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Books > Religion & Spirituality > Non-Christian religions > Pre-Christian European & Mediterranean religions > Ancient Celtic religion
For fifteen centuries, legends of King Arthur have inspired
generations. In the misty past of a Britain under siege,
half-remembered events became shrouded in ancient myth and
folklore. The resulting tales were told and retold, until over time
Arthur, Camelot, Avalon, the Round Table, the Holy Grail,
Excalibur, Lancelot and Guinevere all became instantly recognizable
icons. Along the way, Arthur's life and times were recast in the
mould of the hero's journey: his miraculous conception at Tintagel
through the magical intercession of his shaman guide, Merlin; the
childhood deed of pulling the Sword from the Stone through which
Arthur was anointed King; the Quest for the Holy Grail, the most
sacred object in Christendom; the betrayal of Arthur by his wife
and champion; and the apocalyptic battle between Good and Evil,
ending with Arthur's journey to the Otherworld. Arthur: God and
Hero in Avalon views Arthur in terms of comparative mythology, and
argues that the Once and Future King remains relevant because his
story speaks so eloquently about universal human needs and
anxieties. The book discusses the tales of King Arthur, from the
very earliest versions to the most recent film and television
adaptations, and offers readers an insight into why Arthur remains
so popular.
Reveals how the ancient Celtic text of the "Mabinogion" was the
mythical predecessor to the legends of King Arthur.
- Revised edition of "Arthur and the Sovereignty of Britain"
(UK) that includes the author's latest research and insights.
- A comprehensive reader's companion with synopsis of stories
and full commentary.
- Written by renowned scholar Caitlin Matthews, author of "The
Celtic Wisdom Tarot" (15,000 sold).
The ancient Celtic stories of the "Mabinogion" have received
universal recognition from scholars as both sources of the
Arthurian legend and keys to insights into the ancient magic of the
Celtic Otherworld. Now renowned Celtic scholar Caitlin Matthews,
drawing on a full range of medieval texts and ancient Welsh
writings, provides a fully revised and updated reader's guide to
these rich and far-reaching tales.
In "King Arthur and the Goddess of the Land," Matthews sheds
particular light on Sovereignty, the Goddess of the sacred land of
Britain, and the spiritual principle of the Divine Feminine.
Clearly revealed are the many alternate forms taken by the Goddess
of the Land--including her incarnation as Morgan of Avalon, who
plays a dominant role in the Arthurian cycle. Also established are
links between the legendary characters of the Mabinogion and their
counterparts in other living myths of the Western world. Through
the marriage of the Celtic kings to the Goddess of the Land, the
sacred contract between political rulership and responsibility for
the land's well-being is dramatically revealed. In King Arthur and
the Goddess of the Land, Matthews once again articulates
definitively the continuing relevance of ancient Celtic thought and
belief as illustratedin the powerful myths and legends of ancient
Britain.
Celtic tradition is at the heart of many aspects of popular modern
pagan paths, and this book brings those aspects together to explore
the relevance of a 2000-year-old culture in modern-day society. A
Modern Celt looks at the Tuatha de Danaan, who they were and their
continuing relevance in the 21st century. It looks at several of
the key figures and the legends surrounding them, and considers how
they relate to real life, everyday events, and the power they can
lend us to deal with our own problems. The wheel of the year brings
Celtic festivals and a modern calendar together, and these corner
posts of the year help us understand the world as something that
existed long before humans arrived, and hopefully will continue to
exist long after we are gone. A Modern Celt considers some of the
things we do to try and preserve it, and how these can be inspired
by our Celtic roots. With musings from members of Celtic paths
about why they feel such a tie to their Celtic ancestry, A Modern
Celt paints a picture of an ancient world, alive and thriving
today.
The Mary of the Celts is essential reading for anyone interested in
the reality of devotion to the Blessed Virgin Mary in Celtic
spirituality. The book explores themes and images associated with
the Annunciation, Nativity, Crucifixion, and Assumption, as also
the Blessed Virgin's Joys and Sorrows, through a detailed study of
poetry on Mary from the Celtic regions of medieval Britain and
Ireland. There are haunting images such as the Blessed Virgin Mary
as daughter of her Son and as the chamber of the Trinity, with her
virginity remaining as unstained and pure as glass pierced by a
beam of light, as well as references to popular apocryphal legends,
including those of the Instantaneous Harvest that grew while Mary
and her child were fleeing into Egypt from Herod's men, and of the
girdle thrown down by the Virgin to St Thomas at the Assumption.
Amongst the many poets encountered are Muiredeach Albanach, a
thirteenth-century Irishman who established a dynasty of poets in
the Western Isles of Scotland, and his Welsh contemporary Brother
Madog ap Gwallter, whose poem on Mary and her child at Bethlehem
has been praised for a Franciscan simplicity and freshness. Taking
the original verse in Middle and Early Modern Irish, Middle Welsh,
and Middle Cornish (from medieval Cornish drama), Andrew Breeze
relates their characteristic images to patristic material, other
vernacular poetry (especially in Old and Middle English), Latin
hymns, and medieval painting and sculpture. Indeed, The Mary of the
Celts has been written as a guide to Marian iconography. It will be
useful for students of medieval European literature and art, as
well as for specialists in early Irish and Welsh, all of whom will
find in it much that is new. It should make readers aware of the
wealth of Marian material to be found in Celtic Ireland and
Britain, not all of which has had the attention it deserves beyond
the Celtic lands. In reviewing Andrew Breeze's Medieval Welsh
Literature, Dr Jerry Hunter of the University of Wales wrote in The
Times Literary Supplement, 'he has succeeded where generations of
scholars have failed'. The Mary of the Celts is likely to have a
similar warm welcome from all those concerned with the Marian
devotion of the Middle Ages in the Celtic lands and beyond. Dr
Andrew Breeze (b. 1954), FSA, FRHistS, was educated at Sir Roger
Manwood's Grammar School and the Universities of Oxford and
Cambridge. Married with six children, he has been lecturer in
English since 1987 at the University of Navarre, Pamplona. Besides
numerous research papers on philology, he is the author of the
controversial study Medieval Welsh Literature (Dublin, 1997) and
co-author with Professor Richard Coates of Celtic Voices, English
Places (Stamford, 2000).
Attuned to the movements of nature, the Celts understood that all
things are connected, and they "divined" answers to their queries
as well as what the future holds from the animals, plants, the
winds, and the seasons. Trees and animals had particular knowledge
of past, present, and future. Through natural methods of
divination, bards, healers, soothsayers, and holy women and men
gained powers to see into the unseen. Stories and legends of their
powers were told and retold, transmitting an enormous store of
wisdom across the generations. In this oracle deck and guidebook,
Rosemarie Anderson interprets Celtic myths and legends to create an
oracle system of 64 cards featuring symbols from the ancient Celtic
ways of knowing. The symbols represent three thousand years of
Celtic culture and history, derived from archaeological excavations
of Bronze and Iron Age Celtic sites throughout Europe and from the
myths, folktales, and faery traditions still flourishing in rural
Ireland, Scotland, and Wales. The symbols of the cards represent
cauldrons, spirals, leprechauns, faeries, animals, trees, the
wondrous child (Cu Chulainn), the Sacred King, Cernunnos (the
antlered god), the Morrigan (the raven goddess), Tir na nog (the
Blessed Isles), and other imagery and figures from Celtic lore. The
accompanying guidebook explores the meaning, symbology, and mythic
background for each card, such as how the Triple-Mother Goddess
(Card 1) represents magnificence and the primal goddess in all her
aspects--maiden, mother, and crone. The guidebook also explores the
Celtic worldview, the basic principles of Celtic divination, as
well as how to use the oracle to receive answers to specific
questions. Conveying the power and wisdom of the ancient Celtic
ways of knowing, this oracle offers a hands-on way to gain insight
into the hidden forces at play in our lives.
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