Blues is a language--one which has evolved its own rules and which is the sole property of a culture always forced to the periphery of white society. As such it is a political language. Whether it is passed as a legacy from African village to Mississippi farm, or from farm to Chicago ghetto, or from ghetto to Paris cafe, it is part of a larger oral heritage that is an expression of black America. Makeshift instruments, runaway slaves, railroads, prisons, empty rooms, work gangs, blindness, and pain have all been involved in the passing of this legacy, which has moved from hand to hand like a bottle of whiskey among friends and which now, for whatever reasons, seems faced with extinction. As Lightnin' Hopkins says: "I see a few young musicians coming along. But it's not many. It's not many at all, and the few that is--I'll tell you, you know what I mean, they don't have it. They just don't feel it. . . . I never had that trouble. I had the one thing you need to be a blues singer. I was born with the blues."With an awareness of the urgency involved, and with considerable devotion, Samuel Charters has chosen twelve major bluesmen, each whom represents a major facet of the blues, and has written about them. Rather than adopt the voyeuristic tone of the academician, he has used the direct visceral images that have always composed the blues. Also included are interviews, photographs, lyrics, and separate chapters on the black experience in America, and the evolution of the blues language from its African origins. Samuel Charters has renewed contact with the greatness of the blues legacy--from the haunting lyric songs of the bluesmen like Robert Pete Williams and Lightnin' Hopkins to the fiercely joyous shouts of Champion Jack Depree, Memphis Slim, and Mighty Joe Young.

Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 David Robertson charts W. C. Handy's rise from a rural-Alabama childhood in the last decades of the nineteenth century to his emergence as one of the most celebrated songwriters of the twentieth century. The child of former slaves, Handy was first inspired by spirituals and folk songs, and his passion for music pushed him to leave home as a teenager, despite opposition from his preacher father. Handy soon found his way to St. Louis, where he spent a winter sleeping on cobblestone docks before lucking into a job with an Indiana brass band. It was in a minstrel show, playing to racially mixed audiences across the country, that he got his first real exposure as a professional musician, but it was in Memphis, where he settled in 1905, that he hit his full stride as a composer. At once a testament to the power of song and a chronicle of race and black music in America, W. C. Handy's life story is in many ways the story of the birth of our country's indigenous culture--and a riveting must read for anyone interested in the history of American music.

This book offers an oral history of musical genres from the Palmetto state musicians who helped define the sounds.From Jabbo Smith, Dizzy Gillespie, and Drink Small to Johnny Helms, Dick Goodwin, and Chris Potter, South Carolina has been home to an impressive number of well-known jazz and blues musicians. Through richly detailed interviews with 19 South Carolina musicians, Franklin presents an oral history of the tradition and influence of jazz and the blues in the Palmetto State.Franklin takes as his subjects a range of musicians born between 1905 and 1971, representing every decade in between, to trace the progression of these musical genres from Tommy Benford's and Jabbo Smith's first recording sessions in the summer of 1926 to the present day. Diverse not only in age but also in race, gender, instruments, and style, these musicians exemplify the breadth of jazz and blues performers from South Carolina.In their own colorful words, the performers recall their love affairs with the distinctive sounds of jazz and blues, indoctrinations into the musical word, early gigs, life on the tour bus, fans, drugs, military service, amateur night at the Apollo Theater, and influential friendships with other well-known musicians. As the story of South Carolina musical scene is tightly interwoven with that of the nation, these narratives also include appearances by Tony Bennett, Miles Davis, Count Basie, Herman Lubinsky, Helen Merrill, Pharoah Sanders, Sister Rosetta Tharpe, and other significant musicians.

His blistering guitar playing breathed life back into the blues. Performing night after night - from his early teens to his tragic death at age thirty-five, in tiny pass-the-hat clubs and before thousands in huge arenas - Stevie Ray Vaughan fused blazing technique with deep soul in a manner unrivaled since the days of Jimi Hendrix. The genuineness and passion of his music moved millions. It nearly saved his life. Stevie Ray Vaughan: Caught in the Crossfire is the first biography of this meteoric guitar hero. Emerging from the hotbed of Texas blues, Stevie Ray Vaughan developed his unique style early on, in competition with his older brother, Jimmie Vaughan, founder of the Fabulous Thunderbirds - a competition that shaped much of Stevie's life. Fueled by drugs and alcohol through a thousand one-night stands, he lived at a fever pitch that nearly destroyed him. Musically exhausted and close to collapse, in his final years Stevie Ray mustered the courage to overcome his addictions, finding strength and inspiration in a new emotional openness. His death in a freak helicopter crash in 1990 silenced one of the great musical talents of our time. Stevie Ray Vaughan: Caught in the Crossfire reveals Stevie Ray Vaughan's life in all its remarkable, sometimes unsavory detail. It also brings to life the rich world of Texas music out of which he grew, and captures the staggering dimensions of his musical legacy. It will stand as the definitive biographical portrait of Stevie Ray.

W. C. Handy's blues, Memphis Blues," "Beale Street Blues," "St. Louis Blues",changed America's music forever. In Father of the Blues, Handy presents his own story: a vivid picture of American life now vanished. W. C. Handy (1873-1958) was a sensitive child who loved nature and music but not until he had won a reputation did his father, a preacher of stern Calvinist faith, forgive him for following the "devilish" calling of black music and theatre. Here Handy tells of this and other struggles: the lot of a black musician with entertainment groups in the turn-of-the-century South his days in minstrel shows, and then in his own band how he made his first 100 from "Memphis Blues" how his orchestra came to grief with the First World War his successful career in New York as publisher and song writer his association with the literati of the Harlem Renaissance.Handy's remarkable tale,pervaded with his unique personality and humour,reveals not only the career of the man who brought the blues to the world's attention, but the whole scope of American music, from the days of the old popular songs of the South, through ragtime to the great era of jazz.

"Contemporary Musicians provides comprehensive information on more than 2,000 musicians and groups from around the world. Entries include a detailed biographical essay, selected discographies, contact information and a list of sources. Features include e-mail addresses and online sources where available.

New Volume Students and other researchers will love this biographical and critical series covering performers and others in a wide variety of musical fields. Each volume covers more than 80 musicians and provides vital statistics, critical essays, photographs and more. Musician and subject indexes facilitate research. Look for:
-- Rap star 2Pac
-- Country sensation Shania Twain
-- Dance hitmakers Soul II Soul
-- Eclectic British rockers Blur
-- Punk-folk artist Ani DiFranco
-- Jazz bassist Christian McBride
-- And many others

New Volume Students and other researchers will love this biographical and critical series covering performers and others in a wide variety of musical fields. Each volume covers more than 80 musicians and provides vital statistics, critical essays, photographs and more. Musician and subject indexes facilitate research. Look for:
-- Rap star 2Pac
-- Country sensation Shania Twain
-- Dance hitmakers Soul II Soul
-- Eclectic British rockers Blur
-- Punk-folk artist Ani DiFranco
-- Jazz bassist Christian McBride
-- And many others

New Volume Students and other researchers will love this biographical and critical series covering performers and others in a wide variety of musical fields. Each volume covers more than 80 musicians and provides vital statistics, critical essays, photographs and more. Musician and subject indexes facilitate research. Look for:
-- Rap star 2Pac
-- Country sensation Shania Twain
-- Dance hitmakers Soul II Soul
-- Eclectic British rockers Blur
-- Punk-folk artist Ani DiFranco
-- Jazz bassist Christian McBride
-- And many others

"Russo has undertaken an ambitious project, attempting to discuss together the elements of music that are commonly treated separately in books on harmony, counterpoint, and orchestration. As such, his new book contains enough musical instruction to be of interest even to students not particularly interested in 'jazz' or Russo's own musical idiom. For the student who wants to compose or arrange for 'jazz' ensembles from dance bands to full orchestras, Russo has shown himself to be a generous source of good advice."--Jon Newsom, Notes

This is a biographical and critical guide to performers and writers in a wide variety of musical fields, including pop, rock, rap, jazz, rhythm and blues, folk, New Age, country, gospel, and reggae. Each biannual volume covers 80-100 musicians.

Provides jazz scholars, specialists, and both novice and experienced listeners with a detailed, critical commentary on this jazz master's recordings from 1924 to 1974. The guide begins with a brief overview of the artist and the complexity and unending creativity of his music. The chapters follow the chronological sequence covering identifiable stages in output and list essential Ellingtonia. The appendixes include a bibliography, a comprehensive discography listing both LPs and CDs, a list of useful addresses, and a list of Ellington musicians and the date of their membership in the band.