's opposition to Great Britain, and it led them to develop political institutions designed to prevent corruption, promote virtue, and protect rights. Contrary to oft-repeated assertions by jurists and scholars that the founders advocated a strictly secular polity, Mark David Hall argues persuasively that most founders believed Christianity should play an important role in the new American republic.

Religions of the Constantinian Empire provides a synoptic review of Constantine's relation to all the cultic and theological traditions of the Empire during the period from his seizure of power in the west in 306 cE to the end of his reign as autocrat of both east and west in 337 cE. Divided into three parts, the first considers the efforts of Christians to construct their own philosophy, and their own patterns of the philosophic life, in opposition to Platonism. The second assembles evidence of survival, variation or decay in religious practices which were never compulsory under Roman law. The 'religious plurality' of the second section includes those cults which are represented as demonic burlesques of the sacraments by Firmicus Maternus. The third reviews the changes, both within the church and in the public sphere, which were undeniably prompted by the accession of a Christian monarch. In this section on 'Christian polyphony', Mark Edwards expertly moves on from this deliberate petrifaction of Judaism to the profound shift in relations between the church and the civic cult that followed the Emperor's choice of a new divine protector. The material in the first section will be most familiar to the historian of philosophy, that of the second to the historian of religion, and that of the third to the theologian. All three sections make reference to such factors as the persecution under Diocletian, the so-called 'edict of Milan', the subsequent legislation of Constantine, and the summoning of the council of Nicaea. Edwards does not maintain, however, that the religious and philosophical innovations of this period were mere by-products of political revolution; indeed, he often highlights that Christianity was more revolutionary in its expectations than any sovereign could afford to be in his acts.This authoritative study provides a comprehensive reference work for those studying the ecclesiastical and theological developments and controversies of the fourth century.

On April 14, 1861, following the surrender of Fort Sumter, Washington was "put into the condition of a siege," declared Abraham Lincoln. Located sixty miles south of the Mason-Dixon Line, the nation's capital was surrounded by the slave states of Maryland and Virginia. With no fortifications and only a handful of trained soldiers, Washington was an ideal target for the Confederacy. The South echoed with cries of "On to Washington " and Jefferson Davis's wife sent out cards inviting her friends to a reception at the White House on May 1.
Lincoln issued an emergency proclamation on April 15, calling for 75,000 troops to suppress the rebellion and protect the capital. One question now transfixed the nation: whose forces would reach Washington first-Northern defenders or Southern attackers?
For 12 days, the city's fate hung in the balance. Washington was entirely isolated from the North-without trains, telegraph, or mail. Sandbags were stacked around major landmarks, and the unfinished Capitol was transformed into a barracks, with volunteer troops camping out in the House and Senate chambers. Meanwhile, Maryland secessionists blocked the passage of Union reinforcements trying to reach Washington, and a rumored force of 20,000 Confederate soldiers lay in wait just across the Potomac River.
Drawing on firsthand accounts, The Siege of Washington tells this story from the perspective of leading officials, residents trapped inside the city, Confederates plotting to seize it, and Union troops racing to save it, capturing with brilliance and immediacy the precarious first days of the Civil War.

This volume in the Problems in European Civilization series features a collection of secondary-source essays focusing on aspects of the Holocaust. The essays in this book debate the origins of the Holocaust, the motivations of the killers, the experience of the victims, and the various possibilities for intervention or rescue.