Hemingway's passion for Spain and for the bullfight is renowned. In Death in the Afternoon he shares the sights, the sounds, the excitement and, above all, the knowledge which fuelled his passion for the 'the emotional and spiritual intensity and pure classic beauty that can be produced by a man, an animal, and a piece of scarlet serge draped on a stick.' First published in 1932, Death in the Afternoon remains a classic for its historical account of the Corrida, for the stories of the great matadors, their banderilleros and picadors - the men who live every day with death - and for the stories of the bulls whose bravery is the primal root of the bullfight. Death in the Afternoon also contains some of the finest short stories Hemingway ever wrote, inspired by the intense life as well as the inevitable death of those hot, violent afternoons.

The Wild West: a term that conjures up pictures of wagon trains, unspoiled prairies, Indians, rough 'n' ready cowboys, roundups, and buffalo herds. Where did this collection of images come from? Paul Reddin exposes the mythology of the American frontier as a carefully crafted product of the Wild West show. Focusing on such pivotal figures as George Catlin, Buffalo Bill Cody, and Tom Mix, Reddin traces the rise and fall of a popular entertainment shaped out of the "raw material of America." Buffalo Bill and other entertainers capitalized on public fascination with the danger, heroism, and courage associated with the frontier by continually modifying their presentation of the West to suit their audiences. Thus the Wild West show, contrary to its own claims of accuracy and authenticity, was highly selective in its representations of the West as well as widely influential in shaping the public image of life on the Great Plains. A uniquely American entertainment-colorful, energetic, unabashed, and, as Reddin demonstrates, self-made-the Wild West show exerted an appeal that was all but irresistible to a public hovering uncertainly between industrial progress and nostalgia for a romanticized past.

Deadly combat between gladiators is perhaps the best-known example of public entertainment offered in the Roman world. Wild and domesticated animals were also a part of these extravagant shows, and the elaborate presentation-or sometimes butchery-of creatures to gild an official's magnificence was among the most common forms of public diversion. Pitting bulls against bears, lions against Christians and criminals, elephants against rhinoceroses or parading large numbers of giraffe or zebras, the games devised by the Romans ranged from astonishing to brutally cruel. It is now difficult to comprehend the pleasure that huge crowds took from the death or struggle of animals and people, but the history of the role of animals in ancient Rome is both fascinating and important in view of modern sports spectacles and the enjoyment we take in animals in our daily lives. Based entirely on primary source material and infused with the author's direct experience with many of the animals discussed, Animals for Show and Pleasure in Ancient Rome is a comprehensive investigation of the rise, function, and pageantry of wild and domesticated animals as household pets and as fodder for entertainment in the Roman world. Extending from Egypt through the Greek city-states to the magnificent coliseums of the golden age of Roman civilization, Jennison provides an absorbing, evocative, and in-depth history that includes information about what animals were known to the Romans, which creatures they liked best, which animals were used as pets, from what places they obtained animals and how much they cost, how they were trapped, and the architectural development and dispersion of arenas throughout the Roman world. Originally published in 1937, Animals for Show and Pleasure in Ancient Rome remains the authoritative work on the subject.

Rodeo is a dangerous and painful performance in which only the strongest and most skilled riders succeed. In the popular imagination, the western rodeo hero is often a stoic white man who embodies the toughness and independence of America's frontier past. However, marginalized people have starred in rodeos since the very beginning. Cast out of popular western mythology and pushed to the fringes in everyday life, these cowboys and cowgirls found belonging and meaning at the rodeo, staking a claim to national inclusion. Outriders explores the histories of rodeoers at the margins of society, from female bronc-riders in the 1910s and 1920s and convict cowboys in Texas in the mid-twentieth century to all-black rodeos in the 1960s and 1970s and gay rodeoers in the late twentieth century. These rodeo riders not only widened the definition of the real American cowboy but also, at times, reinforced the persistent and exclusionary myth of an idealized western identity. In this nuanced study, Rebecca Scofield shares how these outsider communities courted authenticity as they put their lives on the line to connect with an imagined American West.

Crime Thriller set in Spain In this second book of the Andalusian Mystery Series, four adults remain desperate to track down their former college headmaster. He abused them as teenagers, and they want justice at any price, their justice. But, after the debacle in Malaga, their numbers are dwindling. The ancient mountain city of Ronda is the home of bullfighting. At the annual Pedro Romero Festival, a famous Torero battles with the Royal Taurino Society, the supervisory body of Spain's national tradition. He wants to stop killing the brave animals, they insist on continuing with their public slaughter. But more sinister elements are manipulating their feud for their own ends. Then people start dying. Wily, veteran Detective Inspector, Leon Prado, investigates death in the afternoon.

Chris LeDoux was a rodeo icon, known for his ability to ride bareback horses and a world championship. But Chris also had a talent with a guitar and an ability to put the life and thoughts of a rodeo cowboy into song. With the help of his family Chris started selling audio-cassettes out of his rigging bag at rodeos, just as a way to help pay his way down the road. Little did he or anyone else know that after he hung up his bareback rigging and stowed the rigging bag, that he would become a country music sensation, "Gold Buckle Dreams: The Life and Times of Chris LeDoux" tells not only of Chris's life growing up and on into rodeo, but is has been expanded to include his life after rodeo. Although Chris LeDoux and his music had a big following in rodeo, it was not until Garth Brooks mentioned LeDoux in a song, that the rest of the world discovered the man. When his career ended in rodeo, LeDoux found a second round of fame in the music world, where he gained an international following. Unfortunately his life ended prematurely, the legend and music of Chris LeDoux live on.

Hemingway's passion for Spain and for the bullfight is renowned. In Death in the Afternoon he shares the sights, the sounds, the excitement and, above all, the knowledge which fuelled his passion for the 'the emotional and spiritual intensity and pure classic beauty that can be produced by a man, an animal, and a piece of scarlet serge draped on a stick.' First published in 1932, Death in the Afternoon remains a classic for its historical account of the Corrida, for the stories of the great matadors, their banderilleros and picadors - the men who live every day with death - and for the stories of the bulls whose bravery is the primal root of the bullfight. Death in the Afternoon also contains some of the finest short stories Hemingway ever wrote, inspired by the intense life as well as the inevitable death of those hot, violent afternoons.

The first comprehensive 'biography' of one of the first celebrity animals who gave us one of our favourite words. Jumbo, Victorian England's favourite elephant, was born in 1861 in French Sudan, imported to a Parisian zoo and later sold on to London, where - for seventeen years - he dutifully gave children rides and ate buns from their hands, all the while being tortured at night to keep him docile. Worldwide fame came when he was bought by the American showman and scam artist P.T. Barnum in 1881, despite letters from 100,000 British schoolchildren who wrote to Queen Victoria begging her to prevent the sale. Barnum went on to transform Jumbo into a lucrative circus act and one of the most loved animals of all time, establishing elephants as a regular feature of funhouses and menageries the world over. Using the heartwrenching story of Jumbo's celebrity life, tragic death in Canada in 1885, and his enduring cultural legacy, Jumbo is personal and fascinating reflection on our cultural elephantiasis by one of our most distinguished literary-critical detectives, which is guaranteed to amuse, stimulate, provoke and delight in equal measure.

Dimitris Zafiropoulos' book is an introduction to the world of dolphins and whales of the Greek Seas as well as an identification and field guide. It includes information on their geographical distribution, on how to find, study and identify dolphins and whales that are regularly observed in Greek waters. The book is a result of Zafiropoulos' 12 years of field research, experiences and adventures; it's an account of close encounters with Striped Dolphins, a Fin Whale at Khorinthiakos Gulf, of fieldwork with the Bottlenose Dolphins of Amvrakikos, and of observations of the endangered Common Dolphins. Full of photographs and in-depth illustrations of dolphin and whale species, the guide is ideal for any one with the intention of having a close encounter with these animals either in Greek waters or abroad.

Marco Bellocchio is one of Italy's most important and prolific directors, with a career spanning five decades. In this book, Clodagh J. Brook explores the boundaries between the public and the private, the political and the personal, and the collective and the individual as they appear in Bellocchio's films. Including work on psychoanalysis, politics, film production, autobiography, and the relationship between film tradition and contemporary culture, Marco Bellocchio touches on fundamental issues in film analysis.

Brook's study interrogates what it means to make personal or anti-institutional art in a medium dominated by a late-capitalist industrial model of production. Her readings of Bellocchio's often enigmatic and perplexing work suggest new ways to answer questions about subjectivity, objectivity, and political commentary in modes of filmmaking. Relating the art of a private director to a public medium, Clodagh J. Brook's work is an important contribution to our understanding of film.

"Filled with delicious rodeo tidbits. Stratton's the perfect tour guide, a natural-born storyteller whose prose is as lean as a cowboy and as poetic as a sunset, rendered with a delight and wonder that are downright infectious."--"The Boston Globe" Rodeo has grown into an international, prime-time television sport. Steeped in tradition and Western spirit, it calls aspiring cowboys and cowgirls to its rough-and-tumble fame as they repeatedly risk their lives for eight seconds of triumph. In "Chasing the Rodeo," Kip Stratton takes us into the addictive core of rodeo, bull riding, and the circuit. Immersed in this world, he collides with the specter of his "rodeo bum" father, finding part of the cowboy dream that was his father's legacy. "Chasing the Rodeo" is a tribute to the famed characters of the old West and a riveting look at the superstars of the new. And best of all, it's one bucking, riveting, glorious ride.
"If you love the sound of the bell, the thud of hooves, and the sight of a twisting ton-and-a-half bovine, round up a copy of this book. "Chasing the Rodeo" is a mighty fine book for any cowpoke."--"St. Louis Post-Dispatch"
W. K. (Kip) Stratton is a native of the Southwest. His journalism has appeared in "GQ, Sports Illustrated, Outside, Southern Magazine," and the "Dallas Morning News." He lives in Austin, Texas.

While blacks have played an important role - as explorers, scouts, Indian consorts, soldiers, cowboys, farmers - in the exploration, conquest, and settlement of the American West, they have received scant attention from the chroniclers of the pageant of western development.Few of rodeo's early heroes matched the achievements of the black cowboy Bill Pickett, and his story is recounted here for the first time in book form. Pickett grew up in Texas in the 1880's, the child of former slaves, to become nationally famous as the star of the 101 Ranch Wild West Show. Pickett was associated with such western figures as Tom Mix, Will Rogers, Milt Hinkle, and Lucille Mulhall, and earned a reputation as an all around cowboy of legendary abilities. His greatest claim to fame is as the originator of steer wrestling, the only rodeo event to the traced to one individual. Audiences all over the United States, South America, Canada, and England were amazed to see the ""Dusky Demon"" fell on thousand-pound steers and bring them down bite-'em style with his teeth. In spite of a life of incredible physical daring - afoot and unarmed he once took on an enraged fighting bull in a Mexico City arena - he lived to age sixty, to die with his boots on in a professional career had been with the 101 Ranch, and his funeral was on the ranch's last great events. In recognition of his many achievements Pickett was elected to the Cowboy Hall of Fame in 1971, the first black cowboy to be so honored. The author brings together all that is known about Pickett, sorting out the facts and legends, and un telling the story sheds new light on early-day rodeo and 101 Ranch life.

William F. "Buffalo Bill" Cody was the entertainment industry's first international celebrity, achieving worldwide stardom with his traveling Wild West show. For three decades he operated and appeared in various incarnations of "the western world's greatest traveling attraction," enthralling audiences around the globe. When the show reached Europe it was a sensation, igniting "Wild West fever" by offering what purported to be a genuine experience of the American frontier. By any standard Charles Eldridge Griffin (1859-1914), manager of the Wild West's European tour, was a remarkable man. Known by the stage names of Monsieur F. Le Costro, Professor Griffin, and the Yankee Yogi, he was an author, comedian, conjurer, contortionist, dancer, fire-eater, hypnotist, illusionist, lecturer, magician, newspaper owner, publisher, sword swallower, and yogi. His account of life on the road with the Wild West show, published here for the first time since its release in 1908, opens a window on a vanished world. In addition to line drawings and photographs from the original book, Chris Dixon provides an introduction and annotations for historical context. Griffin's story of traveling with Buffalo Bill in Europe from 1903 to 1906 presents a fascinating picture of a quintessentially American character. At the same time it offers a vision of the nation on the verge of nationalism, imperialism, and an emerging global mass culture.

Sidney Franklin (1903-76) was the last person you'd expect to become a bullfighter. The streetwise son of a Russian Jewish cop, Sidney had an all-American boyhood in early twentieth-century Brooklyn--while hiding the fact that he was gay. A violent confrontation with his father sent him packing to Mexico City, where first he opened a business, then he opened his mouth--bragging that Americans had the courage to become bullfighters. Training with iconic matador Rodolfo Gaona, Sidney's dare spawned a legend. Following years in small-town Mexican bullrings, he put his moxie where his mouth was, taking Spain by storm as the first American matador. Sidney's 1929 rise coincided with that of his friend Ernest Hemingway's, until a bull's horn in a most inappropriate place almost ended his career--and his life. Bart Paul illuminates the artistry and violence of the mysterious ritual of the bulls as he tells the story of this remarkable character, from Franklin's life in revolutionary Mexico to his triumphs in Spain, from the pages of "Death in the Afternoon" to the destructive vortex of Hemingway's affair with Martha Gellhorn during the bloody Spanish Civil War. This is the story of an unlikely hero--a gay man in the most masculine of worlds who triumphed over prejudice and adversity as he achieved what no American had ever accomplished, teaching even Hemingway lessons in grace, machismo, and respect.

In honor of the 100th anniversary of the Calgary Stampede, Bryden presents this #1 "Calgary Herald" bestseller detailing the fascinating true story of the romance that started the Stampede.
The love story of rodeo promoter Guy Weadick and trick roper Flores LaDue began among the rough-and-tumble vaudevillians preserving the frontier way of life in the first Wild West shows. Their love endured through North American performances in the small-time and big-time circuits to the audiences of Europe and culminated in 1912 with the most spectacular of accomplishments--the establishment of the greatest outdoor show on earth, the Calgary Exhibition & Stampede. That was one hundred years ago, and this is their story.

All animals have the ability to make us question the human, and its relationship to the other.This cutting-edge text addresses the implications of involving animals in performance. It demonstrates ways in which animals transform theatre's capacity to make meaning, and suggests they expose theatre's negotiations with wider ethical, social and economic questions. Ultimately, the book argues that incorporating animals into performance brings about a reassessment of the ways in which theatre is produced and received.