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Books > Arts & Architecture > Performing arts > Other public performances & spectacles > Animal spectacles
Crime Thriller set in Spain In this second book of the Andalusian Mystery Series, four adults remain desperate to track down their former college headmaster. He abused them as teenagers, and they want justice at any price, their justice. But, after the debacle in Malaga, their numbers are dwindling. The ancient mountain city of Ronda is the home of bullfighting. At the annual Pedro Romero Festival, a famous Torero battles with the Royal Taurino Society, the supervisory body of Spain's national tradition. He wants to stop killing the brave animals, they insist on continuing with their public slaughter. But more sinister elements are manipulating their feud for their own ends. Then people start dying. Wily, veteran Detective Inspector, Leon Prado, investigates death in the afternoon.
The first comprehensive 'biography' of one of the first celebrity animals who gave us one of our favourite words. Jumbo, Victorian England's favourite elephant, was born in 1861 in French Sudan, imported to a Parisian zoo and later sold on to London, where - for seventeen years - he dutifully gave children rides and ate buns from their hands, all the while being tortured at night to keep him docile. Worldwide fame came when he was bought by the American showman and scam artist P.T. Barnum in 1881, despite letters from 100,000 British schoolchildren who wrote to Queen Victoria begging her to prevent the sale. Barnum went on to transform Jumbo into a lucrative circus act and one of the most loved animals of all time, establishing elephants as a regular feature of funhouses and menageries the world over. Using the heartwrenching story of Jumbo's celebrity life, tragic death in Canada in 1885, and his enduring cultural legacy, Jumbo is personal and fascinating reflection on our cultural elephantiasis by one of our most distinguished literary-critical detectives, which is guaranteed to amuse, stimulate, provoke and delight in equal measure.
Chris LeDoux was a rodeo icon, known for his ability to ride bareback horses and a world championship. But Chris also had a talent with a guitar and an ability to put the life and thoughts of a rodeo cowboy into song. With the help of his family Chris started selling audio-cassettes out of his rigging bag at rodeos, just as a way to help pay his way down the road. Little did he or anyone else know that after he hung up his bareback rigging and stowed the rigging bag, that he would become a country music sensation, "Gold Buckle Dreams: The Life and Times of Chris LeDoux" tells not only of Chris's life growing up and on into rodeo, but is has been expanded to include his life after rodeo. Although Chris LeDoux and his music had a big following in rodeo, it was not until Garth Brooks mentioned LeDoux in a song, that the rest of the world discovered the man. When his career ended in rodeo, LeDoux found a second round of fame in the music world, where he gained an international following. Unfortunately his life ended prematurely, the legend and music of Chris LeDoux live on.
In honor of the 100th anniversary of the Calgary Stampede, Bryden
presents this #1 "Calgary Herald" bestseller detailing the
fascinating true story of the romance that started the Stampede.
Dimitris Zafiropoulos' book is an introduction to the world of dolphins and whales of the Greek Seas as well as an identification and field guide. It includes information on their geographical distribution, on how to find, study and identify dolphins and whales that are regularly observed in Greek waters. The book is a result of Zafiropoulos' 12 years of field research, experiences and adventures; it's an account of close encounters with Striped Dolphins, a Fin Whale at Khorinthiakos Gulf, of fieldwork with the Bottlenose Dolphins of Amvrakikos, and of observations of the endangered Common Dolphins. Full of photographs and in-depth illustrations of dolphin and whale species, the guide is ideal for any one with the intention of having a close encounter with these animals either in Greek waters or abroad.
"Filled with delicious rodeo tidbits. Stratton's the perfect tour
guide, a natural-born storyteller whose prose is as lean as a
cowboy and as poetic as a sunset, rendered with a delight and
wonder that are downright infectious."--"The Boston Globe" Rodeo
has grown into an international, prime-time television sport.
Steeped in tradition and Western spirit, it calls aspiring cowboys
and cowgirls to its rough-and-tumble fame as they repeatedly risk
their lives for eight seconds of triumph. In "Chasing the Rodeo,"
Kip Stratton takes us into the addictive core of rodeo, bull
riding, and the circuit. Immersed in this world, he collides with
the specter of his "rodeo bum" father, finding part of the cowboy
dream that was his father's legacy. "Chasing the Rodeo" is a
tribute to the famed characters of the old West and a riveting look
at the superstars of the new. And best of all, it's one bucking,
riveting, glorious ride.
While blacks have played an important role - as explorers, scouts, Indian consorts, soldiers, cowboys, farmers - in the exploration, conquest, and settlement of the American West, they have received scant attention from the chroniclers of the pageant of western development.Few of rodeo's early heroes matched the achievements of the black cowboy Bill Pickett, and his story is recounted here for the first time in book form. Pickett grew up in Texas in the 1880's, the child of former slaves, to become nationally famous as the star of the 101 Ranch Wild West Show. Pickett was associated with such western figures as Tom Mix, Will Rogers, Milt Hinkle, and Lucille Mulhall, and earned a reputation as an all around cowboy of legendary abilities. His greatest claim to fame is as the originator of steer wrestling, the only rodeo event to the traced to one individual. Audiences all over the United States, South America, Canada, and England were amazed to see the ""Dusky Demon"" fell on thousand-pound steers and bring them down bite-'em style with his teeth. In spite of a life of incredible physical daring - afoot and unarmed he once took on an enraged fighting bull in a Mexico City arena - he lived to age sixty, to die with his boots on in a professional career had been with the 101 Ranch, and his funeral was on the ranch's last great events. In recognition of his many achievements Pickett was elected to the Cowboy Hall of Fame in 1971, the first black cowboy to be so honored. The author brings together all that is known about Pickett, sorting out the facts and legends, and un telling the story sheds new light on early-day rodeo and 101 Ranch life.
Full of charming animals and devious villains, this brand new middle grade will enchant middle grade readers! PRAISE FOR THE ELEPHANT THIEF: 'A classic-in-the-making.' THE TIMES 'This is storytelling at its best' BOOKS FOR KEEPS Danny works at Belle Vue Zoo, where - alongside training the famous elephant Maharajah - he helps out with the day-to-day caring for the animals. But when animals start escaping, Danny is the prime suspect: after all, he was a former street urchin and pickpocket. When a man turns up claiming to be his father, the plot thickens. Can Danny untangle the mystery of the animal escapade - and find out where he really belongs - in order to clear his name? The second novel from Jane Kerr, author of critically acclaimed The Elephant Thief Charming animals and deveious villains will enchant readers Perfect for ages 9 and up
Marco Bellocchio is one of Italy's most important and prolific directors, with a career spanning five decades. In this book, Clodagh J. Brook explores the boundaries between the public and the private, the political and the personal, and the collective and the individual as they appear in Bellocchio's films. Including work on psychoanalysis, politics, film production, autobiography, and the relationship between film tradition and contemporary culture, Marco Bellocchio touches on fundamental issues in film analysis. Brook's study interrogates what it means to make personal or anti-institutional art in a medium dominated by a late-capitalist industrial model of production. Her readings of Bellocchio's often enigmatic and perplexing work suggest new ways to answer questions about subjectivity, objectivity, and political commentary in modes of filmmaking. Relating the art of a private director to a public medium, Clodagh J. Brook's work is an important contribution to our understanding of film.
'Odd, beautiful and moving, On Bullfighting is one of the best books of the year' Jeanette Winterson Bullfighting - this complicated, repellent, fascinating, grotesque, sacramental, ugly, ritualistic, haphazard and blasphemous fight. Hemingway, Conrad and Lorca have all written about it, now it's the turn of acclaimed novelist AL Kennedy. Unpealing the layers she looks beyond the theatre, the costume, the erotic dance and the well-worn plot and focuses on the fact that a man faces his death while a crowd looks on.'On Bullfighting casts an unofficial eye over a world of male exploit; the public spectacles are treated with a fresh particularity, the inner landscapes of pain with an ardent, high-risk honesty' Julian Barnes'informative, minutely observed and beautifully written' Dea Birkett, THE INDEPENDENT'Kennedy notches up another incisive hit Brutal, brittle and brilliant' THE LIST, Glasgow
William F. "Buffalo Bill" Cody was the entertainment industry's
first international celebrity, achieving worldwide stardom with his
traveling Wild West show. For three decades he operated and
appeared in various incarnations of "the western world's greatest
traveling attraction," enthralling audiences around the globe. When
the show reached Europe it was a sensation, igniting "Wild West
fever" by offering what purported to be a genuine experience of the
American frontier. By any standard Charles Eldridge Griffin
(1859-1914), manager of the Wild West's European tour, was a
remarkable man. Known by the stage names of Monsieur F. Le Costro,
Professor Griffin, and the Yankee Yogi, he was an author, comedian,
conjurer, contortionist, dancer, fire-eater, hypnotist,
illusionist, lecturer, magician, newspaper owner, publisher, sword
swallower, and yogi. His account of life on the road with the Wild
West show, published here for the first time since its release in
1908, opens a window on a vanished world. In addition to line
drawings and photographs from the original book, Chris Dixon
provides an introduction and annotations for historical context.
Griffin's story of traveling with Buffalo Bill in Europe from 1903
to 1906 presents a fascinating picture of a quintessentially
American character. At the same time it offers a vision of the
nation on the verge of nationalism, imperialism, and an emerging
global mass culture.
Sidney Franklin (1903-76) was the last person you'd expect to become a bullfighter. The streetwise son of a Russian Jewish cop, Sidney had an all-American boyhood in early twentieth-century Brooklyn--while hiding the fact that he was gay. A violent confrontation with his father sent him packing to Mexico City, where first he opened a business, then he opened his mouth--bragging that Americans had the courage to become bullfighters. Training with iconic matador Rodolfo Gaona, Sidney's dare spawned a legend. Following years in small-town Mexican bullrings, he put his moxie where his mouth was, taking Spain by storm as the first American matador. Sidney's 1929 rise coincided with that of his friend Ernest Hemingway's, until a bull's horn in a most inappropriate place almost ended his career--and his life. Bart Paul illuminates the artistry and violence of the mysterious ritual of the bulls as he tells the story of this remarkable character, from Franklin's life in revolutionary Mexico to his triumphs in Spain, from the pages of "Death in the Afternoon" to the destructive vortex of Hemingway's affair with Martha Gellhorn during the bloody Spanish Civil War. This is the story of an unlikely hero--a gay man in the most masculine of worlds who triumphed over prejudice and adversity as he achieved what no American had ever accomplished, teaching even Hemingway lessons in grace, machismo, and respect.
All animals have the ability to make us question the human, and its relationship to the other.This cutting-edge text addresses the implications of involving animals in performance. It demonstrates ways in which animals transform theatre's capacity to make meaning, and suggests they expose theatre's negotiations with wider ethical, social and economic questions. Ultimately, the book argues that incorporating animals into performance brings about a reassessment of the ways in which theatre is produced and received. |
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