In the best Rabelaisian tradition, this brilliant satire weaves a tale of improbabilities around the seat of the last great taboo. Oilei Bomboki wakes one morning with an excruciating pain that sends him anxiously searching for a cure. Unsuccessful treatments at the hands of various healers and doctors, culminating in a bizarre operation, lead the desperate Oilei to seek the help of Babu Vivekanand--sage, yogi, and conman. Through Babu's teachings, Oilei learns to love and respect the source of his own complaint. By turns savage and absurdly comic, this brilliant satire allows Hau'ofa to comment on aspects of life in a small Pacific community perched precariously between traditional and modern ways.

This stimulating account of an attempt to build an intellectual bridge between the ancient navigators of the Pacific Ocean and present-day practitioners of the art and science of navigation... achieves the recording of several successful experiments... The descriptions and the comparisons made between methods make good reading."" - Journal of Navigation

In an engaging and original contribution to the field of memory studies, Joy Damousi considers the enduring impact of war on family memory in the Greek diaspora. Focusing on Australia's Greek immigrants in the aftermath of the Second World War and the Greek Civil War, the book explores the concept of remembrance within the larger context of migration to show how intergenerational experience of war and trauma transcend both place and nation. Drawing from the most recent research in memory, trauma and transnationalism, Memory and Migration in the Shadow of War deals with the continuities and discontinuities of war stories, assimilation in modern Australia, politics and activism, child migration and memories of mothers and children in war. Damousi sheds new light on aspects of forgotten memory and silence within families and communities, and in particular the ways in which past experience of violence and tragedy is both negotiated and processed.

This book sets out to navigate questions of the future of Australian poetry. Deliberately designed as a dialogue between poets, each of the four clusters presented here-"Indigeneities"; "Political Landscapes"; "Space, Place, Materiality"; "Revising an Australian Mythos"-models how poetic communities in Australia continue to grow in alliance toward certain constellated ideas. Exploring the ethics of creative production in a place that continues to position capital over culture, property over community, each of the twenty essays in this anthology takes the subject of Australian poetry definitively beyond Eurocentrism and white privilege. By pushing back against nationalizing mythologies that have, over the last 200 years since colonization, not only narrativized the logic of instrumentalization but rendered our lands precarious, this book asserts new possibilities of creative responsiveness within the Australian sensorium.